A Wonder Book for Girls and Boys
Nathaniel Hawthorne presents a multilayered story consisting of six Greek myths that are told from a unique perspective and appeals to all readers, specifically children. His writing style transcends age to deliver a family-friendly narrative.

A Wonder-Book for Girls and Boys is a compilation of classic stories inspired by Greek mythology. Hawthorne’s interpretation is filtered through the fictional character, Eustace Bright, a college student who’s entertaining a group of children. The book features “The Gorgon's Head,” a popular epic that follows Perseus and his quest to slay Medusa. There’s also “The Paradise of Children,” a cautionary tale about Pandora’s box, and “The Golden Touch,” which recalls the story of King Midas.

Originally published in 1851, A Wonder-Book for Girls and Boys continues to stand the test of time. Its stories are literary staples that have been adapted for multiple mediums. The collection also produced the sequel, Tanglewood Tales, which was released in 1853.

With an eye-catching new cover, and professionally typeset manuscript, this edition of A Wonder-Book for Girls and Boys is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

1100020628
A Wonder Book for Girls and Boys
Nathaniel Hawthorne presents a multilayered story consisting of six Greek myths that are told from a unique perspective and appeals to all readers, specifically children. His writing style transcends age to deliver a family-friendly narrative.

A Wonder-Book for Girls and Boys is a compilation of classic stories inspired by Greek mythology. Hawthorne’s interpretation is filtered through the fictional character, Eustace Bright, a college student who’s entertaining a group of children. The book features “The Gorgon's Head,” a popular epic that follows Perseus and his quest to slay Medusa. There’s also “The Paradise of Children,” a cautionary tale about Pandora’s box, and “The Golden Touch,” which recalls the story of King Midas.

Originally published in 1851, A Wonder-Book for Girls and Boys continues to stand the test of time. Its stories are literary staples that have been adapted for multiple mediums. The collection also produced the sequel, Tanglewood Tales, which was released in 1853.

With an eye-catching new cover, and professionally typeset manuscript, this edition of A Wonder-Book for Girls and Boys is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

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A Wonder Book for Girls and Boys

A Wonder Book for Girls and Boys

A Wonder Book for Girls and Boys

A Wonder Book for Girls and Boys

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Overview

Nathaniel Hawthorne presents a multilayered story consisting of six Greek myths that are told from a unique perspective and appeals to all readers, specifically children. His writing style transcends age to deliver a family-friendly narrative.

A Wonder-Book for Girls and Boys is a compilation of classic stories inspired by Greek mythology. Hawthorne’s interpretation is filtered through the fictional character, Eustace Bright, a college student who’s entertaining a group of children. The book features “The Gorgon's Head,” a popular epic that follows Perseus and his quest to slay Medusa. There’s also “The Paradise of Children,” a cautionary tale about Pandora’s box, and “The Golden Touch,” which recalls the story of King Midas.

Originally published in 1851, A Wonder-Book for Girls and Boys continues to stand the test of time. Its stories are literary staples that have been adapted for multiple mediums. The collection also produced the sequel, Tanglewood Tales, which was released in 1853.

With an eye-catching new cover, and professionally typeset manuscript, this edition of A Wonder-Book for Girls and Boys is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.


Product Details

ISBN-13: 9781513269108
Publisher: Mint Editions
Publication date: 02/16/2021
Series: Mint Editions (The Children's Library)
Pages: 126
Product dimensions: 5.00(w) x 8.00(h) x 0.30(d)
Age Range: 8 - 13 Years

About the Author

About The Author
Nathaniel Hawthorne (1804–1864) was an American writer best known for his novels and short stories. Born in Massachusetts, Hawthorne was a descendant of some of the state’s earliest settlers. One of his ancestors, John Hathorne, was a judge during the infamous Salem witch trials. As a young man, Hawthorne attended Bowdoin College, where he met many notable figures including future president Franklin Pierce and poet Henry Wadsworth Longfellow. He then began his literary career as a magazine editor and sketch writer. Hawthorne would also produce novels such as Fanshawe, The House of the Seven Gables, and his most famous work, The Scarlet Letter.

