The Lost Worlds of John Ford: Beyond the Western
The great director John Ford (1894—1973) is best known for classic westerns, but his body of work encompasses much more than this single genre. Jeffrey Richards develops and broadens our understanding of Ford's film—making oeuvre by studying his non—Western films through the lens of Ford's life and abiding preoccupations. Ford's other cinematic worlds included Ireland, the Family, Catholicism, War and the Sea, which share with his westerns the recurrent themes of memory and loss, the plight of outsiders and the tragedy of family breakup. Richards' revisionist study both provides new insights into familiar films such as The Fugitive (1947); The Quiet Man (1952), Gideon's Way and The Informer (1935) and reclaims neglected masterpieces, among them Wee Willie Winkie (1937) and the extraordinary The Long Voyage Home. (1940).
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The Lost Worlds of John Ford: Beyond the Western
The great director John Ford (1894—1973) is best known for classic westerns, but his body of work encompasses much more than this single genre. Jeffrey Richards develops and broadens our understanding of Ford's film—making oeuvre by studying his non—Western films through the lens of Ford's life and abiding preoccupations. Ford's other cinematic worlds included Ireland, the Family, Catholicism, War and the Sea, which share with his westerns the recurrent themes of memory and loss, the plight of outsiders and the tragedy of family breakup. Richards' revisionist study both provides new insights into familiar films such as The Fugitive (1947); The Quiet Man (1952), Gideon's Way and The Informer (1935) and reclaims neglected masterpieces, among them Wee Willie Winkie (1937) and the extraordinary The Long Voyage Home. (1940).
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The Lost Worlds of John Ford: Beyond the Western

The Lost Worlds of John Ford: Beyond the Western

by Jeffrey Richards
The Lost Worlds of John Ford: Beyond the Western

The Lost Worlds of John Ford: Beyond the Western

by Jeffrey Richards

Paperback

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Overview

The great director John Ford (1894—1973) is best known for classic westerns, but his body of work encompasses much more than this single genre. Jeffrey Richards develops and broadens our understanding of Ford's film—making oeuvre by studying his non—Western films through the lens of Ford's life and abiding preoccupations. Ford's other cinematic worlds included Ireland, the Family, Catholicism, War and the Sea, which share with his westerns the recurrent themes of memory and loss, the plight of outsiders and the tragedy of family breakup. Richards' revisionist study both provides new insights into familiar films such as The Fugitive (1947); The Quiet Man (1952), Gideon's Way and The Informer (1935) and reclaims neglected masterpieces, among them Wee Willie Winkie (1937) and the extraordinary The Long Voyage Home. (1940).

Product Details

ISBN-13: 9781350194960
Publisher: Bloomsbury Academic
Publication date: 07/29/2021
Series: Cinema and Society
Pages: 352
Product dimensions: 6.14(w) x 9.21(h) x 0.72(d)

About the Author

Jeffrey Richards is Professor of Cultural History at the University of Lancaster and a leading authority on Victorian popular culture, the Victorian theatre and twentieth century cinema. His study of Henry Irving (Hambledon 2005) was shortlisted for the Theatre History Book Prize. He is a regular reviewer and broadcaster.

Table of Contents

Introduction and Acknowledgements
1. John Ford: the Enigmatic Genius
2. John Ford's Ireland
3. John Ford's Empire
4. John Ford's Faith
5. John Ford's Underworld
6. John Ford's Wars
7. John Ford's Navy
Conclusion

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