A Short Tale of Shame
CO-WINNER OF THE 2012 CONTEMPORARY BULGARIAN WRITERS CONTEST

After deciding to take a semester off their studies to think about future plans, long-time friends Maya, Sirma, and Spartacus decide to hitchhike to the sea. Boril Krustev, former rock star and middle-aged widower who is driving aimlessly to outrun his grief, picks them up and accompanies them on their journey. It doesn't take them long to figure out they're connected to each other by more than their need to travel—specifically through Boril's daughter, whose actions damaged each of the characters in this novel.

Co-winner of the Contemporary Bulgarian Writers Contest, A Short Tale of Shame marks the arrival of a new talent in Bulgarian literature with a novel about the need to come to terms with the shame and guilt we all harbor.

Angel Igov is a Bulgarian writer, literary critic, and translator. He has published two collections of short stories, the first of which won the Southern Spring award for debut fiction. Igov has also translated books by Paul Auster, Martin Amis, Angela Carter, and Ian McEwan into Bulgarian.

Angela Rodel earned an M.A. in linguistics from UCLA and received a Fulbright Fellowship to study and learn Bulgarian. In 2010 she won a PEN Translation Fund Grant for Georgi Tenev's short story collection. She is one of the most prolific translators of Bulgarian literature working today.

1114672201
A Short Tale of Shame
CO-WINNER OF THE 2012 CONTEMPORARY BULGARIAN WRITERS CONTEST

After deciding to take a semester off their studies to think about future plans, long-time friends Maya, Sirma, and Spartacus decide to hitchhike to the sea. Boril Krustev, former rock star and middle-aged widower who is driving aimlessly to outrun his grief, picks them up and accompanies them on their journey. It doesn't take them long to figure out they're connected to each other by more than their need to travel—specifically through Boril's daughter, whose actions damaged each of the characters in this novel.

Co-winner of the Contemporary Bulgarian Writers Contest, A Short Tale of Shame marks the arrival of a new talent in Bulgarian literature with a novel about the need to come to terms with the shame and guilt we all harbor.

Angel Igov is a Bulgarian writer, literary critic, and translator. He has published two collections of short stories, the first of which won the Southern Spring award for debut fiction. Igov has also translated books by Paul Auster, Martin Amis, Angela Carter, and Ian McEwan into Bulgarian.

Angela Rodel earned an M.A. in linguistics from UCLA and received a Fulbright Fellowship to study and learn Bulgarian. In 2010 she won a PEN Translation Fund Grant for Georgi Tenev's short story collection. She is one of the most prolific translators of Bulgarian literature working today.

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A Short Tale of Shame

A Short Tale of Shame

A Short Tale of Shame

A Short Tale of Shame

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Overview

CO-WINNER OF THE 2012 CONTEMPORARY BULGARIAN WRITERS CONTEST

After deciding to take a semester off their studies to think about future plans, long-time friends Maya, Sirma, and Spartacus decide to hitchhike to the sea. Boril Krustev, former rock star and middle-aged widower who is driving aimlessly to outrun his grief, picks them up and accompanies them on their journey. It doesn't take them long to figure out they're connected to each other by more than their need to travel—specifically through Boril's daughter, whose actions damaged each of the characters in this novel.

Co-winner of the Contemporary Bulgarian Writers Contest, A Short Tale of Shame marks the arrival of a new talent in Bulgarian literature with a novel about the need to come to terms with the shame and guilt we all harbor.

Angel Igov is a Bulgarian writer, literary critic, and translator. He has published two collections of short stories, the first of which won the Southern Spring award for debut fiction. Igov has also translated books by Paul Auster, Martin Amis, Angela Carter, and Ian McEwan into Bulgarian.

Angela Rodel earned an M.A. in linguistics from UCLA and received a Fulbright Fellowship to study and learn Bulgarian. In 2010 she won a PEN Translation Fund Grant for Georgi Tenev's short story collection. She is one of the most prolific translators of Bulgarian literature working today.


Product Details

ISBN-13: 9781934824764
Publisher: Open Letter
Publication date: 05/21/2013
Pages: 145
Product dimensions: 5.50(w) x 8.40(h) x 0.50(d)

About the Author

Angel Igov is a Bulgarian writer, literary critic, and translator. He has published two collections of short stories, the first of which won the Southern Spring award for debut fiction. Igov has also translated books by Paul Auster, Martin Amis, Angela Carter, and Ian McEwan into Bulgarian.

Angela Rodel earned an M.A. in linguistics from UCLA and received a Fulbright Fellowship to study and learn Bulgarian. In 2010 she won a PEN Translation Fund Grant for Georgi Tenev's short story collection. She is one of the most prolific translators of Bulgarian literature working today.

