Imperial Projections: Screening the German Colonies

by Wolfgang Fuhrmann

Overview

The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film industry, films of the colonies were welcomed by organizations such as the Deutsche Kolonialgesellschaft (German Colonial Society). The films triggered patriotic feelings but also addressed the audience as travelers, explorers, wildlife protectionists, and participants in unique cultural events. This book is the first in—depth analysis of colonial filmmaking in the Wilhelmine Era.

Product Details

ISBN-13:	9781785335136
Publisher:	Berghahn Books
Publication date:	04/01/2017
Series:	Film Europa , #17
Edition description:	Reprint
Pages:	322
Product dimensions:	6.00(w) x 9.00(h) x 0.68(d)

About the Author

Wolfgang Fuhrmann teaches film at the University of Zurich’s Department of Film Studies. From 2005–2008 he was Director of the DFG Research Project “Film and Ethnography in Germany 1900–1930,” and has held teaching positions in Germany, Switzerland, and the Americas. He has published on German colonial cinema, early ethnographic filmmaking, historical film reception, and transnational film history.

Table of Contents

List of Illustrations
Acknowledgements
Abbreviations

Introduction

PART I: THE BEGINNING OF COLONIAL FILM CULTURE IN IMPERIAL GERMANY

Chapter 1. From the Variety Theatre to the German Colonial Society
Chapter 2. Carl Müller: A Colonial Film Maker
Chapter 3. The DKG’s Film Shows: The Colonies in Motion

PART II: ADDRESSING THE MASSES

Chapter 4. The ‘Hottentot Election’ of 1907
Chapter 5. The DKG’s Kinematographenkampagne
Chapter 6. Rise and Fall of the Kinemtographenkampagne

PART III: ETHNOGRAPHIC FILMMAKING IN THE COLONIES

Chapter 7. Karl Weule in German East Africa
Chapter 8. The Expedition in Context: Modern German Ethnography
Chapter 9. Filming in the Colonies: Training and Improvisation

PART IV: TOURISM, ENTERTAINMENT, AND COLONIAL IDEOLOGY

Chapter 10. Colonial Films in Public Cinema
Chapter 11. The Colonial Travelogue
Chapter 12. Colonial Films in Transition: Robert Schumann’s Comeback

PART V: COLONIAL FILM PROPAGANDA DURING THE FIRST WORLD WAR

Chapter 13. Setting Up Colonial War Propaganda
Chapter 14. The Deutsche Kolonial—Filmgesellschaft (DEUKO)

Conclusion

Filmography
Bibliography
Index

Editorial Reviews

“One cannot rank the significance of Fuhrmann’s book as a model of German film historiography highly enough. Not only does Imperial Projection offer the first convincing overall overview of a forgotten and suppressed chapter of German film history; the book makes also clear what a modern, methodologically innovative and empirically supported film historiography is capable of achieving.” · H—Soz—Kult

“Woldgang Fuhrmann succeeds with this impressive overview of German colonial film, largely neglected in the scholarly literature, to present convincingly the interaction of individual protagonists with various institutions. The bibliography conveys the depth of his research that can be considered exemplary. This also applies to the filmography that will inspire future research. The few illustrations are well selected and expressive.” · Filmblatt

“A handful of black—and—white photographs, notes, a bibliography and an index round out this thoughtful historical analysis, especially recommended for college library Theatre/Cinema and World History collections.” · Midwest Book Review

“Imperial Projections is a pioneering exploration of the intersection of early film history, the study of popular visual culture, and German colonial history in the years before the First World War... By showing that colonial images could, and did, mean different things to different people, Imperial Projections offers a refreshing rethinking of monolithic terms such as ‘the colonial gaze’ or ‘the imperialist imagination.’” · Christian Rogowski, Amherst College

“[This book] is of exceptional academic quality, impeccably researched, and presented with great thoroughness. It appears to me that it is the definitive work of research on early German colonial cinema to date, and probably destined to remain so.” · Francis Gooding, Colonial Film: Moving Images of British Empire

From the Publisher