Toward a Philosophy of Protest: Dissent, State Power, and the Spectacle of Everyday Life

by Clayton Bohnet

Overview

This book is an inquiry into the nature of protest, legislative efforts at its criminalization, and the common good. Using the method of montage, the text juxtaposes different voices, disciplines, and media to illuminate rather than obscure the contradictions in our contemporary understanding of dissent and state power.

Product Details

ISBN-13:	9781498596398
Publisher:	Lexington Books
Publication date:	10/13/2020
Pages:	214
Product dimensions:	6.30(w) x 9.02(h) x 0.86(d)

About the Author

Clayton Bohnet teaches philosophy at Central Washington University.

Table of Contents

Introduction Part 1: Protest and the Commonplace Part 2: Dissent, Crime, and Heteronomy Part 3: A Polis on the Edge of the Void Part 4: Anarchy, Political Community, and the End of Protest Bibliography About the Author

Editorial Reviews

"Apropos of its topic—protest and its criminalization—this remarkable text deploys the method, or rather, the counter-method of montage to render its critical analysis. This brilliant methodological decision not only reproduces formally what it seeks to capture, but also functions as a form of academic protest that embodies the spirit of its subject. Bohnet’s book implies that the history of protest, like the political events it recollects, is necessarily revealed as montage, and so the analysis of this history would seem to require the same form of revelation. The book is faithful to its subject on multiple counts and enacts a refreshing demonstration of the Dadaist impulse, which Bohnet seizes upon to perform startling new readings of establishment figures from Rousseau and Kant to Agamben and Badiou." 

Tom Sparrow

"What distinguishes Bohnet’s work on protest and its criminalization is the method of montage he derives from Benjamin and Heidegger. It is deliberately partial, fragmentary, and incomplete. It is intentionally bound to the time and place of its composition. But these self-confessed limitations—accidents and anecdotes of protest from the year 2017—also give Bohnet the freedom to range as a provocateur across a dizzying domain of figures, drawn from contemporary French philosophy, classical modern political philosophy, Thoreau, and the contemporary journalism and literature of protest; meditations not quite randomly provoked by the events of 2017, including the Women’s March, Standing Rock, Black Lives Matter, and other moments as heterogeneous as the method or anti-method that Bohnet deploys."

Tom Jeannot