An Incomplete List of Names: Poems
An astonishing debut collection looking back on a community of Mexican American boys as they grapple with assimilation versus the impulse to create a world of their own.

Who do we belong to? This is the question Michael Torres ponders as he explores the roles that names, hometown, language, and others’ perceptions each play on our understanding of ourselves in An Incomplete List of Names. More than a boyhood ballad or a coming-of-age story, this collection illuminates the artist’s struggle to make sense of the disparate identities others have forced upon him.

His description of his childhood is both idyllic and nightmarish, sometimes veering between the two extremes, sometimes a surreal combination of both at once. He calls himself “the Pachuco’s grandson” or REMEK or Michael, depending on the context, and others follow his lead. He worries about losing his identification card, lest someone mistake his brown skin for evidence of a crime he never committed. He wonders what his students—imprisoned men who remind him of his high school friends and his own brother—make of him. He wonders how often his neighbors think about where he came from, if they ever do imagine where he came from.

When Torres returns to his hometown to find the layers of spray-painted evidence he and his boyhood friends left behind to prove their existence have been washed away by well-meaning municipal workers, he wonders how to collect a list of names that could match the eloquent truths those bubbled letters once secured.
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An Incomplete List of Names: Poems
An astonishing debut collection looking back on a community of Mexican American boys as they grapple with assimilation versus the impulse to create a world of their own.

Who do we belong to? This is the question Michael Torres ponders as he explores the roles that names, hometown, language, and others’ perceptions each play on our understanding of ourselves in An Incomplete List of Names. More than a boyhood ballad or a coming-of-age story, this collection illuminates the artist’s struggle to make sense of the disparate identities others have forced upon him.

His description of his childhood is both idyllic and nightmarish, sometimes veering between the two extremes, sometimes a surreal combination of both at once. He calls himself “the Pachuco’s grandson” or REMEK or Michael, depending on the context, and others follow his lead. He worries about losing his identification card, lest someone mistake his brown skin for evidence of a crime he never committed. He wonders what his students—imprisoned men who remind him of his high school friends and his own brother—make of him. He wonders how often his neighbors think about where he came from, if they ever do imagine where he came from.

When Torres returns to his hometown to find the layers of spray-painted evidence he and his boyhood friends left behind to prove their existence have been washed away by well-meaning municipal workers, he wonders how to collect a list of names that could match the eloquent truths those bubbled letters once secured.
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An Incomplete List of Names: Poems

An Incomplete List of Names: Poems

An Incomplete List of Names: Poems

An Incomplete List of Names: Poems

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Overview

An astonishing debut collection looking back on a community of Mexican American boys as they grapple with assimilation versus the impulse to create a world of their own.

Who do we belong to? This is the question Michael Torres ponders as he explores the roles that names, hometown, language, and others’ perceptions each play on our understanding of ourselves in An Incomplete List of Names. More than a boyhood ballad or a coming-of-age story, this collection illuminates the artist’s struggle to make sense of the disparate identities others have forced upon him.

His description of his childhood is both idyllic and nightmarish, sometimes veering between the two extremes, sometimes a surreal combination of both at once. He calls himself “the Pachuco’s grandson” or REMEK or Michael, depending on the context, and others follow his lead. He worries about losing his identification card, lest someone mistake his brown skin for evidence of a crime he never committed. He wonders what his students—imprisoned men who remind him of his high school friends and his own brother—make of him. He wonders how often his neighbors think about where he came from, if they ever do imagine where he came from.

When Torres returns to his hometown to find the layers of spray-painted evidence he and his boyhood friends left behind to prove their existence have been washed away by well-meaning municipal workers, he wonders how to collect a list of names that could match the eloquent truths those bubbled letters once secured.

Product Details

ISBN-13: 9780807046746
Publisher: Beacon Press
Publication date: 10/06/2020
Series: National Poetry Series , #5
Pages: 128
Product dimensions: 5.50(w) x 8.40(h) x 0.40(d)

About the Author

Michael Torres was born and brought up in Pomona, CA, where he spent his adolescence as a graffiti artist. In 2019, he received fellowships and awards from the National Endowment for the Arts, the Bread Loaf Writers’ Conference, and the Loft Literary Center for the Mirrors & Windows Program. His writing has been featured in POETRY, Ploughshares, and other literary journals. Currently, he teaches in the MFA program at Minnesota State University, Mankato, and through the Minnesota Prison Writing Workshop. Connect with Michael at michaeltorreswriter.com.

Table of Contents

Foreword Raquel Salas Rivera xiii

Doing Donuts in an '87 Mustang 5.0, after My Homie Chris Gets Broken Up With 1

All-American Mexican 5

Hired as Professional Mourner at Funeral 10

The Pachuco's Grandson Smokes His First Cigarette after Contemplating Masculinity 12

The Flame 14

Minutes, at the Health Clinic 16

Learning to Box 18

[Mexican] America 21

On Being REMEK 23

Down 25

Clothespins 29

Push 30

The Very Short Story of Your Knuckles 33

Teaching at the Prison in December 35

The Pachuco's Grandson Considers Skipping School 37

Because My Brother Knows Why It's Called County Blues, but Won't Tell Me 39

After José Clemente Orozco's Man of Fire 41

Down | II 43

[White] America 47

My Brother Is Asking for Stamps 49

All-American Mexican 51

Suspended from School, the Pachuco's Grandson Watches Happy Days While His Homie Fulfills Prophecy 60

Stop Looking at My Last Name Like That 62

Down | III 64

After the Man Who Found Me Doing Burpees at the Park Said: "I Can Tell You Learned Those on the Inside." 67

Ars Poetica 69

My Hometown as a Man Riding a Bicycle with No Chain 72

My Neighbor Who Keeps the Dying Things 74

Visits 76

Elegy with Puppet Strings 78

From My Classroom Window at the Prison, before Students Arrive 81

The Pachuco's Grandson Considers the Silversun Pickups' Album Diana Lent Him When They last Spoke Seven Years Ago 83

1991 85

Ail-American Mexican 86

Elegy with Roll Call 89

Horses 100

Acknowledgments, Thank-Yous, and Shout-Outs 103

Notes 109

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