Read an Excerpt

A SHORT TALE OF SHAME


By ANGEL IGOV, ANGELA RODEL

OPEN LETTER

Copyright © 2011 Angel Igov
All rights reserved.
ISBN: 978-1-934824-76-4


CHAPTER 1

The girl next to him fell silent and it took Krustev a while to realize that she had fallen asleep. He looked in the rear-view mirror: the other two kids were also dozing in the back seat. He himself had hardly slept the last few nights and longed to feel drowsy. Since the middle of April he had been suffering from insomnia more and more frequently. He refused to take pills; he put on his jacket, went out into the garden, and stared at the patterns on the birch trees for hours. They were perfect in their spontaneity.

The noonday sun made people sleepy and insects crazy. Krustev was driving quickly and from time to time a black fly would hit the windshield with a dull thud. There was a fly, now there's not. Period. I'm surrounded by sleepers, Krustev said to himself. Instead of envy, he felt claustrophobia: the teenagers' triune sleep pulsated in rhythm with their deep breathing, each breath filling the car to its utmost limits and pressing Krustev to the wheel—a fluffy, shapeless white mass, receding and swelling again, a sea of sleep, a white sea, the Aegean, they were traveling towards it, yet it had already slipped into their car.

The phone of the girl next to him buzzed like a fly: Hello, I love you, won't you tell me your name, so they listen to '60s music. Krustev felt flattered, as if he had written the song. He hadn't written it, but he had played it in one of his wilder bands back in the day, which was called Stinkweed—archeologists had just discovered the ancient sanctuary near the village of Stinkweed, shades of pagan priests and memory-weary stones. The singer, for his part, chewed stinkweed and spent whole days in the kingdom of the shades. The band didn't last long.

The girl stirred, dug her phone out of her cargo pants and rasped: Hello? She explained that she couldn't go wherever they were inviting her because she was on her way to the Aegean Sea. The other end of the line was apparently envious. The date was put off for some other awakening. Krustev didn't start a conversation with her. He could sense her clumsily cleaning off the sleep that had clung to her so strongly precisely because it had been so short. The girl sighed and rubbed her eyes.

I know you, she said suddenly. Me? You. You're Elena's dad. Krustev let out a laugh, only later would he realize how long it had been since that had happened. I can't deny it, he said, and who are you? Maya. I've known Elena since we were kids. Do you remember me?

Maya. A fleeting memory of a studious little blonde girl who perhaps sat next to his daughter in elementary school carelessly flitted through Krustev's mind. The young woman now sitting on the other side of the stick shift was also blonde, but she didn't look too studious. Maya. I think I do remember you, Krustev said. We went to the same grade school, Maya continued, then we lost touch, but then we found each other again. It was really funny, because both of us had changed so much that it was like we were meeting again for the first time. But we liked each other again. She's in America now, Krustev said. I know, said Maya, we used to see each other pretty often before she left, once she had a party at your place and I saw your picture there, otherwise I wouldn't have recognized you. Krustev mentally noted the compliment. The family picture which hung in a frame in the living room was taken five years ago. He had been only twenty-five when his daughter was born. She was now twenty, so that meant that's how old the girl next to him was. Sometimes it occurred to him that he was getting old, just as it occurs to you that you've forgotten to call an old acquaintance whom you ran into on the street and promised to call. He rubbed his stubbly face with his palm. Have you kept in touch since she's been there? Actually, no, Maya said, she's somehow dropped off the radar. Or maybe I have. Krustev could smell some kind of intrigue, but he left it for later, he had fired off his questions solely to find out whether the girl knew something of the events in his family, that's how various concerned relatives and business partners, whose repulsively soft and sweaty hands reached out to squeeze him in insipid sympathy, put it, but since she hadn't been in touch with Elena, most likely she didn't know. He was tired of everyone knowing. That's why he'd taken off in his car. The trees along the roadside didn't know.

