Allegory: The Theory of a Symbolic Mode
Anyone who has ever said one thing and meant another has spoken in the mode of allegory. The allegorical expression of ideas pervades literature, art, music, religion, politics, business, and advertising. But how does allegory really work and how should we understand it? For more than forty years, Angus Fletcher's classic book has provided an answer that is still unsurpassed for its comprehensiveness, brilliance, and eloquence. With a preface by Harold Bloom and a substantial new afterword by the author, this edition reintroduces this essential text to a new generation of students and scholars of literature and art.

Allegory puts forward a basic theory of allegory as a symbolic mode, shows how it expresses fundamental emotional and cognitive drives, and relates it to a wide variety of aesthetic devices. Revealing the immense richness of the allegorical tradition, the book demonstrates how allegory works in literature and art, as well as everyday speech, sales pitches, and religious and political appeals.

In his new afterword, Fletcher documents the rise of a disturbing new type of allegory—allegory without ideas.

1107430149
Allegory: The Theory of a Symbolic Mode
Anyone who has ever said one thing and meant another has spoken in the mode of allegory. The allegorical expression of ideas pervades literature, art, music, religion, politics, business, and advertising. But how does allegory really work and how should we understand it? For more than forty years, Angus Fletcher's classic book has provided an answer that is still unsurpassed for its comprehensiveness, brilliance, and eloquence. With a preface by Harold Bloom and a substantial new afterword by the author, this edition reintroduces this essential text to a new generation of students and scholars of literature and art.

Allegory puts forward a basic theory of allegory as a symbolic mode, shows how it expresses fundamental emotional and cognitive drives, and relates it to a wide variety of aesthetic devices. Revealing the immense richness of the allegorical tradition, the book demonstrates how allegory works in literature and art, as well as everyday speech, sales pitches, and religious and political appeals.

In his new afterword, Fletcher documents the rise of a disturbing new type of allegory—allegory without ideas.

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Allegory: The Theory of a Symbolic Mode

Allegory: The Theory of a Symbolic Mode

Allegory: The Theory of a Symbolic Mode

Allegory: The Theory of a Symbolic Mode

Paperback(With a New afterword by the author)

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Overview

Anyone who has ever said one thing and meant another has spoken in the mode of allegory. The allegorical expression of ideas pervades literature, art, music, religion, politics, business, and advertising. But how does allegory really work and how should we understand it? For more than forty years, Angus Fletcher's classic book has provided an answer that is still unsurpassed for its comprehensiveness, brilliance, and eloquence. With a preface by Harold Bloom and a substantial new afterword by the author, this edition reintroduces this essential text to a new generation of students and scholars of literature and art.

Allegory puts forward a basic theory of allegory as a symbolic mode, shows how it expresses fundamental emotional and cognitive drives, and relates it to a wide variety of aesthetic devices. Revealing the immense richness of the allegorical tradition, the book demonstrates how allegory works in literature and art, as well as everyday speech, sales pitches, and religious and political appeals.

In his new afterword, Fletcher documents the rise of a disturbing new type of allegory—allegory without ideas.


Product Details

ISBN-13: 9780691151809
Publisher: Princeton University Press
Publication date: 08/05/2012
Edition description: With a New afterword by the author
Pages: 472
Product dimensions: 8.90(w) x 5.90(h) x 1.20(d)

About the Author

Angus Fletcher is distinguished professor emeritus of English and comparative literature at the Graduate School of the City University of New York. His books include Time, Space, and Motion in the Age of Shakespeare and A New Theory for American Poetry. Harold Bloom (1930–2019) was Sterling Professor of the Humanities and English at Yale University.

Table of Contents

List of Illustrations ix

A Personal Foreword, Harold Bloom xiii

Acknowledgments xvii

Introduction 1

1. The Daemonic Agent 24

2. The Cosmic Image 69

3. Symbolic Action: Progress and Battle 147

4. Allegorical Causation: Magic and Ritual Forms 181

5. Thematic Effects: Ambivalence, the Sublime, and the Picturesque 221

6. Psychoanalytic Analogues: Obsession and Compulsion 281

7. Value and Intention: The Limits of Allegory 306

Afterword 362

Afterword to the 2012 Edition 370

Illustrations 413

Bibliography 441

Index 463

What People are Saying About This

From the Publisher

"This is still the best account of allegory we have. It is a remarkable fusion of theoretical speculation and brilliant literary analysis. If I were teaching a course on allegory, this would be the major book I would assign."—Stanley Fish, author of How Milton Works

"An enormously valuable tool for understanding complex literary texts like Spenser's Faerie Queene."—Stephen Greenblatt, author of Will in the World: How Shakespeare Became Shakespeare

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