Gender and Seriality: Practices and Politics of Contemporary US Television
The notion of seriality and serial identity performance runs as a strong undercurrent through much of the fields of feminist theory, gender studies and queer studies. Defining gender as a serial and discursively produced entanglement of different practices and agencies, this book argues that serial storytelling can offer such complex negotiations of identity that the 'results' of televisual gender performances are rarely separate from the processes that produce them. As such, gender performances are not restricted to individual television programmes themselves, but are also located in official paratexts, such as making-of documentaries, interviews with writers and actors, and in cultural sites like online viewer discussions, recaps and fan fiction. With case studies of series such as Girls, How to Get Away With Murder and The Walking Dead, this book seeks to understand how gender as a practice is generated by television narratives in the overlapping of text, reception and production, and explores the viewer practices that these narratives seek to trigger and draw on in the process.
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Gender and Seriality: Practices and Politics of Contemporary US Television
The notion of seriality and serial identity performance runs as a strong undercurrent through much of the fields of feminist theory, gender studies and queer studies. Defining gender as a serial and discursively produced entanglement of different practices and agencies, this book argues that serial storytelling can offer such complex negotiations of identity that the 'results' of televisual gender performances are rarely separate from the processes that produce them. As such, gender performances are not restricted to individual television programmes themselves, but are also located in official paratexts, such as making-of documentaries, interviews with writers and actors, and in cultural sites like online viewer discussions, recaps and fan fiction. With case studies of series such as Girls, How to Get Away With Murder and The Walking Dead, this book seeks to understand how gender as a practice is generated by television narratives in the overlapping of text, reception and production, and explores the viewer practices that these narratives seek to trigger and draw on in the process.
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Gender and Seriality: Practices and Politics of Contemporary US Television

Gender and Seriality: Practices and Politics of Contemporary US Television

by Maria Sulimma
Gender and Seriality: Practices and Politics of Contemporary US Television

Gender and Seriality: Practices and Politics of Contemporary US Television

by Maria Sulimma

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Overview

The notion of seriality and serial identity performance runs as a strong undercurrent through much of the fields of feminist theory, gender studies and queer studies. Defining gender as a serial and discursively produced entanglement of different practices and agencies, this book argues that serial storytelling can offer such complex negotiations of identity that the 'results' of televisual gender performances are rarely separate from the processes that produce them. As such, gender performances are not restricted to individual television programmes themselves, but are also located in official paratexts, such as making-of documentaries, interviews with writers and actors, and in cultural sites like online viewer discussions, recaps and fan fiction. With case studies of series such as Girls, How to Get Away With Murder and The Walking Dead, this book seeks to understand how gender as a practice is generated by television narratives in the overlapping of text, reception and production, and explores the viewer practices that these narratives seek to trigger and draw on in the process.

Product Details

ISBN-13: 9781474473958
Publisher: Edinburgh University Press
Publication date: 02/16/2021
Series: Screen Serialities
Pages: 264
Product dimensions: 6.14(w) x 9.21(h) x (d)

About the Author

Maria Sulimma is a Postdoctoral Associate in the Department of Anglophone Studies at the University of Duisburg—Essen.

Table of Contents

Introduction: Serial Genders, Gendered Serialities

Serial TV Criticism and Girls
1. The Thinkpiece Seriality of Girls
2. Carousel: Gendering through Controversy
3. Navigating Discourses of Universality and Specificity: 'The (Feminist) Voice of a Generation?'
Television Audience Engagement and How to Get Away with Murder
4. The Looped Seriality of How to Get Away with Murder
5. Outward Spiral: Gendering through Recognisability
6. Evoking Discourses of Progressivism, Social Activism, and Identity Politics: 'Such an Important Episode!'
Television Authorship and The Walking Dead
7. The Paratext Seriality of The Walking Dead
8. Palimpsest: Gendering through Accountability
9. Neoliberalising Discourses of Serialised Survivalism: 'You make it … until you don't'
Conclusion: Archiving Snapshots

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