For the Mistborn series
“Mistborn utilizes a well thought out system of magic. It also has a great cast of believable characters, a plausible world, an intriguing political system, and despite being the first book of The Final Empire, a very satisfying ending. In short, it's one of those great kettle books, in which the author has thrown not merely a bone of an idea and a few potatoes of originality, but half a cow and everything in the garden. And then added seasonings. Highly recommended to anyone hungry for a good read.”—Robin Hobb
“It's rare for a fiction writer to have much understanding of how leadership works and how love really takes root in the human heart. Sanderson is astonishingly wise.” —Orson Scott Card
“Sanderson is an evil genius. There is simply no other way to describe what he's managed to pull off in this transcendent final volume of his Mistborn trilogy.” —RT Book Reviews (Gold Medal, Top Pick!) on The Hero of Ages
"He has created a fascinating world here.”—Washington Post Bookworld
“Mistborn is a[n] . . . enjoyable, adventurous read . . . [it] should satisfy.”—Locus
“The action never lets up, and the characters never lose their endearing humanity.... A fast-paced fantasy adventure set in a fascinating world and populated with lovable, memorable characters.” —Kirkus Reviews, on Shadows of Self
“Sanderson’s fantasy world partakes equally of steampunk, early industry, and the Wild West, and he cleverly incorporates the metal-shaping magic of feruchemists and allomancers. Fantasy fans will savor this exciting escapade.” —Publishers Weekly, on Shadows of Self
“Fast, smart dialog and an abundance of exciting action keep the pages turning.” —Library Journal, starred review, on Shadows of Self
“Intrigue, politics, and conspiracies mesh complexly in a world Sanderson realizes in satisfying depth and peoples with impressive characters.”—Booklist, on The Well of Ascension
“This mystico-metallurgical fantasy combines Vin’s coming-of-age-in-magic and its well-worm theme of revolt against oppression with copious mutilations, a large-scale cast of thieves, cutthroats, conniving nobles and exotic mutants.” —Publishers Weekly, on The Well of Ascension
For the Stormlight Archive
“I loved this book. What else is there to say?” —Patrick Rothfuss, New York Times bestselling author of The Name of the Wind, on The Way of Kings
“While the recent HBO adaptation of George R.R. Martin’s “Game of Thrones” has revitalized the epic fantasy genre, Sanderson brings enough new material to the epic fantasy format to keep it interesting… Sanderson will not disappoint.” —Vanguard Dohlenaga, on The Way of Kings
“Promising beginning to a hew high-fantasy series. This great big book pulled me in early on the strength of the world building, but the nicely drawn characters drew me in further for enjoyment . . .and anticipation of the next volume.”—The San Diego Union-Tribune, on The Way of Kings
“It’s a classic story of intrigue, magic, and war, with a large cast of characters and multiple settings lovingly detailed in a way only possible in volumes of this size. Readers will plunge into it.”—Booklist, on The Way of Kings
“Sanderson’s fondness for misleading the reader and his talent for feeding out revelations and action scenes at just the right pace will keep epic fantasy fans intrigued.”—Publishers Weekly, on The Way of Kings
“Sanderson is, if nothing else, absolutely amazing at worldbuilding.”—RT Book Reviews, on The Way of Kings
“This is a great choice for fans of Robert Jordan and Terry Brooks.” —Voice of Youth Advocates, on The Way of Kings
“The best part…is the compelling, complex story of Dalinar, Kaladin, and Shallan as they struggle though emotional, physical, and moral challenges. Fans and lovers of epic fantasy…will eagerly await the next volume.” —Library Journal, on The Way of Kings
“I give this book my highest recommendation and think The Way of Kings will be one of those landmark novels of Epic Fantasy against which future novels will always be measured. ”—SFFworld.com, Rob. H. Bedford, on The Way of Kings
For Elantris
“The intrigue and excitement grow steadily in this smoothly written, perfectly balanced narrative; by the end readers won't want to put it down....Sanderson is a writer to watch.”—Publishers Weekly, starred review
“While every new fantasy author is hailed as unique, new, and different, Brandon Sanderson's Elantris does indeed provide an absorbing adventure in a unique, different, and well-thought-out fantasy world, with a few nifty twists as well.”—L. E. Modesitt, Jr.
"Brandon Sanderson is the real thing—an exciting storyteller with a unique and powerful vision. Elantris is one of the finest debuts I've seen in years."—David Farland
“Brandon Sanderson's Elantris is a marvelous, magic monster of a book, packed full of intrigue and daring, based around a killer high concept. When the city of the gods becomes a city of the damned, who and what do you believe in? The story twists and turns, characters bait traps for one another as they vie for secular and religious power, and no one is necessarily who or what they seem. Royal houses rise and fall, the fate of all Humanity is in the balance, and maybe, just maybe... the gods are coming back. All this and a genuinely touching love story too. Elantris, the book that put epic back into fantasy.”—Simon R. Green, the NY Times bestselling author of the Deathstalker, Nightside, and Hawk & Fisher series
“Elantris, Brandon Sanderson’s excellent debut novel, is marked by vivid and strongly drawn characters (including a memorable female character) and ingenious plot twists that will keep the reader turning pages. Don’t miss it!”—Katherine Kurtz
09/19/2016
Bestseller Sanderson’s first short fiction collection gives readers nine behind-the-scenes glimpses at the intricate cosmogony that ties together his various blockbuster fantasy series. In the Shardworlds, magic comes from pieces of a shattered creator deity. Close investigation into how magic shapes its users in the world of Elantris (the Hugo-winning “The Emperor’s Soul”) contrasts neatly with how its users can reshape magic for their own needs (“White Sand,” a graphic novel excerpt). Complete with spoiler alerts for the Mistborn series, a short story (“The Eleventh Metal”) tells of the training of original Mistborn trilogy protagonist Kelsier, and a novella (“Mistborn: Secret History”) fills in the trilogy’s resolution with his “afterlife” activities. Original to the collection, “Edgedancer” chronicles the madcap adventures of Lift, a user of “awesomeness,” who will be more important in upcoming Stormlight novels. Other pieces focus on non-series worlds: for example, in “Sixth of the Dusk,” competing uses of magical ecology fuse into a determination to save a planet from the dangerous “gifts” of advanced aliens. This collection is required reading for Sanderson fans, offering plenty for new readers who are undeterred by learning too much. Agent: Joshua Bilmes, JABberwocky Literary. (Nov.)
Sept. 7, 2016
A sprawling collection of mini-epic fantasies from genre stalwart Sanderson (The Bands of Mourning, 2016, etc.).An expert forger confronts her greatest challenge yet: a man’s soul. A woman fights for survival on the edge of a forest swarming with bloodthirsty ghosts. A man risks his life to save a mysterious island that tries to kill him at every step. In these stories, Sanderson extends the worlds he’s created in his many novels—and begins to hint at how all these worlds are connected. This kind of thing is like catnip for a certain type of fantasy fan, and fans of Sanderson’s other works will eagerly devour this collection, in which familiar characters return and familiar worlds are further explored. The novella Edgedancer, for example, gives a minor character from the Stormlight Archive series a chance to fight assassins, face down storms, and, as she puts it, “be awesome.” When these stories are good, they’re very good, with all the quick wit, richly detailed settings, and memorable characters fans have come to expect from this prolific writer. But some of the stories in the collection are more like deleted scenes from other stories than like stand-alone tales, and others focus too much on worldbuilding and not enough on Sanderson’s real gifts for creating character, emotion, and suspense. There are some standout stories here, but overall, it’s more of a treat for superfans than a way for casual readers to dip into Sanderson’s work.
