The New York Times Book Review - Becca Rothfeld
The English edition of Abigail is as welcome as it is overdue. Len Rix's translation is deft, but Szabo's frank, conversational prose takes a back seat to her sinuous plotting: The novel unspools its secrets over many pages, and the resulting tour de force is taut with suspense…Abigail is at once harrowing and mesmerizing, all the more so because we glimpse its dramas through the uncomprehending lens of Gina's youthful simplicity.
From the Publisher
"The English edition of Abigail is as welcome as it is overdue. Len Rix’s translation is deft, but Szabó’s frank, conversational prose takes a back seat to her sinuous plotting: The novel unspools its secrets over many pages, and the resulting tour de force is taut with suspense. . . . Nothing could ruin a book so humane—but to resolve the novel’s central mysteries, especially the enigma of Abigail’s identity, would be to diminish some of its breathless urgency. To learn the truth, you must consult Abigail herself." —Becca Rothfeld, The New York Times Book Review
“A tense, intimate narrative that brilliantly depicts youthful innocence ensnared by lethal menace . . . Szabó the magician reveals, for an instant, time, history and human folly, all glimpsed through a child’s clear eyes.” —Anna Mundow, The Wall Street Journal
“[I]n Len Rix's superb translation, Abigail is a delightful page-turner. There's an air of enchantment about the school—the book takes its title from a statue that supposedly grants the students' wishes—and Gina begins to have adventures—some quite funny, others that bring tears to your eyes.” —John Powers, NPR’s Fresh Air
“This infectious coming-of-age novel from Szabó, released in 1970 and translated into English for the first time, is a rollicking delight. Gina Vitay, the headstrong, spoiled lead, is reminiscent of Jane Austen’s Emma. . . . Szabó pairs the psychological insights reader will recognize from her novel The Door with action more akin to Harry Potter. Gina is one of Szabó‘s finest creations.” —Publishers Weekly, starred review
"Sequestered at a boarding school during World War II, a rebellious teenager confronts secrets, lies, and danger. . . . Urgent moral questions underlie a captivating mystery." —Kirkus
Kirkus Reviews
2019-09-30
Sequestered at a boarding school during World War II, a rebellious teenager confronts secrets, lies, and danger.
Published in Hungary in 1970, and translated into English for the first time by Rix, this intricately plotted novel by Prix Femina Étranger winner Szabó (1917-2007) (Katalin Street, 2017, etc.) complicates a predictable coming-of-age tale by setting it in perilous times: War rages, patriotism incites bitterness and bigotry, and a clandestine resistance movement stealthily arises. When 14-year-old Gina is sent suddenly from her home in Budapest to an elite religious school in the provinces, she feels deeply bereft: of her beloved governess, who was forced to return to her native France; of her aunt's delightful tea dances; of encounters with a handsome lieutenant with whom she is infatuated; and, most of all, of her father, whom she loves so deeply that she "felt the world complete only when they were together." Protected, indulged, and self-absorbed, Gina suffers protracted (and somewhat irritating) adolescent angst. She hates the academy: Once a medieval monastery, it looms like a fortress; girls, dressed in black uniforms, their hair braided unfashionably, are forbidden to bring jewelry, scented soaps, or even toothbrushes from home. Obedience to Christian precepts and school authority is strictly enforced—and, by Gina, repeatedly flouted. She breaks rules, antagonizes her teachers and classmates, and mocks rituals and traditions, including the girls' veneration of a statue they call Abigail, which has the uncanny power to know everything that happens at the school and offer warnings and sage advice. "All my life I have been a wild thing," Gina reflects. "I am impatient and impulsive, and I have never learned to love people who annoy me or try to hurt me." But when her father, visiting unexpectedly, reveals the reason he had to send her away, she vows to behave and realizes that Abigail is watching over her. Far from a supernatural being, Abigail's real identity, Gina believes, is "someone inside these fortress walls who lives a secret life."
Urgent moral questions underlie a captivating mystery.
