Roughly 18 albums into his career, jazz pianist
Cyrus Chestnut delivers his
HighNote record label debut with 2015's
A Million Colors in Your Mind. With a title that borrows inspiration from a short story by Mexican author
Maria Cristina Mena, the album finds
Chestnut once again delving deep into his own colorfully chorded and swinging set of well-chosen cover songs. Although in his mid-fifties at the time of recording,
Chestnut nonetheless wanted to record an album in which he could commune with musicians who were slightly older and more seasoned than himself. Accordingly, backing
Chestnut here are the supremely intuitive duo of bassist
David Williams and drummer
Victor Lewis, who certainly bring decades of experience to
Chestnut's album and, based on cuts like the trio's fluid take on
Frank Loesser's gospel-infused "Brotherhood of Man" and
Lewis' own "From a Tip," have an affinity for each other's playing. That said, the choice to work with experienced musicians is not a new one for
Chestnut, who came up early in his career backing legendary vocalist
Betty Carter, a position he inherited, in part, from
Carter's longtime collaborator pianist
John Hicks. Here,
Chestnut even plays a
Hicks composition, the atmospheric waltz "Yemenja." Elsewhere,
Chestnut and his trio dig into a handful of urbane, soulful songs, from a sparkling take on late bassist
Scott LaFaro's "Gloria's Step" to an inspired reworking of
Lionel Richie's "Hello" and a languid, Latin-inflected version of
Duke Ellington's "Day Dream." Ultimately,
Chestnut continues to dazzle with
A Million Colors in Your Mind, revealing ever more tantalizing musical layers. ~ Matt Collar
![Tales [Live in Copenhagen, 1964]](http://prodimage.images-bn.com/mimages/0000000000000_p0_v0_s192x300.jpg "Tales [Live in Copenhagen, 1964]")
