A Nest of Vipers (Inspector Montalbano Series #21)

by Andrea Camilleri, Stephen Sartarelli (Translator)

Overview

“The novels of Andrea Camilleri breathe out the sense of place, the sense of humor, and the sense of despair that fills the air of Sicily.” —Donna Leon 

Montalbano investigates the death of wealthy accountant Barletta in a case involving a string of mistresses and family secrets.

Inspector Montalbano enjoys simple pleasures: delicious food, walks along the water, the occasional smoke—yet these are just the backdrop to his duties as a detective.

His latest case is the killing of the wealthy Cosimo Barletta. Thought to be a widower living out a quiet life by the sea, Cosimo’s sudden death, by gunshot to the neck, opens up his past to scrutiny. What Montalbano uncovers is Cosimo’s trove of salacious photographs, used to extort young women, and a history full of greed and corruption. Montalbano, though resolved to find the killer, muses on where justice lies—in his pursuit of a suspect or with one of Cosimo’s innumerable victims getting the revenge they deserved?

Product Details

ISBN-13:	9780143126652
Publisher:	Penguin Publishing Group
Publication date:	08/01/2017
Series:	Inspector Montalbano Series , #21
Pages:	272
Product dimensions:	5.08(w) x 7.70(h) x 0.68(d)

About the Author

Andrea Camilleri, a mega-bestseller in Italy and Germany, is the author of the New York Times bestselling Inspector Montalbano mystery series as well as historical novels that take place in nineteenth-century Sicily. His books have been made into Italian TV shows and translated into thirty-two languages. His thirteenth Montalbano novel, The Potter’s Field, won the Crime Writers’ Association International Dagger Award and was longlisted for the IMPAC Dublin Literary Award. 
 
Stephen Sartarelli is an award-winning translator and the author of three books of poetry.

Editorial Reviews

The mind games Montalbano plays with Giovanna will keep the pages turning... Expect the ending to make you squirm, though you have to admire Camilleri's ability to disarm horror with his particular charm; the town of Vigàta quietly soldiers on.”—Kirkus

Praise for Andrea Camilleri and the Montalbano Series

“The idiosyncratic Montalbano is totally endearing.”—The New York Times
 
“Camilleri is as crafty and charming a writer as his protagonist is an investigator.”—The Washington Post Book World

“Hailing from the land of Umberto Eco and La Cosa Nostra, Montalbano can discuss a pointy-headed book like Western Attitudes Toward Death as unflinchingly as he can pore over crime-scene snuff photos. He throws together an extemporaneous lunch of shrimp with lemon and oil as gracefully as he dodges advances from attractive women.”—Los Angeles Times

“[Camilleri’s mysteries] offer quirky characters, crisp dialogue, bright storytelling—and Salvo Montalbano, one of the most engaging protagonists in detective fiction…Montalbano is a delightful creation, an honest man on Siciliy’s mean streets.”—USA Today

“Camilleri is as crafty and charming a writer as his protagonist is an investigator.”—The Washington Post Book World

“Like Mike Hammer or Sam Spade, Montalbano is the kind of guy who can’t stay out of trouble…Still, deftly and lovingly translated by Stephen Sartarelli, Camilleri makes it abundantly clear that under the gruff, sardonic exterior our inspector has a heart of gold, and that any outburst, fumbles, or threats are made only in the name of pursuing truth.”—The Nation

“Camilleri can do a character’s whole backstory in half a paragraph.”—The New Yorker

“Subtle, sardonic, and molto simpatico: Montalbano is the Latin re-creation of Philip Marlowe, working in a place that manages to be both more and less civilized than chandler’ Los Angeles.”—Kirkus Reviews (starred)

“The novels of Andrea Camilleri breathe out the sense of place, the sense of humor, and the sense of despair that fills the air of Sicily."—Donna Leon

From the Publisher

2017-05-15
When you're a loan shark with an open liking for younger women, the occasional death threat maybe isn't so alarming.After finding his father dead, Arturo Barletta is quick to open up about the late Cosimo Barletta's collection of enemies as well as young lovers. Which, to Inspector Montalbano's dismay, means that the list of potential murderers is a long one. Hacking away at that list should be top priority, but a man is only human, and distractions pile up for Montalbano: Cosimo's beautiful daughter, Giovanna, seems intent on gaining his full attention during the investigation, and, at home, a well-spoken vagabond with a mysterious past has made his acquaintance. Montalbano also makes the mistake of mentioning this man to his long-term partner, Livia, who insists on regular updates. A thorough search of Cosimo's home reveals that he enjoyed keeping records of death threats made against him as well as X-rated photographs of the women he slept with. When blonde hairs are found in Cosimo's bed, Montalbano hopes to use the photographs to find a match—and that leads him to Stella Lasorella. Of course, she insists she wasn't there the night of the murder. She also paints a very disturbing picture of her ex-lover—one of manipulation, blackmail, and worse. Cosimo might have felt rich and powerful enough to stay in control, but the details of his murder, as well as one intimate set of letters, suggest he had a weakness. The investigation is not without its humorous moments—the photographs have an overwhelming effect on the poor men who must study them—which are classic for Camilleri (The Revolution of the Moon, 2017, etc.), but it also brings out a vulnerable side to our steadfast investigator. The mind games Montalbano plays with Giovanna will keep the pages turning, and as the more disturbing layers of the case are revealed, even Montalbano is moved to introspection: "His was loneliness crowded by all his colleagues in the police department, but it was still loneliness." Expect the ending to make you squirm, though you have to admire Camilleri's ability to disarm horror with his particular charm; the town of Vigàta quietly soldiers on.

Kirkus Reviews