Afternoons with the Blinds Drawn
'A compelling personal account of the dramas of a singular British band' Neil Tennant

The trajectory of Suede - hailed in infancy as both 'The Best New Band in Britain' and 'effete southern wankers' - is recalled with moving candour by its frontman Brett Anderson, whose vivid memoir swings seamlessly between the tender, witty, turbulent, euphoric and bittersweet.

Suede began by treading the familiar jobbing route of London's emerging new 1990s indie bands - gigs at ULU, the Camden Powerhaus and the Old Trout in Windsor - and the dispiriting experience of playing a set to an audience of one. But in these halcyon days, their potential was undeniable. Anderson's creative partnership with guitarist Bernard Butler exposed a unique and brilliant hybrid of lyric and sound; together they were a luminescent team - burning brightly and creating some of the era's most revered songs and albums.

In Afternoons with the Blinds drawn, Anderson unflinchingly explores his relationship with addiction, heartfelt in the regret that early musical bonds were severed, and clear-eyed on his youthful persona. 'As a young man . . . I oscillated between morbid self-reflection and vainglorious narcissism' he writes. His honesty, sharply self-aware and articulate, makes this a compelling autobiography, and a brilliant insight into one of the most significant bands of the last quarter century.

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Afternoons with the Blinds Drawn
'A compelling personal account of the dramas of a singular British band' Neil Tennant

The trajectory of Suede - hailed in infancy as both 'The Best New Band in Britain' and 'effete southern wankers' - is recalled with moving candour by its frontman Brett Anderson, whose vivid memoir swings seamlessly between the tender, witty, turbulent, euphoric and bittersweet.

Suede began by treading the familiar jobbing route of London's emerging new 1990s indie bands - gigs at ULU, the Camden Powerhaus and the Old Trout in Windsor - and the dispiriting experience of playing a set to an audience of one. But in these halcyon days, their potential was undeniable. Anderson's creative partnership with guitarist Bernard Butler exposed a unique and brilliant hybrid of lyric and sound; together they were a luminescent team - burning brightly and creating some of the era's most revered songs and albums.

In Afternoons with the Blinds drawn, Anderson unflinchingly explores his relationship with addiction, heartfelt in the regret that early musical bonds were severed, and clear-eyed on his youthful persona. 'As a young man . . . I oscillated between morbid self-reflection and vainglorious narcissism' he writes. His honesty, sharply self-aware and articulate, makes this a compelling autobiography, and a brilliant insight into one of the most significant bands of the last quarter century.

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Afternoons with the Blinds Drawn

Afternoons with the Blinds Drawn

by Brett Anderson
Afternoons with the Blinds Drawn

Afternoons with the Blinds Drawn

by Brett Anderson

Paperback

$17.99 
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Overview

'A compelling personal account of the dramas of a singular British band' Neil Tennant

The trajectory of Suede - hailed in infancy as both 'The Best New Band in Britain' and 'effete southern wankers' - is recalled with moving candour by its frontman Brett Anderson, whose vivid memoir swings seamlessly between the tender, witty, turbulent, euphoric and bittersweet.

Suede began by treading the familiar jobbing route of London's emerging new 1990s indie bands - gigs at ULU, the Camden Powerhaus and the Old Trout in Windsor - and the dispiriting experience of playing a set to an audience of one. But in these halcyon days, their potential was undeniable. Anderson's creative partnership with guitarist Bernard Butler exposed a unique and brilliant hybrid of lyric and sound; together they were a luminescent team - burning brightly and creating some of the era's most revered songs and albums.

In Afternoons with the Blinds drawn, Anderson unflinchingly explores his relationship with addiction, heartfelt in the regret that early musical bonds were severed, and clear-eyed on his youthful persona. 'As a young man . . . I oscillated between morbid self-reflection and vainglorious narcissism' he writes. His honesty, sharply self-aware and articulate, makes this a compelling autobiography, and a brilliant insight into one of the most significant bands of the last quarter century.


Product Details

ISBN-13: 9780349143644
Publisher: Little, Brown Book Group
Publication date: 08/10/2021
Pages: 288
Product dimensions: 5.00(w) x 7.75(h) x 0.75(d)

About the Author

Brett Anderson is the founder and lead singer of Suede.

Table of Contents

Part 1

The Book I Said I Wouldn't Write 3

Tomorrow's Fish and Chip Paper 17

Dogshit and Diamonds 29

Effete Southern Wankers 39

The Only Thing Worse than Being Talked About is Not Being Talked About 51

Style is the Art of Omission 61

Breakfast at Heathrow 73

Person versus Persona 83

Part 2

The Poison Tree 93

The Only Thing that's Special About Us is What We Leave Behind 103

We Love, We Tire, We Move On 119

Anything Can Happen in Life, Especially Nothing 127

Part 3

Everyone Who Has Ever Loved Me Has Been at Some Time Disappointed 147

Crouchenders 165

It Sounds Like the Fucking Smurfs 179

Go to His House and Kill His Cat 195

Part 4

Quiet Ruin 209

The Little Old Beetle Goes Round and Round until He Ends Up Right Up Tight to the Nail 219

It Dies in the White Hours of Young-leafed June 229

We Don't Have to Live Like This 241

Part 5

I Drown in the Drumming Ploughland 249

Five Get into a Fix 263

What Will Survive of Us is Love 275

Credits 279

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