An Occasionally Happy Family
Gordon Korman meets The Great Outdoors in this funny and moving debut about a boy who goes on a disastrous family vacation (sweltering heat! bear chases!) that ends with a terrible surprise: his dad's new girlfriend.

There are zero reasons for Theo Ripley to look forward to his family vacation. Not only are he, sister Laura, and nature-obsessed Dad going to Big Bend, the least popular National Park, but once there, the family will be camping. And Theo is an indoor animal. It doesn't help that this will be the first vacation they're taking since Mom passed away.

Once there, the family contends with 110 degree days, wild bears, and an annoying amateur ornithologist and his awful teenage vlogger son. Then, Theo's dad hits him with a whopper of a surprise: the whole trip is just a trick to introduce his secret new girlfriend.

Theo tries to squash down the pain in his chest. But when it becomes clear that this is an auditioning-to-be-his-stepmom girlfriend, Theo must find a way to face his grief and talk to his dad before his family is forever changed.
1137169263
An Occasionally Happy Family
Gordon Korman meets The Great Outdoors in this funny and moving debut about a boy who goes on a disastrous family vacation (sweltering heat! bear chases!) that ends with a terrible surprise: his dad's new girlfriend.

There are zero reasons for Theo Ripley to look forward to his family vacation. Not only are he, sister Laura, and nature-obsessed Dad going to Big Bend, the least popular National Park, but once there, the family will be camping. And Theo is an indoor animal. It doesn't help that this will be the first vacation they're taking since Mom passed away.

Once there, the family contends with 110 degree days, wild bears, and an annoying amateur ornithologist and his awful teenage vlogger son. Then, Theo's dad hits him with a whopper of a surprise: the whole trip is just a trick to introduce his secret new girlfriend.

Theo tries to squash down the pain in his chest. But when it becomes clear that this is an auditioning-to-be-his-stepmom girlfriend, Theo must find a way to face his grief and talk to his dad before his family is forever changed.
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An Occasionally Happy Family

An Occasionally Happy Family

by Cliff Burke

Narrated by Michael Crouch

Unabridged — 4 hours, 50 minutes

An Occasionally Happy Family

An Occasionally Happy Family

by Cliff Burke

Narrated by Michael Crouch

Unabridged — 4 hours, 50 minutes

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Overview

Gordon Korman meets The Great Outdoors in this funny and moving debut about a boy who goes on a disastrous family vacation (sweltering heat! bear chases!) that ends with a terrible surprise: his dad's new girlfriend.

There are zero reasons for Theo Ripley to look forward to his family vacation. Not only are he, sister Laura, and nature-obsessed Dad going to Big Bend, the least popular National Park, but once there, the family will be camping. And Theo is an indoor animal. It doesn't help that this will be the first vacation they're taking since Mom passed away.

Once there, the family contends with 110 degree days, wild bears, and an annoying amateur ornithologist and his awful teenage vlogger son. Then, Theo's dad hits him with a whopper of a surprise: the whole trip is just a trick to introduce his secret new girlfriend.

Theo tries to squash down the pain in his chest. But when it becomes clear that this is an auditioning-to-be-his-stepmom girlfriend, Theo must find a way to face his grief and talk to his dad before his family is forever changed.

Editorial Reviews

JUNE 2021 - AudioFile

Narrator Michael Crouch captures each character’s quirks in this funny, sometimes heartbreaking, story of an emotionally charged family road trip. Thirteen-year-old Theo is an introvert. Like his older sister, Laura, and his father, a science teacher, he struggles with communicating his emotions, preferring to channel those feelings into his comic book drawings. Two years after the death of his mother, Theo’s family, still unable to share their grief, somewhat reluctantly takes a vacation. Crouch delivers Theo’s first-person perspective with relatable adolescent angst and sardonic wit. His subtle differentiation between the main characters illuminates the dynamics of family conversations, sibling squabbles, and parental refereeing. The journey is memorable, and Crouch skillfully voices an assortment of robust personalities that listeners will enjoy. S.A.A. © AudioFile 2021, Portland, Maine

From the Publisher

"Deftly capturing the childhood torture of family road trips, Burke nails the hilarious dialogue between Theo; his 16-year-old sister, Laura; and their science teacher dad....a riotous cast of eye-opening characters.... Each short chapter provides a glimpse of the humor and pain caused by the lack of communication and unaddressed grief that burdens each family member.....With memorable characters and voices, realistic emotions, and an extra helping of humor, this title rocks.... A masterful look at loss and mourning wrapped up in a hilariously painful family vacation." — Kirkus Reviews (starred review)

"This is a good, realistic, and a funny book about a family in transition....Sure to be a popular title, especially with fans of humor, road trip adventures, and James Patterson’s books." — School Library Journal

"Coursing underneath this comically disastrous road trip romp is a painfully real and poignant reflection on how families find the strength to cope with loss. Funny and fast-paced (and occasionally happy), Theo's journey is one many young readers will relate to and enjoy." — John David Anderson, author of Ms. Bixby's Last Day and Posted

John David Anderson

"Coursing underneath this comically disastrous road trip romp is a painfully real and poignant reflection on how families find the strength to cope with loss. Funny and fast-paced (and occasionally happy), Theo's journey is one many young readers will relate to and enjoy."

