I'm Buffy and You're History: Buffy the Vampire Slayer and Contemporary Feminism
Buffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain. With its strong, capable heroine, witty dialogue, and a creator (Joss Whedon) who identifies himself as a feminist, the cult show became one of the most widely analysed texts in contemporary popular culture. The last episode, broadcast in 2002, did not herald the passing of a fleeting phenomenon: Buffy is a media presence still, active on DVD and the internet, alive in the career of Joss Whedon and studied internationally. I'm Buffy and You're History puts the entire series under the microscope, investigating its gender and feminist politics.In this book, Patricia Pender argues that Buffy includes diverse elements of feminism and reconfigures - and sometimes revises - the ideals of American second wave feminism for a wide third wave audience. She also explores the ways in which the final season's vision of collective feminist activism negotiates racial and class boundaries.Exploring the Slayer's postmodern politics, her position as a third wave feminist icon, her placing of masculinity in extremis, and her fandom and legacy in popular culture, this is a fresh and challenging contribution to the growing literature on the pitfalls and pleasures of a great cult TV show.
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I'm Buffy and You're History: Buffy the Vampire Slayer and Contemporary Feminism
Buffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain. With its strong, capable heroine, witty dialogue, and a creator (Joss Whedon) who identifies himself as a feminist, the cult show became one of the most widely analysed texts in contemporary popular culture. The last episode, broadcast in 2002, did not herald the passing of a fleeting phenomenon: Buffy is a media presence still, active on DVD and the internet, alive in the career of Joss Whedon and studied internationally. I'm Buffy and You're History puts the entire series under the microscope, investigating its gender and feminist politics.In this book, Patricia Pender argues that Buffy includes diverse elements of feminism and reconfigures - and sometimes revises - the ideals of American second wave feminism for a wide third wave audience. She also explores the ways in which the final season's vision of collective feminist activism negotiates racial and class boundaries.Exploring the Slayer's postmodern politics, her position as a third wave feminist icon, her placing of masculinity in extremis, and her fandom and legacy in popular culture, this is a fresh and challenging contribution to the growing literature on the pitfalls and pleasures of a great cult TV show.
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I'm Buffy and You're History: Buffy the Vampire Slayer and Contemporary Feminism

I'm Buffy and You're History: Buffy the Vampire Slayer and Contemporary Feminism

by Patricia Pender
I'm Buffy and You're History: Buffy the Vampire Slayer and Contemporary Feminism

I'm Buffy and You're History: Buffy the Vampire Slayer and Contemporary Feminism

by Patricia Pender

Hardcover

$135.00 
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Overview

Buffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain. With its strong, capable heroine, witty dialogue, and a creator (Joss Whedon) who identifies himself as a feminist, the cult show became one of the most widely analysed texts in contemporary popular culture. The last episode, broadcast in 2002, did not herald the passing of a fleeting phenomenon: Buffy is a media presence still, active on DVD and the internet, alive in the career of Joss Whedon and studied internationally. I'm Buffy and You're History puts the entire series under the microscope, investigating its gender and feminist politics.In this book, Patricia Pender argues that Buffy includes diverse elements of feminism and reconfigures - and sometimes revises - the ideals of American second wave feminism for a wide third wave audience. She also explores the ways in which the final season's vision of collective feminist activism negotiates racial and class boundaries.Exploring the Slayer's postmodern politics, her position as a third wave feminist icon, her placing of masculinity in extremis, and her fandom and legacy in popular culture, this is a fresh and challenging contribution to the growing literature on the pitfalls and pleasures of a great cult TV show.

Product Details

ISBN-13: 9781780767451
Publisher: Bloomsbury Academic
Publication date: 09/28/2016
Series: Investigating Cult TV
Pages: 256
Product dimensions: 5.60(w) x 8.60(h) x 1.00(d)

About the Author

Patricia Pender is Senior Lecturer in English at the University of Newcastle, Australia.

Table of Contents

Introduction

1. “I'm Buffy and You're . . . History”: The Postmodern Politics of Buffy the Vampire Slayer

2. “Kicking Ass is Comfort Food”: Buffy as Third Wave Feminist Icon

3. “This Revolution Will Be Televised”: Buffy and the Transnational Sisterhood of Slayers

4. “Never Kill a Boy on the First Date”: Masculinity in Extremis
Angel's Abjection
Riley, Heteronormativity, and Relapse
Sex, Suffering, and Spike

5. “From Beneath You It Devours”: Andrew and the Homoerotics of Evil

6. “Why Can't You Just Masturbate Like the Rest of Us?” Pleasure, Pedagogy, and Fandom

7. “I Think the Subtext Here is Rapidly Becoming Text”: The Slayer's Legacy in Popular Culture

8. “Where Do We Go from Here?”: The Future of Buffy Studies

Notes

Bibliography

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