Provocation in Women's Filmmaking: Authorship and Art Cinema
Critics regularly use the term "provocateur" to describe controversial film directors. Although most individuals who attract this term are men, there is a long and largely unexamined history of female auteurs who shock and unsettle their viewers. Provocation in Women’s Filmmaking: Authorship and Art Cinema investigates how women directors participate in the tradition of provocative art cinema. Focusing on the post—millennium films of auteurs such as Lisa Aschan, Catherine Breillat, Jennifer Kent, Isabella Eklöf, Lucile Hadžihalilović, Claire Denis, Anna Biller and Athina Rachel Tsangari, this book considers the aesthetics and strategies of women’s provocative filmmaking in contemporary cinema. Challenging the gendering of provocation as a hyper—masculine mode of authorship, the book uncovers an enticing and complex array of divisive works by women.

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Provocation in Women's Filmmaking: Authorship and Art Cinema
Critics regularly use the term "provocateur" to describe controversial film directors. Although most individuals who attract this term are men, there is a long and largely unexamined history of female auteurs who shock and unsettle their viewers. Provocation in Women’s Filmmaking: Authorship and Art Cinema investigates how women directors participate in the tradition of provocative art cinema. Focusing on the post—millennium films of auteurs such as Lisa Aschan, Catherine Breillat, Jennifer Kent, Isabella Eklöf, Lucile Hadžihalilović, Claire Denis, Anna Biller and Athina Rachel Tsangari, this book considers the aesthetics and strategies of women’s provocative filmmaking in contemporary cinema. Challenging the gendering of provocation as a hyper—masculine mode of authorship, the book uncovers an enticing and complex array of divisive works by women.

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Provocation in Women's Filmmaking: Authorship and Art Cinema

Provocation in Women's Filmmaking: Authorship and Art Cinema

by Janice Loreck
Provocation in Women's Filmmaking: Authorship and Art Cinema

Provocation in Women's Filmmaking: Authorship and Art Cinema

by Janice Loreck

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$27.95 
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Overview

Critics regularly use the term "provocateur" to describe controversial film directors. Although most individuals who attract this term are men, there is a long and largely unexamined history of female auteurs who shock and unsettle their viewers. Provocation in Women’s Filmmaking: Authorship and Art Cinema investigates how women directors participate in the tradition of provocative art cinema. Focusing on the post—millennium films of auteurs such as Lisa Aschan, Catherine Breillat, Jennifer Kent, Isabella Eklöf, Lucile Hadžihalilović, Claire Denis, Anna Biller and Athina Rachel Tsangari, this book considers the aesthetics and strategies of women’s provocative filmmaking in contemporary cinema. Challenging the gendering of provocation as a hyper—masculine mode of authorship, the book uncovers an enticing and complex array of divisive works by women.


Product Details

ISBN-13: 9781474483506
Publisher: Edinburgh University Press
Publication date: 11/30/2024
Pages: 208
Product dimensions: 6.14(w) x 9.21(h) x 0.00(d)

About the Author

Janice Loreck is Lecturer in Screen Studies at the University of Melbourne. She is co—editor of Screening Scarlett Johansson: Gender, Genre, Stardom (2019) and the author of Violent Women in Contemporary Cinema (2016).

Table of Contents

List of IllustrationsAcknowledgementsIntroduction

  1. Sexuality and Obscenity: From Catherine Breillat to Lisa Aschan
  2. On Not Looking Away: Rape in the Films of Jennifer Kent and Isabella Eklöf
  3. The Provocations of the Pretty: The Films of Lucile Hadžihalilović
  4. Pursuing Transgression: Claire Denis’s Taboo Intimacies
  5. Posing as an Innocent: Irony, Sincerity and Anna Biller
  6. Vaguely Disturbing: Humour in the Films of Athina Rachel Tsangari

Conclusion NotesFilmographyBibliographyIndex

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