School Library Journal

05/28/2021

Gr 3–6—Theo is glad that it is his summer vacation. He thinks about all the fun he will have with his friends, playing video games or going to robotics camp. However, those plans are not in the cards for Theo. He has been roped into going with his dad and older sister to Big Bend National Park, the least popular of all the national parks. While this is a little better than the family's usual vacation of visiting their grandmother, it's still a lot of hiking in the woods with bugs and high temperatures. Theo's dad, a typical high school science teacher, loves nature and is a bit too eager for the trip—he has also not planned all that well. Luckily, Laura excels at planning and has brought better snacks, found more amusing activities, and has even upgraded their overnight stays. Since their mother's death from cancer a few years ago, Laura's taken on the role of family organizer. Theo isn't thrilled about the idea of the long drive with limited electronics time, or doing any of that outdoor camping stuff, but those things end up being the least of his worries. Theo goes from one unpleasant situation to another (including sweltering heat, his dad's new hiker "friends," and a close encounter with wildlife) until he finally discovers that his dad's big secret is a woman he's been seeing and he wants them to meet. This is a good, realistic, and a funny book about a family in transition. There are plenty of funny moments, and the scenes with Lucrecia hit just the right note. VERDICT Sure to be a popular title, especially with fans of humor, road trip adventures, and James Patterson's books.—Amy Caldera, Dripping Springs M.S., TX

JUNE 2021 - AudioFile

Narrator Michael Crouch captures each character’s quirks in this funny, sometimes heartbreaking, story of an emotionally charged family road trip. Thirteen-year-old Theo is an introvert. Like his older sister, Laura, and his father, a science teacher, he struggles with communicating his emotions, preferring to channel those feelings into his comic book drawings. Two years after the death of his mother, Theo’s family, still unable to share their grief, somewhat reluctantly takes a vacation. Crouch delivers Theo’s first-person perspective with relatable adolescent angst and sardonic wit. His subtle differentiation between the main characters illuminates the dynamics of family conversations, sibling squabbles, and parental refereeing. The journey is memorable, and Crouch skillfully voices an assortment of robust personalities that listeners will enjoy. S.A.A. © AudioFile 2021, Portland, Maine

Kirkus Reviews

★ 2021-02-26
Nothing sounds exciting about this first family vacation since Mom died. And they can’t even bring the cat.

Thirteen-year-old Theo Ripley feels powerless about this trip and steels himself for the eight-hour drive. Deftly capturing the childhood torture of family road trips, Burke nails the hilarious dialogue between Theo; his 16-year-old sister, Laura; and their science teacher dad. They are headed to Texas’ Big Bend National Park in the middle of July—to camp. Theo prefers to appreciate nature from indoors. He also prefers drawing to dialogue and stares aimlessly out the window as Dad and Laura argue endlessly. Once at the barren and boulder-filled park, the family bounces from one disastrous mishap to the next, encountering a riotous cast of eye-opening characters who surprisingly unite them. Each short chapter provides a glimpse of the humor and pain caused by the lack of communication and unaddressed grief that burdens each family member. When a surprise visitor joins their vacation, the bottled-up grief spills over. With memorable characters and voices, realistic emotions, and an extra helping of humor, this title rocks. The Ripley family reads as White; names cue some diversity in the supporting cast.

A masterful look at loss and mourning wrapped up in a hilariously painful family vacation. (Fiction. 10-13)

Product Details

BN ID: 2940175807012
Publisher: HarperCollins
Publication date: 05/18/2021
Edition description: Unabridged
Age Range: 8 - 11 Years

