Anthology for Music in Western Civilization, Volume II / Edition 1

Anthology for Music in Western Civilization, Volume II / Edition 1

by Timothy J. Roden
ISBN-10:
0495572756
ISBN-13:
2900495572755
Pub. Date:
04/17/2009
Publisher:
Cengage Learning
Anthology for Music in Western Civilization, Volume II / Edition 1

Anthology for Music in Western Civilization, Volume II / Edition 1

by Timothy J. Roden
$42.31
Current price is , Original price is $76.95. You
$76.95 
  • SHIP THIS ITEM
    This Item is Not Available
  • PICK UP IN STORE
    Check Availability at Nearby Stores
  • SHIP THIS ITEM

    Temporarily Out of Stock Online

    Please check back later for updated availability.

This Item is Not Available


Overview

A great way to gain an in-depth understanding of Western music history, ANTHOLOGY FOR MUSIC IN WESTERN CIVILIZATION, Media Update, Volumes I and II, include an introduction to and a score for 224 pieces of music representing all the major European styles, genres, and composers. The anthologies are an excellent companion to Wright and Simms s MUSIC IN WESTERN CIVILIZATION.

Product Details

ISBN-13: 2900495572755
Publisher: Cengage Learning
Publication date: 04/17/2009
Edition description: New Edition
Pages: 768
Product dimensions: 8.50(w) x 10.90(h) x 1.60(d)

About the Author

Timothy J. Roden (Bachelor of Music, Houghton College, 1980; Ph.D., Northwestern University, 1992) teaches music history, world music, survey of music literature, and music appreciation at Ohio Wesleyan University. He received grants from Northwestern University and the Deutscher Akademischer Austauschdienst that allowed him to complete research in Berlin, Germany, on German orchestral lieder. He has contributed an article on Schumann's lieder to the NATS Journal, is preparing an edition of orchestral lieder for a scholarly press, and has prepared ancillaries to accompany Wright's LISTENING TO MUSIC (Thomson-Schirmer).


Craig M. Wright received his Bachelor of Music degree at the Eastman School of Music in 1966 and his Ph.D. in musicology from Harvard University in 1972. He began his teaching career at the University of Kentucky and for the past forty years has been teaching at Yale University, where he is currently the Henry L. and Lucy G. Moses Professor of Music. At Yale, Wright s courses include his perennially popular introductory course, Listening to Music (also part of the offerings of Open Yale Courses); his large lecture course Exploring the Nature of Genius; and most recently his Coursera course Introduction to Classical Music. He is the author of numerous scholarly books and articles on composers ranging from Leoninus to Bach. Wright has also been the recipient of many awards, including a Guggenheim Fellowship, the Einstein and Kinkeldey Awards of the American Musicological Society, and the Dent Medal of the International Musicological Society. In 2004, he was awarded the honorary degree Doctor of Humane Letters from the University of Chicago. And in 2010 he was elected a member of the American Academy of Arts and Sciences, joining fellow inductee, banjo player Steve Martin. In addition to LISTENING TO MUSIC and LISTENING TO WESTERN MUSIC, EIGHTH EDITION, Wright has also published THE ESSENTIAL LISTENING TO MUSIC, SECOND EDITION; LISTENING TO MUSIC, CHINESE EDITION (Schirmer Cengage Learning/Three Union Press, 2012), translated and simplified by Profs. Li Xiujung (China Conservatory, Beijing) and Yu Zhigang (Central Conservatory, Beijing), both of whom worked with Wright at Yale; and MUSIC IN WESTERN CIVILIZATION, MEDIA UPDATE (Schirmer Cengage Learning, 2010), with coauthor Bryan Simms. He is currently at work on a volume titled MOZART S BRAIN: EXPLORING THE NATURE OF GENIUS.


Bryan R. Simms (Bachelor of Arts, Yale University, 1966; Ph.D., Yale University, 1971) has taught since 1976 at the University of Southern California, where he has been director of graduate studies and is currently chair of the department of musicology. He is the recipient of fellowships from the National Endowment for the Humanities and the Fulbright Foundation. He is the author of books and articles on topics in twentieth-century music and music theory, including MUSIC OF THE TWENTIETH CENTURY (Schirmer 1996) and, most recently, THE ATONAL MUSIC OF ARNOLD SCHOENBERG, 1908-1923 (Oxford University Press).

Table of Contents

Part V: THE ENLIGHTENMENT AND THE CLASSICAL ERA. 41. Music in the Age of Enlightenment: Opera. 42. Music in the Age of Enlightenment: Orchestral Music. 43. Music in the Age of Enlightenment: Keyboard Music. 44. Classical Music in Vienna. 45. Joseph Haydn: Instrumental Music. 46. Joseph Haydn: Late Symphonies and Vocal Music. 47. Wolfgang Amadeus Mozart: Instrumental Music. 48. Wolfgang Amadeus Mozart: Vocal Music. 49. The Early Music of Beethoven. 50. Beethovens Middle Period: 1802-1814. 51. After the Congress of Vienna: Beethovens Late Music. Part VI: ROMANTICISM. Musical Interlude 7: Romanticism. 52. Franz Schubert. 53. Music in Paris Under Louis Philippe: Berlioz and Chopin. 54. Leipzig and the Gewandhaus: Mendelssohn and the Schumanns. 55. German Opera in the Nineteenth Century: Weber and Wagner. 56. Opera in Italy: Rossini and Verdi. 57. Nationalism and Virtuosity: Franz Liszt. 58. Vienna in the Late Nineteenth Century: Brahms and Bruckner. 59. Music and Ballet in Nineteenth-Century Russia: Mussorgsky and Tchaikovsky. 60. Vienna at the Turn of the Twentieth Century: Gustav and Alma Mahler. 61. England at the End of the Romantic Period: Elgar and Vaughan Williams. 62. Opera in Milan After Verdi: Puccini, Toscanini, and Verismo. 63. Paris of the Belle Epoque: Debussy, Faure, and Lili Boulanger. Part VII: THE EARLY TWENTIETH CENTURY. Musical Interlude 8: Music Since 1900. 64. Richard Strauss in Berlin. 65. Music in Russian During the Silver Age: Igor Stravinsky. 66. Atonality: Schoenberg and Scriabin. 67. French Music at the Time of World War I: Ravel and Satie. 68. Music in Paris After World War I: Stravinsky and the Six. 69. Vienna in the Aftermath of War: Twelve-Tone Methods. 70. Musical Theater in Germany in the 1920s: Berg and Weill. 71. Bela Bartok and Hungarian Folk Music. 72. Early Jazz. 73. Paul Hindemith and Music in Nazi Germany. 74. Music in Soviet Russia: Prokofiev and Shostakovich. 75. Self-Reliance in American Music: Ives, Seeger, and Nancarrow. 76. American Composers Return from Europe: Copland and Barber. 77. Tin Pan Alley and the Broadway Musical. Part VIII: CONTEMPORARY MUSIC. Musical Interlude 9: After World War II. 78. Reflections on War: Britten, Penderecki, and Others. 79. Twelve-Tone Music and Serialism After World War II. 80. Alternatives to Serialism: Chance, Electronics, Textures. 81. Harlem in the 1930s, 1940s, and 1950s: Big Bands, Bebop, and Cool Jazz. Musical Interlude 10: The Birth of Rock. Musical Interlude 11: Music in the Movies. 82. Music of the 1960s and 1970s: Live Processes, Minimalism, Metric Modulations. 83. Returning to the Known: Music of the Recent Past.
From the B&N Reads Blog

Customer Reviews