A History of Sexual Indulgence Chapters X, XI & XII JOBRIATH
My personal witness, as the multiple keyboard player/back-ground singer and one of the Creatures of the Street, in the band JOBRIATH, during our ten month journey, starting with my audition, then the band's rehearsal for the Midnight Special and subsequent national tour, all against the homophobic backlash which Bruce Wayne Campbell, a.k.a. Jobriath's own self-outing made him a "dead man walking." We played on. Even the gay community resented him being paraded as their "'poster child, ' demonstrating attributes they loathed in themselves." Though the rest of the band was straight, so extreme was this hostility, we were specifically not booked in Cleveland, Cincinnati and Detroit, for fear of us being physically harmed. Even in New York, we were booed off the stage at the Nassau Coliseum for being "fagots."Jerry Brandt, was Jobriath's larger-than-life manager. Like Colonel Parker to Elvis, Jerry created a huge hype machine that took America and Britain by storm: "Elvis, The Beatles, Jobriath!" With only fifty thousands dollars and a single album record deal, Jerry created a half-a-million dollar media blitz and a mountain of jealousy that would subsequently be impossible to overcome.
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A History of Sexual Indulgence Chapters X, XI & XII JOBRIATH
My personal witness, as the multiple keyboard player/back-ground singer and one of the Creatures of the Street, in the band JOBRIATH, during our ten month journey, starting with my audition, then the band's rehearsal for the Midnight Special and subsequent national tour, all against the homophobic backlash which Bruce Wayne Campbell, a.k.a. Jobriath's own self-outing made him a "dead man walking." We played on. Even the gay community resented him being paraded as their "'poster child, ' demonstrating attributes they loathed in themselves." Though the rest of the band was straight, so extreme was this hostility, we were specifically not booked in Cleveland, Cincinnati and Detroit, for fear of us being physically harmed. Even in New York, we were booed off the stage at the Nassau Coliseum for being "fagots."Jerry Brandt, was Jobriath's larger-than-life manager. Like Colonel Parker to Elvis, Jerry created a huge hype machine that took America and Britain by storm: "Elvis, The Beatles, Jobriath!" With only fifty thousands dollars and a single album record deal, Jerry created a half-a-million dollar media blitz and a mountain of jealousy that would subsequently be impossible to overcome.
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A History of Sexual Indulgence Chapters X, XI & XII JOBRIATH

A History of Sexual Indulgence Chapters X, XI & XII JOBRIATH

by Hayden Wayne
A History of Sexual Indulgence Chapters X, XI & XII JOBRIATH

A History of Sexual Indulgence Chapters X, XI & XII JOBRIATH

by Hayden Wayne

Overview

My personal witness, as the multiple keyboard player/back-ground singer and one of the Creatures of the Street, in the band JOBRIATH, during our ten month journey, starting with my audition, then the band's rehearsal for the Midnight Special and subsequent national tour, all against the homophobic backlash which Bruce Wayne Campbell, a.k.a. Jobriath's own self-outing made him a "dead man walking." We played on. Even the gay community resented him being paraded as their "'poster child, ' demonstrating attributes they loathed in themselves." Though the rest of the band was straight, so extreme was this hostility, we were specifically not booked in Cleveland, Cincinnati and Detroit, for fear of us being physically harmed. Even in New York, we were booed off the stage at the Nassau Coliseum for being "fagots."Jerry Brandt, was Jobriath's larger-than-life manager. Like Colonel Parker to Elvis, Jerry created a huge hype machine that took America and Britain by storm: "Elvis, The Beatles, Jobriath!" With only fifty thousands dollars and a single album record deal, Jerry created a half-a-million dollar media blitz and a mountain of jealousy that would subsequently be impossible to overcome.

Product Details

ISBN-13: 9781475299328
Publisher: CreateSpace Publishing
Publication date: 08/23/2012
Pages: 130
Product dimensions: 5.50(w) x 8.50(h) x 0.31(d)

About the Author

Hayden Wayne (born 3/2/49) (composer/librettist) began playing piano at the age of four and played tenor drum in the orchestra pit of The King And I at the age of five, performed his first composition in concert at the age of eleven, won 2nd Prize medal for piano solo from the New York State Music Awards at fifteen, performed with major-label backed bands as Man (CBS Records) and Jobriath (Elektra Records), and toured with Sly Stone, the Yardbirds with Jimmy Page, Billy Joel, The Chamber Brothers, Gordon Lightfoot, Richie Havens, Richie Havens, Gladys Knight, The Fifth Dimension.

As a composer, in 1983 Mr. Wayne opened a new theater for the Mark Taper Forum in Los Angeles with his metaphorical circus Wire, won $10,000 USD as national first place in 1987 from the National Institute for Music Theater with NEON (A Street Opera) . In 2002, NEON won a 25,000 DM prize in the International Prague Opera Competition. He was commissioned to write IN MEMORIAM: A CELEBRATION, by the Interfaith Concert of Holocaust Remembrance, which premiered at Saint John the Divine in New York in 1993. Subsequently linked with SINFONIETTA #1: The Klezmer and AN ELEGY INTO MADNESS, specifically commissioned for the Fiftieth Anniversary of Israel, and titled A TRIPTYCH, had its world première at Mandel Hall, the University of Chicago in January 1998. In February 1995, his SYMPHONY #4-FUNK had its world premiere at the Janacek Theatre in Brno, The Czech Republic. It sold out in one week seven months in advance.

Mr. Wayne also has several film scores and award-winning commercials for television to his credit. To date, Mr. Wayne has written over four hundred compositions including: THE SYMPHONY OF FRIENDS, the ballet CIRQUE DE LA LUNE, DRACULA (Opera Erotica), PIANO CONCERTO #1-The Rock "n' Roll and CELLO CONCERTO #1 which are paired as a diptych: SINFONIETTA #2 (It's a Boy) and #3-The Emerald; VIOLIN/PIANO SONATA-The "Kraft"; The Symphonic Trilogy: #2-REGGAE, #3-HEAVY METAL, #4-FUNK; and SYMPHONY #5-AFRICA [A Tone Poem] (all recorded by the State Philharmonic of Brno, on New Millennium Records); the choral symphony SYMPHONY #6-THE GIFT; SYMPHONY #7-CELESTIAL DANCES and SYMPHONY #8-1421; THE NUZEROV STRING QUARTETS: #1-THE ROSENBERGER VARIATIONS, #2 THE ROMANTIC, # 3, 4 and 5, # 6,7 & 8, and # 9 & 10 performed by the Wallinger String Quartet; FIVE DANCES FOR CELLO AND PIANO and PIANO QUINTET #1 (all available on New Millennium Records) and hundreds of songs in various eclectic styles.

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