Abysma is the
Ghostly International debut from
Will Wiesenfeld, a Los Angeles native who is best known for his hip-hop-influenced electro-pop releases on
Anticon under the name
Baths, but has actually been more prolific under his ambient-leaning project
Geotic. Prior to
Abysma, all of
Geotic's recordings were self-released digital affairs, and they ranged from field recordings to loop-based drone pieces to atmospheric lo-fi indie pop.
Abysma is a full-length venture into ambient techno, a direction
Wiesenfeld hinted at with the title track of
Baths' 2014 EP
Ocean Death.
Wiesenfeld describes
Geotic as "passive listening" and
Baths as "active listening," which makes sense considering how much more structured and pop-informed his
Baths material is compared to his more experimental work as
Geotic. However, all of the tracks on
Abysma contain upfront dance beats along with
Wiesenfeld's airy falsetto vocals and light, twinkling pianos.
Wiesenfeld says that to him, dance music has always been more about solitude and reflection than a big night out at a club with friends, and this is an ideal techno album for home listening. The beats are swift and propulsive, but there isn't an overwhelming amount of bass, nor are the tracks structured to work as DJ tools. The fuzzy, lo-fi loops of earlier
Geotic releases are nowhere to be heard here. Instead, the sonic constructions are brighter and more detailed, yet they still feel light and ethereal, even with the insistent beats.
Wiesenfeld sings on most tracks, but only occasionally do there appear to be proper lyrics, such as on the slightly
Tycho-esque "Nav." Tracks like "Laura Corporeal" tip toward the cerebral tech-house of
John Tejada, who mastered the album. Elsewhere, cuts like "Vaulted Ceiling, Painted Sky" manage to successfully combine new age piano and string melodies with dance beats, all without sounding cheesy or pretentious. Closing track "Valiance" focuses on swooping, sparkling violin manipulations, and is equally playful and majestic.
Abysma is an intriguing development in
Wiesenfeld's sound, and easily the most cohesive
Geotic release to date. ~ Paul Simpson