Date of Birth:

July 4, 1804

Date of Death:

May 19, 1864

Place of Birth:

Salem, Massachusetts

Place of Death:

Plymouth, New Hampshire

Education:

Bowdoin College, Brunswick, Maine, 1824

Read an Excerpt

The Gorgon’s Head

Tanglewood Porch

INTRODUCTORY TO “THE GORGON’S HEAD”

Beneath the porch of the country-seat called Tangle-wood, one fine autumnal morning, was assembled a merry party of little folks, with a tall youth in the midst of them. They had planned a nutting expedition, and were impatiently waiting for the mists to roll up the hill-slopes, and for the sun to pour the warmth of the Indian summer over the fields and pastures, and into the nooks of the many-colored woods. There was a prospect of as fine a day as ever gladdened the aspect of this beautiful and comfortable world. As yet, however, the morning mist filled up the whole length and breadth of the valley, above which, on a gently sloping eminence, the mansion stood.
This body of white vapor extended to within less than a hundred yards of the house. It completely hid everything beyond that distance, except a few ruddy or yellow treetops, which here and there emerged, and were glorified by the early sunshine, as was likewise the broad surface of the mist. Four or five miles off to the southward rose the summit of Monument Mountain, and seemed to be floating on a cloud. Some fifteen miles farther away, in the same direction, appeared the loftier Dome of Taconic, looking blue and indistinct, and hardly so substantial as the vapory sea that almost rolled over it. The nearer hills, which bordered the valley, were half submerged, and were specked with little cloud-wreaths all the way to their tops. On the whole, there was so much cloud, and so little solid earth, that it had the effect of a vision.
The children above-mentioned, being as full oflife as they could hold, kept overflowing from the porch of Tangle-wood, and scampering along the gravel-walk, or rushing across the dewy herbage of the lawn. I can hardly tell how many of these small people there were; not less than nine or ten, however, nor more than a dozen, of all sorts, sizes, and ages, whether girls or boys. They were brothers, sisters, and cousins, together with a few of their young acquaintances, who had been invited by Mr. and Mrs. Pringle to spend some of this delightful weather with their own children, at Tanglewood. I am afraid to tell you their names, or even to give them any names which other children have ever been called by; because, to my certain knowledge, authors sometimes get themselves into great trouble by accidentally giving the names of real persons to the characters in their books. For this reason, I mean to call them Primrose, Periwinkle, Sweet Fern, Dandelion, Blue Eye, Clover, Huckleberry, Cowslip, Squash-Blossom, Milkweed, Plantain, and Buttercup; although, to be sure, such titles might better suit a group of fairies than a company of earthly children.
It is not to be supposed that these little folks were to be permitted by their careful fathers and mothers, uncles, aunts, or grandparents, to stray abroad into the woods and fields, without the guardianship of some particularly grave and elderly person. Oh no, indeed! In the first sentence of my book, you will recollect that I spoke of a tall youth, standing in the midst of the children. His name—(and I shall let you know his real name, because he considers it a great honor to have told the stories that are here to be printed)—his name was Eustace Bright. He was a student at Williams College, and had reached, I think, at this period, the venerable age of eighteen years; so that he felt quite like a grandfather towards Periwinkle, Dandelion, Huckleberry, Squash-Blossom, Milkweed, and the rest, who were only half or a third as venerable as he. A trouble in his eyesight (such as many students think it necessary to have, nowadays, in order to prove their diligence at their books) had kept him from college a week or two after the beginning of the term. But, for my part, I have seldom met with a pair of eyes that looked as if they could see farther or better than those of Eustace Bright.
This learned student was slender, and rather pale, as all Yankee students are; but yet of a healthy aspect, and as light and active as if he had wings to his shoes. By the by, being much addicted to wading through streamlets and across meadows, he had put on cowhide boots for the expedition. He wore a linen blouse, a cloth cap, and a pair of green spectacles, which he had assumed, probably, less for the preservation of his eyes than for the dignity that they imparted to his countenance. In either case, however, he might as well have let them alone; for Huckleberry, a mischievous little elf, crept behind Eustace as he sat on the steps of the porch, snatched the spectacles from his nose, and clapped them on her own; and as the student forgot to take them back, they fell off into the grass, and lay there till the next spring.
Now, Eustace Bright, you must know, had won great fame among the children, as a narrator of wonderful stories; and though he sometimes pretended to be annoyed, when they teased him for more, and more, and always for more, yet I really doubt whether he liked anything quite so well as to tell them. You might have seen his eyes twinkle, therefore, when Clover, Sweet Fern, Cowslip, Buttercup, and most of their playmates, besought him to relate one of his stories, while they were waiting for the mist to clear up.
“Yes, Cousin Eustace,” said Primrose, who was a bright girl of twelve, with laughing eyes, and a nose that turned up a little, “the morning is certainly the best time for the stories with which you so often tire out our patience. We shall be in less danger of hurting your feelings, by falling asleep at the most interesting points,—as little Cowslip and I did last night!”
“Naughty Primrose,” cried Cowslip, a child of six years old; “I did not fall asleep, and I only shut my eyes, so as to see a picture of what Cousin Eustace was telling about. His stories are good to hear at night, because we can dream about them asleep; and good in the morning, too, because then we can dream about them awake. So I hope he will tell us one this very minute.”
“Thank you, my little Cowslip,” said Eustace; “certainly you shall have the best story I can think of, if it were only for defending me so well from that naughty Primrose. But, children, I have already told you so many fairy tales, that I doubt whether there is a single one which you have not heard at least twice over. I am afraid you will fall asleep in reality, if I repeat any of them again.”
“No, no, no!” cried Blue Eye, Periwinkle, Plantain, and half a dozen others. “We like a story all the better for having heard it two or three times before.”
And it is a truth, as regards children, that a story seems often to deepen its mark in their interest, not merely by two or three, but by numberless repetitions. But Eustace Bright, in the exuberance of his resources, scorned to avail himself of an advantage which an older story-teller would have been glad to grasp at.
“It would be a great pity,” said he, “if a man of my learning (to say nothing of original fancy) could not find a new story every day, year in and year out, for children such as you. I will tell you one of the nursery tales that were made for the amusement of our great old grandmother, the Earth, when she was a child in frock and pinafore. There are a hundred such; and it is a wonder to me that they have not long ago been put into picture-books for little girls and boys. But, instead of that, old gray-bearded grandsires pore over them in musty volumes of Greek, and puzzle themselves with trying to find out when, and how, and for what they were made.”
“Well, well, well, well, Cousin Eustace!” cried all the children at once; “talk no more about your stories, but begin.”
“Sit down, then, every soul of you,” said Eustace Bright, “and be all as still as so many mice. At the slightest interruption, whether from great, naughty Primrose, little Dandelion, or any other, I shall bite the story short off between my teeth, and swallow the untold part. But, in the first place, do any of you know what a Gorgon is?”
“I do,” said Primrose.
“Then hold your tongue!” rejoined Eustace, who had rather she would have known nothing about the matter. “Hold all your tongues, and I shall tell you a sweet pretty story of a Gorgon’s head.”
And so he did, as you may begin to read on the next page. Working up his sophomorical erudition with a good deal of tact, and incurring great obligations to Professor Anthon, he, nevertheless, disregarded all classical authorities, whenever the vagrant audacity of his imagination impelled him to do so.

