Women in Weimar Fashion: Discourses and Displays in German Culture, 1918-1933
New view of the crucial role of fashion discourse and practice in Weimar Germany and its significance for women.
In the Weimar Republic, fashion was not only manipulated by the various mass media — film, magazines, advertising, photography, and popular literature — but also emerged as a powerful medium for women's self-expression. Female writers and journalists, including Helen Grund, Irmgard Keun, Vicki Baum, Elsa Maria Bug, and numerous others engaged in a challenging, self-reflective commentary on current styles. By regularly publishing on these topics in the illustrated press and popular literature, they transformed traditional genres and carved out significant public space for themselves. This book re-evaluates paradigmatic concepts of German modernism such as the flâneur, the Feuilleton, and Neue Sachlichkeit in the light of primary material unearthed in archival research: fashion vignettes, essays, short stories, travelogues, novels, films, documentaries, newsreels, and photographs. Unlike other studies of Weimar culture that have ignored the crucial role of fashion, the book proposes a new genealogy of women's modernity by focusing on the discourse and practice of Weimar fashion, in which the women were transformed from objects of male voyeurism into subjects with complex, ambivalent, and constantly shifting experiences of metropolitan modernity.
Mila Ganeva is Associate Professor of German at Miami University, Oxford, Ohio.
1110926240
In the Weimar Republic, fashion was not only manipulated by the various mass media — film, magazines, advertising, photography, and popular literature — but also emerged as a powerful medium for women's self-expression. Female writers and journalists, including Helen Grund, Irmgard Keun, Vicki Baum, Elsa Maria Bug, and numerous others engaged in a challenging, self-reflective commentary on current styles. By regularly publishing on these topics in the illustrated press and popular literature, they transformed traditional genres and carved out significant public space for themselves. This book re-evaluates paradigmatic concepts of German modernism such as the flâneur, the Feuilleton, and Neue Sachlichkeit in the light of primary material unearthed in archival research: fashion vignettes, essays, short stories, travelogues, novels, films, documentaries, newsreels, and photographs. Unlike other studies of Weimar culture that have ignored the crucial role of fashion, the book proposes a new genealogy of women's modernity by focusing on the discourse and practice of Weimar fashion, in which the women were transformed from objects of male voyeurism into subjects with complex, ambivalent, and constantly shifting experiences of metropolitan modernity.
Mila Ganeva is Associate Professor of German at Miami University, Oxford, Ohio.
Women in Weimar Fashion: Discourses and Displays in German Culture, 1918-1933
New view of the crucial role of fashion discourse and practice in Weimar Germany and its significance for women.
In the Weimar Republic, fashion was not only manipulated by the various mass media — film, magazines, advertising, photography, and popular literature — but also emerged as a powerful medium for women's self-expression. Female writers and journalists, including Helen Grund, Irmgard Keun, Vicki Baum, Elsa Maria Bug, and numerous others engaged in a challenging, self-reflective commentary on current styles. By regularly publishing on these topics in the illustrated press and popular literature, they transformed traditional genres and carved out significant public space for themselves. This book re-evaluates paradigmatic concepts of German modernism such as the flâneur, the Feuilleton, and Neue Sachlichkeit in the light of primary material unearthed in archival research: fashion vignettes, essays, short stories, travelogues, novels, films, documentaries, newsreels, and photographs. Unlike other studies of Weimar culture that have ignored the crucial role of fashion, the book proposes a new genealogy of women's modernity by focusing on the discourse and practice of Weimar fashion, in which the women were transformed from objects of male voyeurism into subjects with complex, ambivalent, and constantly shifting experiences of metropolitan modernity.
Mila Ganeva is Associate Professor of German at Miami University, Oxford, Ohio.
In the Weimar Republic, fashion was not only manipulated by the various mass media — film, magazines, advertising, photography, and popular literature — but also emerged as a powerful medium for women's self-expression. Female writers and journalists, including Helen Grund, Irmgard Keun, Vicki Baum, Elsa Maria Bug, and numerous others engaged in a challenging, self-reflective commentary on current styles. By regularly publishing on these topics in the illustrated press and popular literature, they transformed traditional genres and carved out significant public space for themselves. This book re-evaluates paradigmatic concepts of German modernism such as the flâneur, the Feuilleton, and Neue Sachlichkeit in the light of primary material unearthed in archival research: fashion vignettes, essays, short stories, travelogues, novels, films, documentaries, newsreels, and photographs. Unlike other studies of Weimar culture that have ignored the crucial role of fashion, the book proposes a new genealogy of women's modernity by focusing on the discourse and practice of Weimar fashion, in which the women were transformed from objects of male voyeurism into subjects with complex, ambivalent, and constantly shifting experiences of metropolitan modernity.
Mila Ganeva is Associate Professor of German at Miami University, Oxford, Ohio.
39.95
In Stock
5
1
Women in Weimar Fashion: Discourses and Displays in German Culture, 1918-1933
252
Women in Weimar Fashion: Discourses and Displays in German Culture, 1918-1933
252
39.95
In Stock
Product Details
| ISBN-13: | 9781571135162 |
|---|---|
| Publisher: | BOYDELL & BREWER INC |
| Publication date: | 08/01/2011 |
| Series: | Screen Cultures: German Film and the Visual , #2 |
| Pages: | 252 |
| Product dimensions: | 6.00(w) x 9.00(h) x 0.60(d) |
About the Author
From the B&N Reads Blog