A Theory of Relativity: A Novel

A Theory of Relativity: A Novel

by Jacquelyn Mitchard
A Theory of Relativity: A Novel

A Theory of Relativity: A Novel

by Jacquelyn Mitchard

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Overview

“[An] astonishing pleasure.”

Seattle Times

 

“A graceful, moving, and compelling novel. Jacquelyn Mitchard at her finest.”

—Scott Turow, author of Innocent

 

A poignant and unforgettable novel from Jacquelyn Mitchard, author of the monumental New York Times bestsellers The Deep End of the Ocean and The Most Wanted, A Theory of Relativity is a powerful tale that explores the emotional dynamics and dramas of two families fighting for custody of a young child. The very first author selected by the Oprah Book Club, Mitchard is a matchless, wise, and warm chronicler of families and their human foibles—and A Theory of Relativity is contemporary women’s fiction at its best, a must-read for fans of Sue Miller, Jane Hamilton, and Elizabeth Berg.

Product Details

ISBN-13: 9780060836931
Publisher: HarperCollins
Publication date: 01/18/2011
Pages: 398
Sales rank: 525,188
Product dimensions: 5.20(w) x 7.90(h) x 1.00(d)

About the Author

New York Times bestseller Jacquelyn Mitchard's novels include The Deep End of the Ocean, Twelve Times Blessed, and The Breakdown Lane. She is also the author of The Rest of Us: Dispatches from the Mother Ship, a collection of her newspaper columns. She lives with her husband and six children in Madison, Wisconsin.

Hometown:

Madison, Wisconsin

Place of Birth:

Chicago, Illinois

Education:

B.A. in English, Rockford College, 1973

Read an Excerpt

Chapter One

They died instantly.

Or close enough.

Gordon, of course, knew that "instantly," in this context, didn't mean what it seemed to suggest: Several minutes would have passed inside the car after the impact, while the final tick and swoosh of Ray's and Georgia's heart-sent blood swept a pointless circuit, while muscles contracted loyally at the behest of a last volley of neurological commands. But there would have been no awareness, or only a few twilight seconds -- and no memory.

Most of the others in Tall Trees, the McKenna family and their friends, didn't know as much about the biology involved or care to. Small town people, they were accustomed to having something to be grateful for, even death no more physically complex than a power failure. It seemed to many a source of comfort. And as the months unfurled, comfort of any sort was in short supply.

Even Gordon had to admit he was relieved. Couldn't it have been worse, much, much worse?

It could have been. This, Gordon decided, in those few breathless, shocky moments as he prepared to leave his school classroom and drive to the scene of the accident at Lost Tribe Creek, would be his mantra. He would not yowl and quake at this abrupt conclusion to the year of living catastrophically. He would not let himself come unglued. Dread tapped at his gut, like an unwelcome salesman tapping insistently at the window -- Your sister is dead; your sister really is dead! But Gordon breathed in and out, spoke to himself of focus.

He would be the one who remained analytical. Lookingat the facts straight on was both his nature and his calling. He could do that best of anyone in his family. It would be the way he would protect himself and his parents.

He was, of course, frightened. All the signs. The trembling legs. The fluttering pulse. It had begun the moment he heard Sheriff Larsen's voice.

"Gordon," said the sheriff, "what are you doing, son?"

What was he doing?

An old friend of his father's calling him in the middle of a weekday, at school, though by rights he should not even have been there, the term having ended for summer break two weeks earlier, asking him what he was doing? Something was up, something bad; he could not imagine what; everything bad had already happened.

Gordon felt a burning the size of a pinprick deep in his abdomen.

"I'm cleaning, um, my classroom," he'd answered finally, uneasily. "Throwing out the moldy agar dishes. Reading all the love letters the kids left in the lab trays. Science teacher fun."

"Good," Sheriff Larsen said. "Good." His voice had always reminded Gordon of Ronald Reagan's. "So...so, you alone there?"

Gordon had been alone and relishing the solitude. The days when Georgia went to the University of Minnesota for her chemotherapy were the only times the McKennas felt they had permission to do ordinary tasks -- get haircuts, return library books -- things that felt shameful and selfish when Georgia was home and miserable. He had almost not answered the phone. For it would surely have been his mother with another bulletin about the afternoon's accomplishments of his year-old niece, Keefer: -- She'd held her own spoon! She'd said "Moo!" Gordon loved Keefer and thought her exceedingly bright, but this was becoming like CNN Headline News.

"What's up?" he'd asked Dale Larsen.

And as the older man spoke -- an accident, a very bad accident, no survivors, should he cruise by there and pick Gordon up -- the level of shock built until Gordon's chest seemed to have room to contain his heart or his lungs, but not both. This was normal, was probably a kind of hypotensive shock. Fear, he reminded himself, was, like anything else, only a thought. Hadn't he mastered that a year ago, when they'd learned that Georgia, Gordon's only sister, just twenty-six years old, a triumphant wife and exultant new mother, had cancer, stage four, Do-Not-Pass-Go cancer? Hadn't he watched her suffer an endless year of days, mourned and mopped and propped and wished for her release and flogged himself for the wishing?

