Allegory and the Tragic Chorus in Sophocles' Oedipus at Colonus
In this book, Roger Travis brings together poetics and psychology to study the tragic chorus in Sophocles' Oedipus at Colonus. Beginning from Quintilian's definition of allegory as extended metaphor, Travis argues that in Oedipus at Colonus the chorus of old men forms an allegorical relationship with the aged Oedipus, which depends in turn upon the chorus's own likeness to the Athenian audience. The play relates Oedipus allegorically to the audience through the tragic chorus and transforms Oedipus' relation to the body of his mother Jocasta into a new relation to the land of Attica. Corresponding readings of Aeschylus' Suppliants and Euripides' Bacchea further explore the chorus's role in expressing the relation of the individual to the maternal body.

Employing a flexible combination of Lacanian and object-relations psychoanalytic theory, Travis investigates the tragic text's conception of the problems of human existence. The introduction provides a useful survey of the advantages and disadvantages of various psychological approaches to tragedy, making this an important volume for students and scholars alike.
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Allegory and the Tragic Chorus in Sophocles' Oedipus at Colonus
In this book, Roger Travis brings together poetics and psychology to study the tragic chorus in Sophocles' Oedipus at Colonus. Beginning from Quintilian's definition of allegory as extended metaphor, Travis argues that in Oedipus at Colonus the chorus of old men forms an allegorical relationship with the aged Oedipus, which depends in turn upon the chorus's own likeness to the Athenian audience. The play relates Oedipus allegorically to the audience through the tragic chorus and transforms Oedipus' relation to the body of his mother Jocasta into a new relation to the land of Attica. Corresponding readings of Aeschylus' Suppliants and Euripides' Bacchea further explore the chorus's role in expressing the relation of the individual to the maternal body.

Employing a flexible combination of Lacanian and object-relations psychoanalytic theory, Travis investigates the tragic text's conception of the problems of human existence. The introduction provides a useful survey of the advantages and disadvantages of various psychological approaches to tragedy, making this an important volume for students and scholars alike.
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Allegory and the Tragic Chorus in Sophocles' Oedipus at Colonus

Allegory and the Tragic Chorus in Sophocles' Oedipus at Colonus

by Roger Travis
Allegory and the Tragic Chorus in Sophocles' Oedipus at Colonus

Allegory and the Tragic Chorus in Sophocles' Oedipus at Colonus

by Roger Travis

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Overview

In this book, Roger Travis brings together poetics and psychology to study the tragic chorus in Sophocles' Oedipus at Colonus. Beginning from Quintilian's definition of allegory as extended metaphor, Travis argues that in Oedipus at Colonus the chorus of old men forms an allegorical relationship with the aged Oedipus, which depends in turn upon the chorus's own likeness to the Athenian audience. The play relates Oedipus allegorically to the audience through the tragic chorus and transforms Oedipus' relation to the body of his mother Jocasta into a new relation to the land of Attica. Corresponding readings of Aeschylus' Suppliants and Euripides' Bacchea further explore the chorus's role in expressing the relation of the individual to the maternal body.

Employing a flexible combination of Lacanian and object-relations psychoanalytic theory, Travis investigates the tragic text's conception of the problems of human existence. The introduction provides a useful survey of the advantages and disadvantages of various psychological approaches to tragedy, making this an important volume for students and scholars alike.

Product Details

ISBN-13: 9780847696093
Publisher: Bloomsbury Academic
Publication date: 06/03/1999
Series: Greek Studies: Interdisciplinary Approaches
Pages: 256
Product dimensions: 6.00(w) x 9.00(h) x 0.58(d)

About the Author

Roger Travis is assistant professor of Classics at the University of Connecticut.

Table of Contents

Chapter 1 Methodological Introduction
Chapter 2 From End to Beginning: The Choral Allegory ofOedipus at Colonus
Chapter 3 Suppliant Drama, Suppliant Space:Oedipus at Colonus and Aeschylus's Suppliants
Chapter 4 Spectacular Religion: Oedipus at Colonus and Euripides' Bacchae
Chapter 5 From Beginning to End: Choral Allegory inOedipus at Colonus
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