SEPTEMBER 2011 - AudioFile
In this seventeenth Matt Scudder mystery, Block takes listeners back two decades as he recounts Scudder’s investigation of the murder of an old friend. At that time, Scudder has left the NYPD with a major alcohol problem and runs into an old buddy at an AA meeting. When his childhood friend is shot to death, Scudder is determined to find his killer. Scudder searches his friend's "make amends" list for suspects but comes up empty-handed. Tom Stechschulte's narration is superb as he weaves the unique characters and numerous suspects. His voices are so varied, you'd swear there’s a cast of dozens. But it's just Stechschulte—doing it all himself. A.L.H. © AudioFile 2011, Portland, Maine
Lawrence Block's 17th Matthew Scudder novel takes his recovering alcoholic ex-cop private eye back to the early years of his sobriety. He recalls how, when still shaky in his new life, he encounters Jack Ellery, another former heavy drinker slowly ascending the A.A. steps of recovery. When his friend is murdered, that chance convergence becomes a disturbing conundrum: Who killed the man struggling to get back on the right path? A critical episode in the life's journey of Block's most popular protagonist.
Publishers Weekly
MWA Grand Master Block's powerful 17th novel featuring PI Matthew Scudder (after 2005's All the Flowers Were Dying) explores the challenges of an alcoholic attempting to atone for his past misdeeds. In 1970 or '71, Scudder, then a Manhattan NYPD detective, recognizes a guy he knew in grade school in the Bronx, Jack Ellery, in a police lineup to identify a robber. The victim picks someone else as the man who held her up at gunpoint, though Ellery's the guilty party. Years later, after Scudder has left the force, he meets Ellery, now an ex-con, at an AA meeting, where Ellery is trying to take the ninth step—making amends to all the people he'd harmed. Scudder's efforts to solve the murder that results from Ellery's quest for absolution place his own sobriety—and life—at risk. Block's pitch-perfect prose bolsters the elegiac plot. Accessible to first-timers, this book should add many more fans to the author's considerable following. (May)
Library Journal
This 17th installment of Block's long-running series about New York private detective Matthew Scudder (the first since 2005's All the Flowers Are Dying) has Scudder reflecting on an old case from the 1980s, less than a year after he joined Alcoholics Anonymous. Scudder's childhood friend (and fellow AA member) Jack Ellery is murdered while trying to make up for past deeds as part of his 12-step program, and Scudder is hired by Ellery's AA sponsor to investigate. Meanwhile, Scudder struggles to maintain his nascent sobriety. As with all of Block's Scudder novels, the mystery here is engaging but secondary to the author's sharp insights into human nature and life in the big city. The deftly handled nostalgic tone this time around adds to the appeal. VERDICT Fans will certainly appreciate this entry, which recaptures the feel of the best Scudder mysteries of the 1980s and fills in part of the series chronology. That said, it will also likely work well as an introduction to the detective for new readers. [See Prepub Alert, LJ 12/10.]—David Rapp, Library Journal
SEPTEMBER 2011 - AudioFile
In this seventeenth Matt Scudder mystery, Block takes listeners back two decades as he recounts Scudder’s investigation of the murder of an old friend. At that time, Scudder has left the NYPD with a major alcohol problem and runs into an old buddy at an AA meeting. When his childhood friend is shot to death, Scudder is determined to find his killer. Scudder searches his friend's "make amends" list for suspects but comes up empty-handed. Tom Stechschulte's narration is superb as he weaves the unique characters and numerous suspects. His voices are so varied, you'd swear there’s a cast of dozens. But it's just Stechschulte—doing it all himself. A.L.H. © AudioFile 2011, Portland, Maine
Kirkus Reviews
Matthew Scudder looks back at his first year off the sauce to recall that making amends can be murder.
Years after he went to school with Jack Ellery, Scudder next sees him through a one-way mirror after Det. Bill Lonergan's pulled Ellery in for a robbery. The witness fails to pick Jack out of the lineup, but it's not long this time before Scudder runs into him again at an AA meeting. The two men get to talking about this and that, and Jack indicates that his sponsor, gay jewelry designer Gregory Stillman, is something of a Step Nazi who's making him go through each of the 12 steps in the AA program. It's step 8 that brings Jack to grief. Having prepared a list of the people he's wronged, he's determined to apologize to each of them and ask what he can do to make things right. One of them, a fence he set up to be robbed, beats him up; another, a stockbroker he sold bogus cocaine, thanks Jack for helping turn his life around; another, the mover Jack cuckolded, shrugs off his contrition on the grounds that his old lady was making it with everything in pants. But who reacted by shooting Jack in the mouth and the forehead? Accepting $1,000 from Greg Stillman to look into the people on Jack's list, Scudder (All the Flowers Are Dying, 2005, etc.) is increasingly forced to confront his own attachment to the bottle and the certainty that Jack's executioner doesn't mind killing again.
Sure, Block's written stronger mysteries. But this lonesome, wintry, compassionate tale is guaranteed to get under your skin, and make you thirsty to boot.
