Table of Contents
Foreword by Henry E. Allison viii
Acknowledgments xi
About This Book xii
Note on the Translation xiv
Introduction 1
The Aesthetic Dimension Between Subject and Object 1
The Meaning of “Aesthetic” 4
Categories as a Guide 8
The “Moments” of a Judgment of Taste 13
1 Disinterestedness: First Moment 19
Disinterestedness as a Subjective Criterion 19
Three Kinds of Satisfaction: Agreeable, Beautiful, Good 23
2 Universality: Second Moment 27
The Argument from Self-Reflection: Private, Public, Universal 27
Subjective Universality 31
A Case of Transcendental Logic 35
Singular “but” Universal 39
How to Read Section 9 46
3 Purposiveness: Third Moment 54
Purpose without Will, Purposiveness without Purpose 54
Purposiveness and Form: Charm versus Euler 60
Of “Greatest Importance”: Beauty and Perfection 65
Beauty: Free, Dependent, and Ideal 69
4 Necessity: Fourth Moment 77
Exemplary Necessity 77
Kant’s Interpretation of the sensus communis 81
The Deduction 86
5 Fine Art, Nature, and Genius 94
Fine Art and Why It Must Seem like Nature 94
Genius and Taste 98
Genius and Aesthetic Ideas 101
6 Beyond Beauty 106
The Sublime 106
Beauty as the Symbol of Morality 113
The Analytic, the Dialectic, and the Supersensible 120
7 Two Challenges 128
Can Kant’s Aesthetics Account for the Ugly? 128
Can there be Beauty and Genius in Mathematics? 133
Summary and Overview 141
Before Kant 141
Kant’s Aesthetics 142
After Kant 146
Glossary 149
Bibliography 157
Index 171