All new material copyright © 1998 by Tom Doherty Associates, Inc.

Table of Contents

The Gorgon's Head
Tanglewood Porch--Introductory to The Gorgon's Head15
The Gorgon's Head21
Tanglewood Porch--After the Story57
The Golden Touch
Shadow Brook--Introductory to The Golden Touch60
The Golden Touch64
Shadow Brook--After the Story90
The Paradise of Children
Tanglewood Play-Room--Introductory to The Paradise of Children94
The Paradise of Children99
Tanglewood Play-Room--After the Story124
The Three Golden Apples
Tanglewood Fireside--Introductory to The Three Golden Apples126
The Three Golden Apples133
Tanglewood Fireside--After the Story163
The Miraculous Pitcher
The Hill-Side--Introductory to the Miraculous Pitcher167
The Miraculous Pitcher171
The Hill-Side--After the Story200
The Chimaera
Bald-Summit--Introductory to The Chimaera202
The Chimaera206
Bald-Summit--After the Story238
List of Designs
Half-Title1
Frontispiece--Bellerophon on Pegasus2
Title3
Preface8
Tailpiece9
Contents11
List of Designs12
Tailpiece13
Headpiece--Tanglewood Porch15
The Gorgon's Head--Headpiece21
Perseus and the Graiae37
Perseus armed by the Nymphs42
Perseus and the Gorgons49
Perseus showing the Gorgon's Head54
Tailpiece56
Headpiece--Tanglewood Porch, After the Story57
Tailpiece59
Headpiece--Shadow Brook60
The Golden Touch--Headpiece64
The Stranger appearing to Midas69
Midas' Daughter turned to Gold82
Midas with the Pitcher87
Tailpiece89
Headpiece--Shadow Brook, After the Story90
Tailpiece93
Headpiece--Tanglewood Play-Room94
Tailpiece98
The Paradise of Children--Headpiece99
Pandora wonders at the Box102
Pandora desires to open the Box109
Pandora opens the Box116
Tailpiece123
Headpiece--Tanglewood Play-Room, After the Story124
Headpiece--Tanglewood Fireside126
Tailpiece132
The Three Golden Apples--Headpiece133
Hercules and the Nymphs137
Hercules and the Old Man of the Sea146
Hercules and Atlas153
Tailpiece162
Headpiece--Tanglewood Fireside, After the Story163
Tailpiece166
Headpiece--The Hill-Side167
Tailpiece170
The Miraculous Pitcher--Headpiece171
Philemon and Baucis172
The Strangers in the Village177
The Strangers entertained188
Tailpiece199
Headpiece--The Hill-Side, After the Story200
Tailpiece201
Headpiece--Bald Summit202
Tailpiece205
The Chimaera--Headpiece206
Bellerophon at the Fountain211
Bellerophon slays the Chimaera232
Tailpiece237
Headpiece--Bald Summit, After the Story238
Tailpiece242
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