It hadn't even crossed his mind to pick up hitchhikers along the way, in fact, he had hardly seen any hitchhikers in recent years; the person who until recently had hitchhiked either now had a car or had left for somewhere much further away, like his daughter. She had hitched a lot in high school, that is, her official stories always said otherwise, but Krustev and her mother could tell, they worried, but kept quiet, after all, they were young enough to re member the stunts they had pulled at her age. Only Elena seemed not to know that they knew she hitchhiked, and for quite some time Krustev wondered what the point of this secrecy was, but afterwards decided that his daughter simply needed to keep secrets from her parents and while it had seemed laughable to him at first, later he accepted it as normal. Over the past few years, however, hitchhikers had become few and far between, most often foreign couples with huge backpacks, with skin tanned and hair bleached by the sun, sometimes he stopped for them, just for some company, but their stories inevitably turned out to be identical, the stories of young, curious Europeans wading into the weed patch of Balkan exoticism, and he had almost stopped picking people up, he only did it when some completely sudden impulse whispered to him and in those cases he never regretted it. Now that same impulse had stopped him in that place, the first straight stretch since he had entered the mountains, and he was surprised that such a place even existed, a long sigh in the road before the next bend. There were three of them. The other girl and the young man were still dozing in the back seat and Krustev suspected they had also seen his picture in the living room. He felt a slightly unpleasant tickle: he was driving strangers who had been in his house and had probably even properly trashed it, as usually happened at Elena's parties. But perhaps they were his stroke of luck, they had a destination, they wanted to reach Thasos. He envied them. He had simply gathered up some luggage, checked his credit cards, and taken off in the car just like that, to wherever he felt like. And when he had stopped for them, and they had asked where he was headed, he had frankly admitted that he didn't know, it hadn't crossed his mind the whole morning that he didn't know where he was going. Now this is what I call hitching, the black-haired girl declared, as she settled into the back seat. He jammed their backpacks into the trunk and said since they were going to Thasos, he would drive them to the port at Datum, but he didn't think—it only fleetingly occurred to him—why shouldn't he, too, continue on to the island by ferryboat, maybe even along with them, he didn't so much need the company—he needed to know where he was going. Did this make him a tagalong, but hey, they were the ones who had gotten into his car.

So, Maya piped up, why did you just take off in your car? Krustev was silent for a moment, then replied why not? That's great, if you can get away with it, the girl murmured, Krustev grunted. I guess I didn't have a choice, he said, but I'll explain it to you later. She kept quiet. She was surely looking at him in confusion, but he avoided her gaze and stared at the road. What should he say now? Fortunately, the backseat came to life, hey, we actually fell asleep, the young man yawned. You know who's driving us, Maya turned to him. Elena's dad. Boril Krustev.

Krustev almost never heard his full name these days. When he was young, he had liked stating it in a defiant tone, it uncompromisingly drove home his Slavic descent, and in the '80s that could stir up trouble for you in the capital, but Krustev had learned to wield it like a sword, a cold weapon which drew blood. Afterwards, of course, things had settled down, at the moment being a Slav in Thrace was no worse than being an Illyrian or Paeonian, and it was definitely much better than being a Dacian. Since the accepted wisdom back then was that Slavs could either work the fields or sing mournful songs, Krustev left the fields to his grandfather and started playing, his music grew ever less mournful and they even became stars of sorts, and later it was no longer so important whether you were a Slav and after he left his last and most successful group, everything had worked out amazingly easily for him, the promotion agency, the big concerts, and the stores for audio-visual equipment alongside that, he had become comfortably wealthy and it was as if this made him less of a Slav, or people just didn't care so much about that now, and he didn't care, either.

The young man was worked up about something else, however, since he was Boril Krustev, was he playing anywhere these days? No, only for fun, and even then rarely, Krustev said, skipping over the fact that that, too, had not happened to him in a long time, he hadn't played in public for ten years now, since Euphoria had broken up. Then everyone from the group had set out on their own paths and all those paths led equally far from music, towards the world of private business, which had opened up with liberal aplomb, from the very beginning Krustev had decided that he would bring foreign bands to play in Thrace and wouldn't you know, it had worked out; sometimes, going back over his memories, it positively spooked him to think how badly he had wanted to break into that business without any cash, with only his love of music and the connections he had made abroad, and how quickly everything had taken off, those were crazy times, he would tell himself, crazy times. The young man really liked Euphoria, however, especially the first album, and hinted that they could get back together at some point, isn't that what usually happens, the dinosaurs of rock suddenly get back together and go on tour. Krustev chuckled despite himself. So they already counted him as a dinosaur. This was getting more fun by the minute, he had done right in picking them up. The young man kept chattering on about Euphoria and Krustev was thankful that he didn't mention his daughter at all, even though he knew that it would come up at some point, but didn't he miss the rock-and-roll lifestyle sometimes? Krustev started to explain that when he had been his age (he mentally smacked himself for the expression) he was just getting into those things and they had seemed so romantic to him, music, freedom, being on the road, people loving you, getting into you, and playing like crazy; but there's also the flipside of the coin, all the slogging, exhaustion, alcohol, drugs and fights of every kind, because you've teamed up with people who all think that they're the shit, believe me, Krustev said, if I could turn back time, I'd spare myself at least half of all that. He inhaled more noisily than he meant to. He hadn't strung so many sentences together for months and he wasn't even sure it was sincere, actually he was sure that it wasn't sincere, but he badly needed to reject his entire past, especially now, to transform himself merely into the person behind the wheel, with no history, no life and no death, a function of the highway, the mileage. So, he's a pureblooded Thracian, probably of communist stock at that. You're not a musician, are you, Spartacus? Well, no, actually, it doesn't really go with his name, the black-haired girl suddenly chimed in, I mean, if he'd been Orpheus ... Since Sirma's also awake, our little clique is now at full strength, Maya said next to him. I've been awake for a long time, if you really want to know, I was listening to you and thinking about various things; Sirma, nice to meet you, she moved so that Krustev could see her in the mirror, curly black hair and blue eyes, and waved at him. So you're Elena's dad. Talk about crazy. Now that's what I call a coincidence. It's not fair, Krustev tried to joke, you all know my daughter, you also know me vicariously, but I don't know anything about you. There's time, Sirma yawned, didn't you say you don't know where you're going?

