Channel 4 and the British Film Industry, 1982-1998
This monograph offers the first ever comprehensive study of Channel 4’s film production, distribution and broadcasting activities and represents a significant contribution to British cinema and television history. The importance of Channel 4 to the British film industry over the last 40 years cannot be overstated. The birth of the Channel in 1982 heralded a convergence between the UK film and television sectors which was particularly notable given that the two industries had historically been at loggerheads. In addition to its role as a broadcaster and curator of feature film programming, since its inception Channel 4 has funded or co—funded hundreds of feature films through its film commissioning arm, Film4. The Channel’s commitment to financing between 15—20 films per year helped form the backbone of the ailing film sector throughout the 1980s and early 1990s, while Film4 funding has also been instrumental to the success of many companies which have become vital to the British film industry.

1144403415
Channel 4 and the British Film Industry, 1982-1998
This monograph offers the first ever comprehensive study of Channel 4’s film production, distribution and broadcasting activities and represents a significant contribution to British cinema and television history. The importance of Channel 4 to the British film industry over the last 40 years cannot be overstated. The birth of the Channel in 1982 heralded a convergence between the UK film and television sectors which was particularly notable given that the two industries had historically been at loggerheads. In addition to its role as a broadcaster and curator of feature film programming, since its inception Channel 4 has funded or co—funded hundreds of feature films through its film commissioning arm, Film4. The Channel’s commitment to financing between 15—20 films per year helped form the backbone of the ailing film sector throughout the 1980s and early 1990s, while Film4 funding has also been instrumental to the success of many companies which have become vital to the British film industry.

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Channel 4 and the British Film Industry, 1982-1998

Channel 4 and the British Film Industry, 1982-1998

by Laura Mayne
Channel 4 and the British Film Industry, 1982-1998

Channel 4 and the British Film Industry, 1982-1998

by Laura Mayne

Hardcover

$120.00 
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Overview

This monograph offers the first ever comprehensive study of Channel 4’s film production, distribution and broadcasting activities and represents a significant contribution to British cinema and television history. The importance of Channel 4 to the British film industry over the last 40 years cannot be overstated. The birth of the Channel in 1982 heralded a convergence between the UK film and television sectors which was particularly notable given that the two industries had historically been at loggerheads. In addition to its role as a broadcaster and curator of feature film programming, since its inception Channel 4 has funded or co—funded hundreds of feature films through its film commissioning arm, Film4. The Channel’s commitment to financing between 15—20 films per year helped form the backbone of the ailing film sector throughout the 1980s and early 1990s, while Film4 funding has also been instrumental to the success of many companies which have become vital to the British film industry.


Product Details

ISBN-13: 9781474437271
Publisher: Edinburgh University Press
Publication date: 04/30/2024
Pages: 200
Product dimensions: 6.14(w) x 9.21(h) x (d)

About the Author

Laura Mayne is a Lecturer in Film and Media at the University of Hull

Table of Contents

Figures

Acknowledgements

Introduction

Part One: Film Policy

Chapter 1: Getting into film

Chapter 2: A matter of taste: Commissioning films

Part Two: Films on Four

Chapter 3: Can television be cinema?

Chapter 4: The aesthetics of early Films on Four

Part Three: Productive Relationships

Chapter 5: Channel 4’s film financing model

Chapter 6: A Tale of two film companies

Chapter 7: Short films and shallow graves

Part Four: International Crossings

Chapter 8: Channel 4 in Europe

Chapter 9: Channel 4 and Indiewood

Conclusion: Archives and the broadcaster’s memory

Appendix: Channel 4 features 1982—1998

Bibliography

Index

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