Read an Excerpt

One

My goal in school is to be noticed as little as possible. This is difficult because my school doesn’t have walls.
      I mean, it has four walls on the outside, but none on the inside. It’s one of those “open concept” schools where each grade has its own floor and it’s up to the teachers how they want to organize it.
      At the beginning of the year, some teachers tried to build their own walls by stacking books floor-to-ceiling around their teaching areas. I liked these enclosed spaces because they were almost like real classrooms. When I was inside them, I didn’t have to worry about someone making a face or mouthing a curse word at me from the end of the hallway.
      But the walls made of books didn’t last very long. It became popular to treat them like giant games of Jenga, and everyone competed to see who could punch out a book without the wall collapsing. When one of the walls finally did collapse and sent two people to the emergency room with broken toes, they were forbidden.
      After that, the seventh-grade floor looked like a small, messy bus station with chairs arranged in little clusters every ten feet or so. The teachers would wheel stained whiteboards in front of their assigned chair clusters and try to shout over the commotion. The sounds from one class bled into the sounds from the next so that there was a consistent hum of noise just distracting enough to never hear anything that your teacher was trying to yell in your class’s direction.
      I learned to deal with the constant noise and peering eyes by focusing my attention on my notebook. While the teacher shouted and the rest of the class talked, I drew. Sometimes doodles—the classic spirals and sketches of teachers saying things like “Hello, I’m stupid”—but mostly cool stuff like aliens and robots.
      Last year, in sixth grade, I started working on my first graphic novel trilogy. Part one, The Aliens Who Ate People and Never Got Full, debuted at my lunch table on the last day of the school year and was a big hit with my three friends—Liam, Angel P., and Rajneesh. I spent all year working on the sequel, The Humans Who Fought Back by Eating the Aliens Who Ate People, and promised that it would be ready to read on the last day of school. Now that the big day had come, I rushed to finish the final page before lunch.
      I drew the main character, Laurence Stronghouse, lifting the last living alien to his mouth. “Bon appétit,” he says, biting into the alien’s skull and releasing a green goo that spells out The End. As I went over the word bubble with a darker pen, the bell rang. The entire class leaped up and sprinted toward the cafeteria. I waited for the ink to dry, closed my notebook, and joined the herd.
      Rajneesh and Angel P. were already eating when I sat down at our usual table.
      “Today’s the day,” Rajneesh said.
      “I hope it doesn’t suck,” Angel P. added.
      “It doesn’t suck,” I said nervously, hoping that it didn’t.
      “We’ll be the judge of that,” Liam announced, awkwardly slamming his lunch tray onto the table like a gavel.
      I took out my notebook and slid it their way. I watched their faces as they flipped through the pages, trying to gauge whether or not I’d satisfied my three fans. There were a lot of smiles, but not as many laughs as I would have liked.
      “Wellll?” I finally asked.
      “It rules,” Angel P. said.
      “It’s even better than the first one,” Rajneesh agreed.
      “It’s good,” Liam said hesitantly, “but could I offer some critical colleagues?”
      “Critical colleagues” is what our school calls criticism. Whenever we write a paper or finish a project, we have to sit in a circle and offer critical feedback for our “colleagues.” Most people smile and say nice things while the teacher is watching. Then as soon as the teacher turns around they offer feedback like “You think you’re better than me, huh?” while ripping your paper in half.
      “We don’t need critical colleagues,” Angel P. said. “It’s awesome. Seriously.”
      “Yeah, shut up, Liam,” Rajneesh said.
      “You shut up,” Liam said.
      “Both of you shut up,” I said. “What’s wrong with it?”
      Liam was my least favorite of my three friends and someone I never hung out with one-on-one, but I still respected his opinion. Even if it was usually misguided.
      “Nothing’s wrong with it,” Liam said. “I just don’t see where you can go from here. In the first book, the aliens eat people. In the second book, the people eat aliens. What’s going to happen in the third book? There’s no one left to eat.”
      “There’s not going to be a third book,” I said.
      “But didn’t you say this was going to be a trilogy?” Liam said.
      I did say that two years ago, but realized pretty early in the sequel that, as Liam pointed out, there was nowhere left to go. Instead, I told them, I had begun plotting the idea for a new, more realistic series called Bob: The Boy with Perfect Memory, which would tell the story of a boy who remembered every second from every day of his life.
      “That. Sounds. Incredible,” Rajneesh said.
      “So sick,” Angel P. said.
      Liam contorted his face into an expression that meant he didn’t like it.
      “You have a problem with this, too?” I said.
      “Not a problem,” Liam said. “I just don’t understand how that’s a story. Someone remembers everything. So what? What’s the conflict?”
      “Well,” I said, “since he remembers everything, he has trouble, you know, getting over things.”
      “Like what?” Liam asked.
      “Like big things that happen to him.”
      “Can you give an example?”
      “Like when his mom dies,” I mumbled.
      They all looked down at the table. Liam started fidgeting with his milk carton, clearly unsure what to say next. It wasn’t exactly the reaction I was hoping for.
      “Well, that’s certainly . . . a . . . conflict,” Liam muttered while still staring at the lip of his milk.
      “It’s just an early idea,” I said quickly. “A rough draft. We’ll see how it goes.”
      I took a bite of my peanut butter sandwich and waited for someone else to speak.
      After several excruciating seconds of silence, Angel P. finally asked Rajneesh, “So when does Robot Camp start?”
      “It’s not Robot Camp,” Rajneesh said. “It’s Robotics Camp and it starts next Monday. There are still two spots left if—”
      “I’m busy,” Angel P. said. “Camp Earth Death starts as soon as I get home.”
      Earth Death was a new online multiplayer game where you tried to gather as many resources as possible to prepare for the death of the earth. The easiest way to gather resources was by killing people and taking all their stuff. Angel P. was very good at killing people and taking their stuff. So good that he never “risked” letting me play with him.
      “There’s a camp for that?” Rajneesh asked.
      “I’m gonna camp out in my room and play every day,” Angel P. said.
      “Well, I’m going to Florida for a few weeks,” Liam said.
      “No one cares,” Angel P. said.
      “I care,” Liam said.
      “I’m going somewhere too,” I said.
      “Like, somewhere cool?” Angel P. asked.
      “I don’t know,” I said. “My dad said he’d tell me after school.”
      “It’s probably not as cool as Florida,” Liam grumbled.
      “We’re not sitting together next year,” Angel P. said to Liam as the bell rang.

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