Bergman's Muses: Æsthetic Versatility in Film, Theatre, Television and Radio

Bergman is a most versatile director who has devoted himself to several muses in a variety of media. Apart from being a writer of plays and screenplays, he has over the past fifty years directed about a hundred stage performances, fifty films, and many works for radio and television. During this time, all the production equipment used have undergone significant changes (allowing, just for instance, a more varied and subtle use of light and sound). But by his own admission, Bergman's texts have often lacked a clear orientation toward a specific medium.

This book focuses on Bergman's way of tackling the problems inherent in each art form he has dealt with, giving a penetrating picture of his craftsmanship and the intimate relationship between his work on stage and in film, as well as the possibilities and limitations of the various forms. With the varied media at his disposal, Bergman is internationally the most versatile author-cum-director presently at work, well aware of what each medium can and cannot do and, most importantly, eager to test its borders. The book addresses itself not only to Bergman fans but also to all those interested in the aesthetic problems related to different presentational forms.

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Bergman's Muses: Æsthetic Versatility in Film, Theatre, Television and Radio

Bergman is a most versatile director who has devoted himself to several muses in a variety of media. Apart from being a writer of plays and screenplays, he has over the past fifty years directed about a hundred stage performances, fifty films, and many works for radio and television. During this time, all the production equipment used have undergone significant changes (allowing, just for instance, a more varied and subtle use of light and sound). But by his own admission, Bergman's texts have often lacked a clear orientation toward a specific medium.

This book focuses on Bergman's way of tackling the problems inherent in each art form he has dealt with, giving a penetrating picture of his craftsmanship and the intimate relationship between his work on stage and in film, as well as the possibilities and limitations of the various forms. With the varied media at his disposal, Bergman is internationally the most versatile author-cum-director presently at work, well aware of what each medium can and cannot do and, most importantly, eager to test its borders. The book addresses itself not only to Bergman fans but also to all those interested in the aesthetic problems related to different presentational forms.

39.95 In Stock
Bergman's Muses: Æsthetic Versatility in Film, Theatre, Television and Radio

Bergman's Muses: Æsthetic Versatility in Film, Theatre, Television and Radio

by Egil T rnqvist
Bergman's Muses: Æsthetic Versatility in Film, Theatre, Television and Radio

Bergman's Muses: Æsthetic Versatility in Film, Theatre, Television and Radio

by Egil T rnqvist

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$39.95 
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Overview

Bergman is a most versatile director who has devoted himself to several muses in a variety of media. Apart from being a writer of plays and screenplays, he has over the past fifty years directed about a hundred stage performances, fifty films, and many works for radio and television. During this time, all the production equipment used have undergone significant changes (allowing, just for instance, a more varied and subtle use of light and sound). But by his own admission, Bergman's texts have often lacked a clear orientation toward a specific medium.

This book focuses on Bergman's way of tackling the problems inherent in each art form he has dealt with, giving a penetrating picture of his craftsmanship and the intimate relationship between his work on stage and in film, as well as the possibilities and limitations of the various forms. With the varied media at his disposal, Bergman is internationally the most versatile author-cum-director presently at work, well aware of what each medium can and cannot do and, most importantly, eager to test its borders. The book addresses itself not only to Bergman fans but also to all those interested in the aesthetic problems related to different presentational forms.


Product Details

ISBN-13: 9780786416035
Publisher: McFarland & Company, Incorporated Publishers
Publication date: 09/08/2003
Pages: 271
Product dimensions: 6.00(w) x 9.00(h) x 0.70(d)
Age Range: 18 Years

About the Author

Egil Törnqvist, professor emeritus at the University of Amsterdam, is a leading Bergman scholar. He has also published books on Ibsen, Strindberg, and O’Neill and has lectured widely in Europe, the United States and China. He lives in Amsterdam, Holland.

Table of Contents

Table of Contents

Preface     
Introduction     

ONE. TRANSPOSITIONS

1. From Drama Text to Stage Performance: Ibsen’s Ghosts     
2. From Drama Text to Radio Play: Aural Strindberg     
3. From Screenplay to Film: Bergman’s The Communicants     

TWO. MULTIMEDIA

4. Transcending Boundaries: Mozart’s The Magic Flute as Television Opera     
5. Molière’s Don Juan on Stage and Screen     
6. Euripides’ The Bacchae as Opera, Television Opera, and Stage Play     
7. Mishima’s Madame de Sade on Stage and on Television     

THREE. INTERMEDIALITY

8. Bergman’s After the Rehearsal on Television     
9. Film and Stage on Television: Bergman’s In the Presence of a Clown     
10. Film on Stage and on Television: Enquist’s The Image Makers     

FOUR. PRESENTATIONAL ASPECTS

11. The Subjective Point of View     
12. The Visualized Audience     
13. The Hidden Observers     
14. The Silent Characters     
15. “This Is My Hand”     

EPILOGUE     

Appendix: Subtitling Bergman     
Notes     
Bibliography     
Index     
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