Aggressive Fictions: Reading the Contemporary American Novel
A frequent complaint against contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy their readers—or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works "aggressive fiction." Why would authors risk alienating their readers—and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better understand and appreciate books that might otherwise seem difficult to enjoy.

In her reliable and sympathetic guide, Hume considers roughly forty works of recent American fiction, including books by William Burroughs, Kathy Acker, Chuck Palahniuk, and Cormac McCarthy. Hume gathers "attacks" on the reader into categories based on narrative structure and content. Writers of some aggressive fictions may wish to frustrate easy interpretation or criticism. Others may try to induce certain responses in readers. Extreme content deployed as a tactic for distancing and alienating can actually produce a contradictory effect: for readers who learn to relax and go with the flow, the result may well be exhilaration rather than revulsion.

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Aggressive Fictions: Reading the Contemporary American Novel
A frequent complaint against contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy their readers—or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works "aggressive fiction." Why would authors risk alienating their readers—and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better understand and appreciate books that might otherwise seem difficult to enjoy.

In her reliable and sympathetic guide, Hume considers roughly forty works of recent American fiction, including books by William Burroughs, Kathy Acker, Chuck Palahniuk, and Cormac McCarthy. Hume gathers "attacks" on the reader into categories based on narrative structure and content. Writers of some aggressive fictions may wish to frustrate easy interpretation or criticism. Others may try to induce certain responses in readers. Extreme content deployed as a tactic for distancing and alienating can actually produce a contradictory effect: for readers who learn to relax and go with the flow, the result may well be exhilaration rather than revulsion.

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Aggressive Fictions: Reading the Contemporary American Novel

Aggressive Fictions: Reading the Contemporary American Novel

by Kathryn Hume
Aggressive Fictions: Reading the Contemporary American Novel

Aggressive Fictions: Reading the Contemporary American Novel

by Kathryn Hume

Hardcover

$55.95 
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Overview

A frequent complaint against contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy their readers—or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works "aggressive fiction." Why would authors risk alienating their readers—and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better understand and appreciate books that might otherwise seem difficult to enjoy.

In her reliable and sympathetic guide, Hume considers roughly forty works of recent American fiction, including books by William Burroughs, Kathy Acker, Chuck Palahniuk, and Cormac McCarthy. Hume gathers "attacks" on the reader into categories based on narrative structure and content. Writers of some aggressive fictions may wish to frustrate easy interpretation or criticism. Others may try to induce certain responses in readers. Extreme content deployed as a tactic for distancing and alienating can actually produce a contradictory effect: for readers who learn to relax and go with the flow, the result may well be exhilaration rather than revulsion.


Product Details

ISBN-13: 9780801450013
Publisher: Cornell University Press
Publication date: 01/15/2012
Pages: 216
Product dimensions: 6.20(w) x 9.00(h) x 0.90(d)
Age Range: 18 Years

About the Author

Kathryn Hume is Edwin Erle Sparks Professor of English at The Pennsylvania State University. She is the author of several books, including American Dream, American Nightmare: Fiction since 1960 and Surviving Your Academic Job Hunt: Advice for Humanities PhDs.

Table of Contents

Introduction: The Author-Reader ContractChapter 1. Narrative Speed in Contemporary Fiction
The Terrible Twos, The Terrible Threes, John's Wife, Bombardiers, Oreo, Microserfs, Negrophobia, The Ticket That Exploded, My Cousin, My GastroenterologistChapter 2. Modalities of Complaint
Portnoy's Complaint, Don Quixote, Pussy, King of the Pirates, Mercy, The Color Purple, Donald Duk, Doctor Rat, My Year of MeatsChapter 3. Conjugations of the Grotesque
Geek Love, Invisible Monsters, The Adventures of Lucky Pierre, Towing Jehovah, Elect Mr. Robinson for a Better World, Bearheart: The Heirship Chronicles, Blood Meridian, and several speculative fictionsChapter 4. Violence
Dark Property, The Road, American Psycho, Hogg, Frisk, Try, Blood and Guts in High School Chapter 5. Attacking the Reader’s Ontological Assumptions
Lying Awake, Fight Club, Ubik, House of Leaves, Against the DayConclusion: Why Read Aggressive Fictions?Notes
Bibliography
Index

What People are Saying About This

Brian Evenson

Aggressive Fictions may be the only book to take seriously the idea of difficulty in contemporary fiction and explore it at once laterally and horizontally. Making connections between very different sorts of novels, Kathryn Hume paints a vivid and necessary portrait of what's happening on the cutting edge of difficult fiction. This book is a must-read for people serious about the contemporary American novel.

Mikita Brottman

In an age of book clubs and reading groups, Kathryn Hume thinks seriously and boldly about the kind of contemporary American fiction that is dark, defiant, and full of pain. She helps us to understand why we read the kind of books that do not bring us the casual rewards of easy pleasure. Aggressive Fictions is a vital book.

Patrick O'Donnell

In Aggressive Fictions, Kathryn Hume reveals how an assortment of contemporary novels written over the last forty years or so constitute a literature of attack upon readers. These works challenge the reader's morality or her sense of the good, true, and beautiful; they cause a strong, often negative bodily, emotional, or intellectual response; they rock our world with disgusting content or challenging narrative strategies. Hume 'brings out' these works and offers incisive discussions of how they might be read in a productive manner.

David Cowart

Kathryn Hume is one of our most brilliant and accomplished critics, and in Aggressive Fictions she describes and defines a fascinating phenomenon. Her topic is genuinely interesting, her analyses always perspicacious. Compelling and original, this book will be warmly welcomed by scholars—and by that larger community of readers passionate about contemporary fiction.

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