Adelita: A Mexican Cinderella Story

by Tomie dePaola, Tomie dePaola (Illustrator)

Overview

There's no pumpkin coach or glass slipper in sight, but Cinderella fans will find much to like in dePaola's original twist, infused with Mexican warmth and color. His liberal use of Spanish phrases (translated within the text) enlighten as they enliven. Full color.

Product Details

ISBN-13:	9780756930899
Publisher:	Perfection Learning Corporation
Publication date:	09/01/2004
Pages:	40
Sales rank:	291,623
Product dimensions:	9.10(w) x 10.90(h) x 0.40(d)
Lexile:	AD660L (what's this?)
Age Range:	4 - 8 Years

About the Author

Tomie dePaola was born in Meriden, Connecticut, in 1934, to a family of Irish and Italian background. His determination to create books for children led to a BFA from Pratt Institute in Brooklyn, New York, and an MFA from the California College of Arts & Crafts in Oakland, California.  His particular way with color, line, detail, and design have earned him many of the most prestigious awards in his field, among them a Caldecott Honor Award for Strega Nona, the Smithsonian Medal, the Kerlan Award from the University of Minnesota for his "singular attainment in children's literature," the Catholic Library Association's Regina Medal for his "continued distinguished contribution," and the University of Southern Mississippi Medallion. He was also the 1990 United States nominee for the Hans Christian Andersen Medal for illustration, and received the Children's Literature Legacy Award for lifetime contribution to children's literature in 2011.
DePaola has published almost 200 children's books in 15 different countries over the past 30 years. Among his most well-known titles are the Strega Nona series, 26 Fairmount Avenue, and The Legend of the Indian Paintbrush.
DePaola lives in an interesting house in New Hampshire with his four dogs. His studio is in a large renovated 200-year-old barn.

Hometown:

Connecticut and New Hampshire

Date of Birth:

September 15, 1935

Place of Birth:

Meriden, CT

Website:

http://www.tomie.com/main.html

What People are Saying About This

From the Publisher

Cinderella fans will find much to like in dePaola's original twist, infused with Mexican warmth and color. (Publishers Weekly)

A true tour de force. (School Library Journal)

Editorial Reviews

There's no pumpkin coach or glass slipper in sight, but Cinderella fans will find much to like in dePaola's (26 Fairmount Avenue) original twist, infused with Mexican warmth and color. Following her father's sudden death, Adelita is left to suffer the abuse of her cruel stepmother and stepsisters. Adelita's kindly nanny/housekeeper takes on the role of fairy godmother, making certain that the girl has something to wear to the party thrown by a local wealthy family to honor their (eligible bachelor) son, Javier. Adelita makes an unforgettable impression at the gala, draped in a dramatic red shawl that was her mother's; Adelita uses it to signal to Javier when he comes looking for her the next day. DePaola tweaks just enough details to make his version fresh; his liberal use of Spanish phrases (translated within the text) and cultural details enlighten as they enliven. He humorously winks at readers, too, by having his characters refer to the classic story ("All Do$a Micaela and her two daughters could talk about was `the mysterious Cenicienta' [Cinderella] who had appeared and then disappeared from the fiesta, just like the fairy tale"). His vibrant acrylics incorporate folk art motifs as well as rustic domestic items. The jazzy design features mosaic-like tile backgrounds of varying shades that frame smaller panels and portraits throughout. Ages 5-up. (Sept.) Copyright 2002 Cahners Business Information.

Publishers Weekly

K-Gr 3-In this folktale variant, lovely Adelita gains a family when her father remarries. Following the traditional story line, Dona Micaela and her daughters, Valentina and Dulce, are utterly impossible, but all is well as long as Adelita's father is alive. However, when he dies, she is relegated to helping in the kitchen. Eventually, Dona Micaela evicts old Esperanza, and her stepdaughter is left to do all the work. On the night of the fiesta at the Gordillos' hacienda, it is Esperanza who takes the fairy godmother role, sends Adelita to the party, and sees to it that young Javier is smitten. True to form, he locates the young woman when she flees, and they marry. The prose is straightforward and crisp, though the habit of including a Spanish phrase that is translated immediately afterward (e.g., "Soy yo-only me-" or "-mi peque-ita-my little one-") interrupts the narrative flow. However, this is a minor quibble given the beauty of dePaola's signature artwork. Making perfect use of clear, warm hues, the full-color acrylic illustrations are a feast for the eye. Depth and brilliance in composition combine with economy of line and form to create a true tour de force. Use this with either Robert D. San Souci's Little Gold Star (HarperCollins, 2000) or Joe Hayes's Little Gold Star/Estrellita de oro (Cinco Puntos, 2000) for different looks at "Cinderella" through Mexican eyes.-Ann Welton, Grant Elementary School, Tacoma, WA Copyright 2002 Cahners Business Information.

School Library Journal

Placing this Cinderella variation in upper-class Mexico in the last century, dePaola (A New Barker in the House, p. 409, etc.) has framed the story in a more realistic vein than usual. There are no magical elements, yet the prolific author-illustrator weaves together a very satisfying tale of the beautiful and good Adelita and her sweet young man, Javier, a childhood friend. The fairy godmother is a faithful servant who has always worked for the Mercado family. The dress belonged to Adelita's mother and instead of the glass slipper, Adelita uses her beautiful rebozo, a shawl covered in birds and flowers, to lead her rich young gentleman back to her after she leaves the fiesta early. The human relationships remain the same: the evil stepmother and the selfish stepsisters are depicted here in the usual way, yet kindly Adelita invites them all to her wedding at the end. Esperanza, the servant who quietly manages to bring an end to Adelita's sufferings, brings a cart to take her to the hacienda, not a coach made out of a pumpkin. Spanish phrases and their translations are used throughout the text and a list providing pronunciations is given at the end. The acrylic paintings are handsome and dignified, with borders of Mexican tile and many archways giving a graceful unity to dePaola's signature characters. The rich colors change in tone as sad times, mourning, and great happiness are all depicted in different double-page spreads. The endpapers explode with the lively pattern of the all-important rebozo. Decorative objects, including religious items, pottery, Mexican crafts, and kitchenware give the illustrations an authentic touch. Heartwarming, but not sappy, this version will lead youngwriters off in many directions as they write their own Cinderella tales in locations of their own choosing. An enjoyable read-aloud, this is a fine addition to the author's growing collection of stories set in Mexico. (Picture book. 6-10)

Kirkus Reviews

Cinderella fans will find much to like in dePaola's original twist, infused with Mexican warmth and color. (Publishers Weekly)

A true tour de force. (School Library Journal)

From the Publisher