Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice
As algorithmic data processing increasingly pervades everyday life, it is also making its way into the worlds of art, literature and music. In doing so, it shifts notions of creativity and evokes non-anthropocentric perspectives on artistic practice. This volume brings together contributions from the fields of cultural studies, literary studies, musicology and sound studies as well as media studies, sociology of technology, and beyond, presenting a truly interdisciplinary, state-of-the-art picture of the transformation of creative practice brought about by various forms of AI.
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Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice
As algorithmic data processing increasingly pervades everyday life, it is also making its way into the worlds of art, literature and music. In doing so, it shifts notions of creativity and evokes non-anthropocentric perspectives on artistic practice. This volume brings together contributions from the fields of cultural studies, literary studies, musicology and sound studies as well as media studies, sociology of technology, and beyond, presenting a truly interdisciplinary, state-of-the-art picture of the transformation of creative practice brought about by various forms of AI.
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Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice

Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice

Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice

Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice

Overview

As algorithmic data processing increasingly pervades everyday life, it is also making its way into the worlds of art, literature and music. In doing so, it shifts notions of creativity and evokes non-anthropocentric perspectives on artistic practice. This volume brings together contributions from the fields of cultural studies, literary studies, musicology and sound studies as well as media studies, sociology of technology, and beyond, presenting a truly interdisciplinary, state-of-the-art picture of the transformation of creative practice brought about by various forms of AI.

Product Details

ISBN-13: 9783837669220
Publication date: 08/27/2024
Series: Digital Society
Pages: 292
Product dimensions: 5.83(w) x 8.86(h) x (d)

About the Author

Eckart Voigts is a professor of English literature at Technische Universität Braunschweig. He has written, edited and co-edited numerous books and articles.
Robin Markus Auer is working towards a PhD as part of an interdisciplinary research project on automated creativity in literature and music at Technische Universität Braunschweig. His work focuses on the interplay between human and machine creativity in coupled embodied creative systems.
Dietmar Elflein (apl. Prof. Dr.) teaches popular music at Technische Universität Braunschweig. He is a member of the advisory board of the German speaking branch of the International Association for the Study of Popular Music.
Sebastian Kunas is a musician, sound artist, producer and educator with background in sub and DIY culture as well as in cultural and sound studies. He teaches electronic sound and music practice and supervises the electronic studio and the recording studio at the Faculty of Cultural Studies and Aesthetic Communication at Universität Hildesheim. He is a member of the collective ARK (Arkestrated Rhythmachine Komplexities), a changing association of artists, scholars and electronic MusickingThings.
Jan Röhnert is a professor for Modern literature in the technical-scientific world in the Department of German Letters at Technische Universität Braunschweig. His research interests range from avantgarde poetics and cinema, autobiography and war, landscape and geopoetics, nature and wilderness writing to feminism and contemporary literature.
Christoph Seelinger is a research assistant in modern German literary studies at the Institute of German Studies at TU Braunschweig, where he completed his doctorate in 2021. Previously, he completed the interdisciplinary Master's programme "Culture of the Techno-Scientific World" at TU Braunschweig. His research focuses on the interfaces between film and literature, border crossings in (audiovisual) media, the connection between literature/film and the avant-garde, and the so-called "trivial culture".

Table of Contents

Frontmatter 1
Contents 7
Artificial Intelligence - Intelligent Art? An Introduction 9
AI, Automation, Creativity, Cognitive Labor 35
Dumb Meaning: Machine Learning and Artificial Semantics 45
Artist-Guided Neural Networks - Automated Creativity or Tools for Extending Minds? 59
Embodied Voice and AI: a Techno-Social System in Miniature 79
Sound of Contagion - An Artistic Research Project Exploring A.I. as a Creative Tool for Transmedial Storytelling 97
Challenges and Opportunities for Computational Construction of Narratives 111
The Marcel Duchamp Case in, against, or after Artificial Creativity 125
Creativity and Function 139
Contemplating Automaton Consciousness through Creativity in Rokuro Inui's Automatic Eve 151
Where Machine and Muse Meet - Towards a Creativity of AI Art 163
Material Films in the Age of Artificial Intelligence. Some Remarks on Automated Creativity in Contemporary Experimental Film 177
Dear GPT-3: Collaborative Writing with Neural Networks 189
AFFIRMATIVE - REJECT. With and Against AI 203
Artificial Intelligence in Songwriting and Composing - Perspectives and Challenges in Creative Practices 217
On Human-Machine Relationship and the Notion of an Artificial Intelligence in Musical Practice 233
The Upcoming Change in Human Musical Thinking. What Does a Music Professional do in the Age of AI? 245
The Roughness of Neural Networks. Jimi Hendrix, Holly Herndon, GPT-3, Timbre Transfer and the Promising Failure Aesthetics of Musical AIs 255
Digital Aesthetics: A Symbolism of the Body and a More-than-Human Mode of Enquiry 269
About the Authors 283
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