The unforgettable His Dark Materials trilogy that began with The Golden Compass and continued with The Subtle Knife, reaches its astonishing conclusion in The Amber Spyglass. These modern fantasy classics have been hailed by Entertainment Weekly as an "All-Time Greatest Novel" and Newsweek as a "Top 100 Book of All Time"
Throughout the worlds, the forces of both heaven and hell are mustering to take part in Lord Asriel's audacious rebellion. Each player in this epic drama has a role to play—and a sacrifice to make. Witches, angels, spies, assassins, tempters, and pretenders, no one will remain unscathed.
Lyra and Will have the most dangerous task of all. They must journey to a gray-lit world where no living soul has ever gone and from which there is no escape.
As war rages and Dust drains from the sky, the fate of the living—and the dead—comes to depend on Lyra and Will. On the choices they make in love, and for love, forevermore.
A #1 New York Times Bestseller
Winner of the Whitbread Award
Winner of the British Book Award (Children's)
Published in 40 Countries
"Masterful.... This title confirms Pullman's inclusion in the company of C.S. Lewis and Tolkien." —Smithsonian Magazine
"Pullman has created the last great fantasy masterpiece of the twentieth century. An astounding achievement." —The Cincinnati Enquirer
"War, politics, magic, science, individual lives and cosmic destinies are all here . . . shaped and assembled into a narrative of tremendous pace by a man with a generous, precise intelligence. I am completely enchanted." —The New York Times Book Review
"Breathtaking adventure . . . a terrific story, eloquently told." —The Boston Globe
Don't miss Philip Pullman's epic new trilogy set in the world of His Dark Materials!
** THE BOOK OF DUST **
La Belle Sauvage
The Secret Commonwealth
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|Publisher:||Random House Children's Books|
|Series:||His Dark Materials Series|
|Product dimensions:||5.19(w) x 7.56(h) x 1.23(d)|
|Lexile:||950L (what's this?)|
|Age Range:||12 - 17 Years|
About the Author
The Book of Dust, Pullman’s eagerly anticipated return to the world of His Dark Materials, will also be a book in three parts. It began with La Belle Sauvage and continues with The Secret Commonwealth.
Philip Pullman is the author of many other beloved novels. For younger readers: I Was a Rat!, Count Karlstein, Two Crafty Criminals!, Spring-Heeled Jack, and The Scarecrow and His Servant. For older readers: the Sally Lockhart quartet (The Ruby in the Smoke, The Shadow in the North, The Tiger in the Well, and The Tin Princess), The White Mercedes, and The Broken Bridge. He has written a magnificent collection, Fairy Tales from the Brothers Grimm, and his essays and lectures on writing and storytelling have been gathered in a volume called Dæmon Voices: On Stories and Storytelling.
Philip Pullman lives in Oxford, England.
Date of Birth:October 19, 1946
Place of Birth:Norwich, England
Education:Exeter College, Oxford University
Read an Excerpt
THE ENCHANTED SLEEPER
In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half, hidden by the crag above and the stiff heavy leaves that clustered below.
The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello.
It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles.
There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
The cave lay some way above the path. Many years before, a holy man had lived there, meditating and fasting and praying, and the place was venerated for the sake of his memory. It was thirty feet or so deep, with a dry floor: an ideal den for a bear or a wolf, but the only creatures living in it for years had been birds and bats.
But the form that was crouching inside the entrance, his black eyes watching this way and that, his sharp ears pricked, was neither bird nor bat. The sunlight lay heavy and rich on his lustrous golden fur, and his monkey hands turned a pine cone this way and that, snapping off the scales with sharp fingers and scratching out the sweet nuts.
Behind him, just beyond the point where the sunlight reached, Mrs. Coulter was heating some water in a small pan over a naphtha stove. Her daemon uttered a warning murmur and Mrs. Coulter looked up.
Coming along the forest path was a young village girl. Mrs. Coulter knew who she was: Ama had been bringing her food for some days now. Mrs. Coulter had let it be known when she first arrived that she was a holy woman engaged in meditation and prayer, and under a vow never to speak to a man. Ama was the only person whose visits she accepted.
This time, though, the girl wasn't alone. Her father was with her, and while Ama climbed up to the cave, he waited a little way off.
Ama came to the cave entrance and bowed.
"My father sends me with prayers for your goodwill," she said.
"Greetings, child," said Mrs. Coulter.
