Table of Contents
Foreword Preface and Introduction 1. Historical note 2. The steady voice 3. Some vocal cautions and counsel 4. The teaching, or otherwise, of vocal registration and how it affects the countertenor 5. Historical vocal colour and its implications for the singer today 6. The method 7. The exclusive use of Mode Two, and further development of the through-range 8. Exercises of greater length 9. The voice and its further workings 10. Upper Mode Two and small or pipe register 11. Some final thoughts Booklist for further practical work and study