It was over. She had been released.

And Ray, Georgia's husband, Gordon's longtime friend, his sweet-souled frat buddy from Jupiter, Florida , a lumbering athlete with a physicist's brain and the heart of a child.... Ray was dead, too. Gordon had to recalibrate. Ray had told Gordon more than once during the illness, Bo, I can't live without her. Gordon had sensed it had been more than just a manner of speaking. So perhaps Ray had felt gratitude, too, in the last conscious instant of his life. The mind was capable of firing off dozens of impressions in fractions of seconds.

And so it had proved with his own mind. Gordon decided he would not call his mother. He would give her these few last moments of innocent play with Keefer. Nor would he call his Aunt Nora. She was as brave as a bear, but for all her homespun daffiness Gordon could never quite believe that the same twentieth century that had produced his own parents had also produced Aunt Nora. Nora had told Gordon not long ago she didn't need to know all the whys and wherefores, that she would ask Georgia about it someday, in heaven.

But heaven, Gordon thought, as he carefully parked his car a prudent distance up on the dry shoulder of the road, had been only a concept when Nora made that statement. Now, that kingdom had come. Nora would be shattered.

It would be he, he realized, at twenty-four the youngest but one of his cousins, who would have to provide the strong shoulder, the steadying hand.

But everything he saw looked odd, looked unsettling.

For everything looked like any other day...

A Theory of Relativity. Copyright © by Jacquelyn Mitchard. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Reading Group Guide

Introduction
Few writers have captured contemporary relationships as succinctly and honestly as Jacquelyn Mitchard. Over and over again she shows us that the experience of love is messy, trying, complicated, heartbreaking, terrifying -- and utterly worth it.

At the heart of this story is the love between Georgia and Ray, two characters whom we never meet, but who provide the impetus for the novel's chain of events. Their death brings together two vastly different families, each battling overwhelming grief; each fiercely determined to shape the destiny of the couple's child. Mitchard deftly brings a variety of family issues into play here: adoption and single parenting, marriage and divorce, physical and emotional maturation. With a sharp eye for detail, Mitchard points out the challenges of daily life with children -- the endless unmatched socks and baby spoons, the tantrums and stranger anxiety, the colds and sleepless nights -- while also showing us the unmitigated joy of being part of a child's world. And, as we experience along with the McKenna and Nye families the wrenching twists and turns of a convoluted legal system, she shows us how loss, anger, fear, and mistrust pull us apart -- and how courage, love, and honesty bring us together.

The term "relativity" has many meanings, all of which come into play in this novel. But whether one refers to Einstein's theory concerning nature's most fundamental laws, or the seemingly arbitrary rules that bind one family to another, Mitchard's most powerful message is revealed in the person of Keefer Kathryn Nye McKenna: in her intelligence and honesty, in her humor and optimism. "Related" to her parents or not, sheis happy, and she is loved. That's not relative, that's real.

Discussion Questions

  • In whose home do you think Keefer would be happiest -- Gordon's or the Nye's? On what would you base your decision? What makes a good parent? What makes a happy home?

  • Do you think Mitchard's portrayal of Diane as a mother and as a born-again Christian is a balanced one? How does she make Diane a sympathetic character?

  • There are many kinds of single parents in the novel: Gordon, Delia, Craig (after Delia's death), the birth mothers of both Gordon and Georgia. How would you use this book to argue for or against single parenting?

  • Gordon is first introduced as a highly analytic person, one who thinks that "life could be lived like an experiment conducted in keeping with scientific method, that a certain set of results could be obtained and, once obtained, repeated." Eventually he comes to realize "the pressure of the human hand behind the instruments." (p. 11) How do Gordon's relationships with Keefer, Lindsay, his Aunt Nora, and his mother bring about his own emotional development?

  • Discuss Gordon's decision to drop his petition to adopt Keefer. Was it the right one, given the circumstances? How much of it was based on his relationship with Georgia? How much do you think was based on the difficulties he would encounter as a single father?

  • Discuss how the phrase, "a theory of relativity" touches on the novel's themes: family, heredity, adoption, and parental love, to name a few. Can you think of any other issues this title suggests?

  • Do you agree with Judge Sayward's decision to deny Gordon's petition for adoption based on his own status as an adopted child? As a judge was she compelled to give a literal interpretation of the law, or do you think she should have assumed that Gordon's status was the same as any other blood relative of Georgia's?

  • Discuss the possibility that Ray and Georgia's accident was a suicide. How does it make you feel about Ray?

  • Where do you stand on the nature versus nurture debate? Do you think your personality has been determined genetically or by the situation in which you grew up? How do the characters of Georgia, Gordon, Alex, and Keefer support or contradict your beliefs?

  • In the last chapter, Mitchard offers us a glimpse of Keefer as a ten-year-old. Did she "turn out" the way you expected? How do you think Keefer would have been different if Delia had lived and become her mother?

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