Like the fruit after it was named,
Grapefruit's debut album was at times too sweet, but was on the whole a promising and worthy effort. Devoted almost wholly to songs written by leader
George Alexander, the record featured tuneful, upbeat mid-tempo late-'60s British rock with good harmonies, creative ornate arrangements, and a very slight and very sunny psychedelic tinge. Certainly similarities to the
Paul McCartney-penned tracks from
the Beatles' own psych-pop era are evident, and if
George Alexander's songs weren't in nearly the same league as
McCartney's, well, no one working the style was in
McCartney's league.
Grapefruit was at their best on the occasional songs in which they reached into slightly darker and more melancholy territory, particularly when they made creative use of strings, organ, baroque keyboards, and Mellotron, as on
"This Little Man" and
"Dear Delilah" and the instrumental
"Theme for Twiggy." The latter tune sounds like something that could have been killer had words been devised; as it is, it seems like something that wasn't quite seen through to completion. There's also the
Four Seasons cover
"C'mon Marianne," which, although it wasn't one of their better tracks, was (along with
"Dear Delilah") one of their two small U.K. hits. The CD reissue on
Repertoire adds
"Dead Boot," the non-LP B-side of
"Dear Delilah." ~ Richie Unterberger