For Emily, accepting the proposal of Philip, the Viscount Ashton, was an easy way to escape her overbearing mother, who was set on a grand society match. So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and immerses herself in all things ancient and begins to study Greek.
Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. To complicate matters, she's juggling two prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.
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And Only to DeceiveA Novel of Suspense
By Tasha Alexander
HarperCollins Publishers, Inc.Copyright © 2005 Tasha Alexander
All right reserved.
Few people would look kindly on my reasons for marrying Philip; neither love nor money nor his title induced me to accept his proposal. Yet, as I look across the spans of Aegean Sea filling the view from my villas balcony, I cannot doubt that it was a surprisingly good decision.
The Viscount Ashton seemed an unlikely candidate to bring anyone much happiness, at least according to my standards. His fortune, moderate good looks, and impeccable manners guaranteed that hapless females would constantly fling themselves at him in the hope of winning his affection. They missed his defining characteristic, ensuring that he would never pay them more than the slightest polite attention: Philip was a hunter.
I mean this, of course, literally. Hunting possessed him. He spent as much time as his fortune would permit pursuing wild beasts. The dignified (although I would not choose to describe it as so) English hunt amused him, but he preferred big game and passed much of his time stalking his quarry on the plains of Africa. He could be found in London only briefly, at the height of the Season, when he limited his prey to potential brides. The image he presented could be described as striking, I suppose. He played the part of daring adventurer well.
My encounter with the dashing viscount began as such things typically do, at a soiree. I found the conversation lacking and longed to return home to the novel that had engrossed me all morning. Philip differed little from other men I met, and I had no interest in continuing the acquaintance. No interest, that is, until I decided to accept the inevitable and agree to marry.
My mother and I do not particularly enjoy each others company. From the day the queen kissed me during my presentation at court in Buckingham Palace, I heard from Mother constant reminders that my looks would soon fade, and she admonished me to do my best to catch a husband immediately. That I had refused several good offers continued to vex her, and I will not bore the reader with the details of these trivial events. Suffice it to say that I had little interest in marriage. I cannot claim that this was due to lofty ideals of love or outrage at the submission demanded by many husbands of their wives. Frankly, I considered the proposition of matrimony immensely boring. Married women I knew did scarcely more than bear children and order around their servants. Their time consumed by mundane details, the most excitement for which they could hope was some social event at which they could meet one another and complain about said children and servants. I preferred my life at home. At least as a single woman, I had time to pursue my own interests, read voraciously, and travel when opportunity presented.
Did I marry Philip, then, because of his keen sense of adventure? Did I long to travel to darkest Africa with him? Hardly. I married him because he happened to propose at a moment when accepting him seemed a simple way out of an increasingly unbearable situation.
As the months following my debut progressed, my mother became more and more desperate, her dearest wish having always been to see me make a brilliant match before the end of my first Season. She lamented continually; it was nearly impossible to converse with her on any other topic. Any topic, that is, other than the proposals being accepted by the daughters of her friends. She began to point out the slightest wrinkles and imperfections on my face, bemoaning what she considered to be the beginning of the end of my wasted beauty. She cut my allowance, telling me I must learn to live on a pittance if I were determined to be a spinster. The final affront came one morning when she entered my room with a dressmakers tape. She wanted to measure my waist to see how quickly I was becoming old and fat. I could bear it no longer.
That same afternoon Philip called and asked me to do him the honor of becoming his wife. This came as a complete surprise; I had rarely conversed with him, though we saw each other frequently at social gatherings. Having no interest in hunting or in his superficial charm, I tended to avoid him. I did not realize that the hunter always prefers the quarry that is difficult to catch. He claimed to love me endlessly and said all the pretty words we expect to hear on such an occasion. They meant nothing to me. Living with him could not be worse than continued subjection to my mothers ranting. I accepted his proposal immediately.
The wedding took place as soon as my trousseau could be assembled. Six months later I found myself a widow. I had known my husband barely long enough for his name to stop sounding foreign on my lips. When I read the telegram, a feeling of relief and freedom swept through my body, causing me to tremble. The butler reached toward me, assuming I would faint. I never faint. Fainting is a result of affectation or too-tight stays; I will succumb to neither.
I felt no grief for the loss of Philip. I hardly knew him. As the astute reader will already have guessed, the hunter rarely has much interest in his quarry once it is caught, except as a trophy. After a brief wedding trip, my new husband returned to Africa, where he spent the months prior to his death hunting with his friends. We exchanged civil, impersonal letters. Then the prescribed period of mourning began. For twelve months I would have to wear nothing but black crepe and avoid nearly all social events. After that I would be allowed silk, but in dull grays and black stripes. Not until two years had passed would I be able to return to an ordinary existence.
Excerpted from And Only to Deceive by Tasha Alexander Copyright © 2005 by Tasha Alexander.
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