Slum Imaginaries and Spatial Justice in Philippine Cinema
Outlining the rise of Philippine slums alongside the historical development of Philippine urban cinema, Slum Imaginaries and Spatial Justice in Philippine Cinema makes a novel contribution to the cinema-city nexus through its interdisciplinary framework of film studies and human geography. It formulates the theory of the ‘slum chronotope’ as a theoretical tool to analyse narrative and genre formation in films that dialogue with Manila’s slum imaginaries, and makes the case for Philippine urban cinema – and Philippine urban history – as a significant vantage point from which to understand imaginaries of spatial justice.
With case studies that take off from The Blossoming of Maximo Oliveros (2005) to Respeto (2017), this book is a powerful contribution to transnational cinema studies.

1138808568
Slum Imaginaries and Spatial Justice in Philippine Cinema
Outlining the rise of Philippine slums alongside the historical development of Philippine urban cinema, Slum Imaginaries and Spatial Justice in Philippine Cinema makes a novel contribution to the cinema-city nexus through its interdisciplinary framework of film studies and human geography. It formulates the theory of the ‘slum chronotope’ as a theoretical tool to analyse narrative and genre formation in films that dialogue with Manila’s slum imaginaries, and makes the case for Philippine urban cinema – and Philippine urban history – as a significant vantage point from which to understand imaginaries of spatial justice.
With case studies that take off from The Blossoming of Maximo Oliveros (2005) to Respeto (2017), this book is a powerful contribution to transnational cinema studies.

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Slum Imaginaries and Spatial Justice in Philippine Cinema

Slum Imaginaries and Spatial Justice in Philippine Cinema

by Katrina Macapagal
Slum Imaginaries and Spatial Justice in Philippine Cinema

Slum Imaginaries and Spatial Justice in Philippine Cinema

by Katrina Macapagal

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Overview

Outlining the rise of Philippine slums alongside the historical development of Philippine urban cinema, Slum Imaginaries and Spatial Justice in Philippine Cinema makes a novel contribution to the cinema-city nexus through its interdisciplinary framework of film studies and human geography. It formulates the theory of the ‘slum chronotope’ as a theoretical tool to analyse narrative and genre formation in films that dialogue with Manila’s slum imaginaries, and makes the case for Philippine urban cinema – and Philippine urban history – as a significant vantage point from which to understand imaginaries of spatial justice.
With case studies that take off from The Blossoming of Maximo Oliveros (2005) to Respeto (2017), this book is a powerful contribution to transnational cinema studies.


Product Details

ISBN-13: 9781474451901
Publisher: Edinburgh University Press
Publication date: 02/06/2023
Pages: 240
Product dimensions: 6.14(w) x 9.21(h) x 0.46(d)

About the Author

Katrina Macapagal obtained her PhD in Film and Media studies from Queen Margaret University, and her MA in Cultural and Critical Studies from the University of Westminster.

Table of Contents

AcknowledgmentsList of figures

Introduction

Part I: Locating Philippine urban cinema

1. Spatial justice and the slum chronotope

2. The rise of Manila slums and Philippine urban cinema

3. The slum chronotope in Philippine cinema genres and modalities

Part II: Routes of reading Philippine urban cinema

4. Kids in the hood: Chronotopes of passage in Ang Pagdadalaga ni Maximo Oliveros and Tribu

5. Women walking: Affective chronotopes in the melodramatic imaginaries of Kubrador, Foster Child, and Lola

6. Men on the move: Chronotopes of mobility in the noir imaginaries of Kinatay, Metro Manila, and On the Job

7. Migrants in Transit: The slum chronotope and chronotopes of in/visibility in the Overseas Filipino Worker genre

8. Sounds of youth: The production of noise and chronotopes of performance in Respeto

Conclusion Bibliography

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