The girl was carrying a bundle wrapped in faded cotton, which she laid at Mrs. Coulter's feet. Then she held out a little bunch of flowers, a dozen or so anemones bound with a cotton thread, and began to speak in a rapid, nervous voice. Mrs. Coulter understood some of the language of these mountain people, but it would never do to let them know how much. So she smiled and motioned to the girl to close her lips and to watch their two daemons. The golden monkey was holding out his little black hand, and Ama's butterfly daemon was fluttering closer and closer until he settled on a horny forefinger.
The monkey brought him slowly to his ear, and Mrs. Coulter felt a tiny stream of understanding flow into her mind, clarifying the girl's words. The villagers were happy for a holy woman, such as herself, to take refuge in the cave, but it was rumored 'that she had a companion with her who was in some way dangerous and powerful.
It was that which made the villagers afraid. Was this other Steing Mrs. Coulter's master, or her servant? Did she mean harm? Why was she there in the first place? Were they going to stay long? Ama conveyed these questions with a thousand misgivings.
A novel answer occurred to Mrs. Coulter as the daemon's understanding filtered into hers. She could tell the truth. Not all of it, naturally, but some. She felt a little quiver of laughter at the idea, but kept it out of her voice as she explained:
"Yes, there is someone else with me. But there is nothing to be afraid of. She is my daughter, and she is under a spell that made her fall asleep. We have come here to hide from the enchanter who put the spell on her, while I try to cure her and keep her from harm. Come and see her, if you like."
Ama was half-soothed by Mrs. Coulter's soft voice, and half afraid still; and the talk of enchanters and spells added to the awe she felt. But the golden monkey was holding her daemon so gently, and she was curious, besides, so she followed Mrs. Coulter into the cave.
Her father, on the path below, took a step forward, and his crow daemon raised her wings once or twice, but he stayed where he was.
Mrs. Coulter lit a candle, because the light was fading rapidly, and led Ama to the back of the cave. Ama's eyes glittered widely in the gloom, and her hands were moving together in a repetitive gesture of finger on thumb, finger on thumb, to ward off danger by confusing the evil spirits.
"You see?" said Mrs. Coulter. "She can do no harm. There's nothing to be afraid of."
Reading Group Guide
The Amber Spyglass brings the intrigue of The Golden Compass and The Subtle Knife to a heart-stopping conclusion, marking the final volume as the most powerful of the trilogy.
Along with the return of Lyra, Will, Mrs. Coulter, Lord Asriel, Dr. Mary Malone, and the armored bear Iorek Byrnison, The Amber Spyglass introduces a host of new characters: the Mulefa, mysterious wheeled creatures with the power to see Dust; Gallivespian Lord Roke, a hand-high spymaster to Lord Asriel; and Metatron, a fierce and mighty angel.
And with rich characters and mounting suspense come startling revelations, too: the painful price Lyra must pay to walk through the land of the dead, the haunting power of Dr. Malone's amber spyglass, and the names of who will live - and who will die - for love. And all the while, war rages in the Kingdom of Heaven - the shocking outcome of this brutal battle will uncover the secret of Dust.
In The Amber Spyglass, Philip Pullman deftly weaves the cliffhangers and mysteries of The Golden Compass and The Subtle Knife into an earth- shattering conclusion - and confirms his fantasy trilogy as an undoubted and enduring classic. The questions, discussion topics, and author information that follow are intended to enhance your group's reading of each of the books in Philip Pullman's His Dark Materials trilogy.
1. Dust, Dark Matter, and Sraf are three different names for the same material. How do these names reflect the different worlds they come from? What attitudes and feelings does each society have about this material?
2. Why do you think the subtle knife breaks when Will thinks of his mother? When the knife breaks, do you think Mrs. Coulter is aware of her influence on Will? Are there any connections between Mrs. Coulter and Will's mother?
3. In each book of the His Dark Materials trilogy, a special device (such as the alethiometer, the subtle knife, or the amber spyglass) is introduced in connection with the pursuit of Dust. What are the different properties of each instrument? How does each instrument reflect the personality of the person that uses it (i.e., Lyra, Will, and Dr. Malone)?
4. When asked to mend the subtle knife, Iorek is hesitant: "Sometimes a tool may have other uses that you don't know. Sometimes in doing what you intend you also do what the knife intends, without knowing." What do you think the knife's intentions are? Based on these intentions, who do you think created the knife and for what purpose?
5. By the end of The Amber Spyglass, what similiarites can you see between Lyra and Mrs. Coulter? How is Lyra's storytelling different from Mrs. Coulter's lying?
6. In The Amber Spyglass, Mrs. Coulter goes through a dramatic transformation as her maternal feelings for Lyra break through to the surface. What is the catalyst for this change?