Krustev really didn't know where he was going and Sirma suggested point-blank that he come with them. It makes sense, he thought, that way they have a sure ride, they don't seem the type to lounge around frying on the beaches of Thasos for more than a day or two. However, they hadn't decided where to go after that. Maya laughed nervously, she had also thought of asking him to come along, but you know how she is, while she was sitting there wondering how to put it, Sirma had beat her to it. Sirma was clearly the boss and Krustev asked her if they wouldn't get annoyed with an old fart like him. Again he told himself that he shouldn't talk about what was coming up, don't act with them like everybody your age acts with them, drop the Elena's dad act. But he wasn't sure he could put on any other act. Maya and Spartacus burst into energetic protest, talking over each other. Sirma waited for their buzzing to die down and simply said, come on now, in a businesslike tone.

And with that, things likely should have been considered decided.


In the house, the windows are sleeping, the furniture is sleeping, the refrigerator is sleeping, a plug dangling from its shoulder. The doors are sleeping: beautiful, solid, heavy doors. Krustev is sleeping, hung on the wall, his wife is sleeping on one side of him, his daughter on the other, they are sleeping with open eyes, smiling amid the garden outside. The empty bottles jammed into the black bag in the hallway are sleeping. The air conditioner. The lawnmower. The dirty dishes piled in the dishwasher. The slippers, collapsed from exhaustion, are sleeping in indecent poses. Sssssleep ... The only ones standing guard are the tiny lights of the alarm system and a few inexperienced spiders, who have stretched their webs in various corners of various rooms, stalking their puny prey, without an inkling of one another's existence.

As if to make up for this, the whole garden is awake: the birch trees are whispering, the willow is murmuring incomprehensibly, in the furrows the multifarious plants with Latin names are trying out their new f lowers and buzzing excitedly in exotic languages, the rock garden is juggling miniature stones and there, next to it, on the lawn, is the place where their family picture was taken five years ago, the places where the three of them have set foot can be clearly seen, where they carved the moment in gently and unrelentingly, there the grass is flattened and will not straighten up again.


Actually, it suddenly popped into Krustev's mind, aren't these three in college? It's the middle of May, shouldn't they be going to lectures right now? He received a full-on lecture in reply. All three of us are taking time off, Maya explained. At the end of sophomore year, lots of people begin doubting whether their major is really for them, they had, too. The three of them had gotten together at the end of last summer and decided that they would give themselves a year to clear things up, then they would decide whether to keep the same majors or to change, interesting, Krustev said, do the three of you always decide what to do as a group? Pretty often, the girl again gave her nervous laugh. It's been like that since the beginning of high school, always the three of us together. In the beginning everybody thought it was weird, Spartacus cut in, then little by little they got used to it, at the end of the day there are people with much stranger relationships. Krustev couldn't disagree with that, he himself handled strange relationships well, significantly more successfully than normal ones, take me, for example, Spartacus continued, I'm in law school. Sirma jokes that that's why I'm such a chatterbox. Right now, I can't say that I don't want to study law anymore. It's just that I need a year off to think things over and figure out whether I really want to go into law or if I'd rather do something else, and now's the time, because afterwards it will be too late ... Sirma wanted to know what Krustev's major had been. Me? He had studied management. Only it was different then, he shrugged, I never really had the college experience, because of music I started my BA a lot later, after the Euphoria guys and I had ditched our instruments and decided to go into business. And I was in a hurry to graduate, even though I'm sure it would've been the same, even without a diploma. While they were teaching me how to run a company, I was already running three. He suddenly thought this sounded too arrogant and added that in those years, that happened a lot, it still does now, too, Maya said.
(Continues...)


Excerpted from A SHORT TALE OF SHAME by ANGEL IGOV, ANGELA RODEL. Copyright © 2011 Angel Igov. Excerpted by permission of OPEN LETTER.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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