August Blue: A Novel

by Deborah Levy Narrated by Alix Dunmore

Overview

A new novel from the Booker Prize finalist Deborah Levy, the celebrated author of The Man Who Saw Everything and The Cost of Living.

At the height of her career, the piano virtuoso Elsa M. Anderson-former child prodigy, now in her thirties-walks off the stage in Vienna, mid-performance.

Now she is in Athens, watching an uncannily familiar woman purchase a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history.

So begins her journey across Europe, shadowed by the elusive woman who seems to be her double. A dazzling portrait of melancholy and metamorphosis, Deborah Levy's August Blue uncovers the ways in which we attempt to revise our oldest stories and make ourselves anew.

A Macmillan Audio production from Farrar, Straus and Giroux.

Editorial Reviews

AudioFile - JULY 2023

Alix Dunmore's lilting voice and English accent capture the musicality of this audiobook. The cadence of her narration works well, and her tones mimic the interior conflicts of Elsa, a virtuoso pianist whose career is at a standstill. In response, she dyes her hair blue and sets about inventing a new persona. The pandemic is taking place as the plot moves from Greece to Paris, London, and Sardinia. Elsa's quest is aided by a doppelganger whom she first encounters in Greece and who then reappears--sometimes as a person, sometimes as a figment of Elsa's imagination. Recurring symbols--two mechanical toy horses--are introduced in the opening. Levy expertly creates scenes packed with meaning as Elsa comes to understand her provenance, passion, and place in the world. A.D.M. Winner of AudioFile Earphones Award © AudioFile 2023, Portland, Maine

Publishers Weekly

★ 04/03/2023

Levy follows up The Man Who Saw Everything with another magnificent experiment in surrealism, this time with the story of a 34-year-old Londoner who encounters her double. Elsa Anderson, a famous pianist whose star is on the wane after a disastrous Rachmaninov performance, is sight-seeing in Athens when she notices a woman wearing a green raincoat that’s similar to hers. Later, while Elsa is with a piano student, the double’s voice emerges in Elsa’s thoughts, claiming that Elsa is running away from her life. Elsa was orphaned by her mother as a newborn and adopted at five by an influential music teacher. All her life, Elsa has put off reading the adoption papers, preferring instead to channel the mysteries and sadness of her origins into her playing. Levy slowly and skillfully teases out the implications of Elsa’s disconnection from herself, which become apparent in a series of striking scenes. While waiting in a London station for a train to Paris, Elsa is surprised to be recognized by a fan, a woman who was “convinced she knew who I was, but I did not know who I was.” In Paris and beyond, the voice of Elsa’s double continues to return. Levy’s sensual descriptions make the conceit come to life (“Her voice inside me. Like a handful of small stones thrown at a window”), and when the two women finally meet, their exchange leads Elsa to a most illuminating revelation. This is a stunner. (June)

From the Publisher

"Levy crafts a surreal and moving narrative about identity and art. Don’t let the melancholy tone of the story fool you—at its core, August Blue is a revealing look at the power of self-discovery."

—Annabel Gutterman, TIME (Must-Read Books of 2023)

"Levy writes in delicate, evocative strokes — a style that complements an elegant story about the fluidity of identity and the profound aftershocks of loss . . . You may very well discover something about yourself as you journey through these evocative pages."

—Tope Folarin, Vulture (Best Books of 2023)

“Levy’s novels have an undeniable—and undeniably winning—eccentricity . . . They are alive with this relentless spirit of questing . . . We should call her what she is: one of the most lively, most gratifying novelists of ideas at work today.”

—Franklin Foer, The Atlantic

“Playfully picaresque . . . Levy is also masterful at the level of piquant incident, small set pieces and droll commentary.”

—Brian Dillon, 4Columns

“The book offers glimpses of Levy’s talent as a stylist. She can sketch a scene with a few precise brushstrokes and conjure emotion out of white space on the page.”

—Corinna de Fonseca-Wollheim, The New York Times Book Review

“Levy’s newest addition to her strange, enigmatic collection of fiction is a hazy mystery, interspersed with details that play with form that makes Levy one of the most exciting writers today. Elsa’s story is one of identity, past selves, alter egos and shadows that haunt us all.”

—Sam Franzini, Spectrum Culture

“This meditative novel starts at a flea market in Athens, where a pianist named Elsa, who recently interrupted her career after a disastrous concert, catches sight of a woman who seems to be her double . . . As the novel quickens to a climactic encounter between Elsa and her doppelgänger, it becomes a rumination on identity, desire, and the passage from self-effacement to self-discovery.”

—The New Yorker

“Levy quietly but insistently acknowledges queer possibilities ... On the surface, August Blue is in the gothic tradition . . . A short book that meanders, following itself across Europe, across memory, across a cosmopolitan landscape of identity and desire. Hate and paranoia are propulsive; acceptance and love move, in general, at a slower pace. Levy encourages you to savor the slowness.”

—Noah Berlatsky, The Observer

“Her novels teem with oddness, with dreamlike, vertiginous scenes . . . August Blue, Levy’s ninth novel, is her most emphatically uncanny yet . . . This is not a long book, but Levy is such a clever writer, her plot so immaculately packed, that August Blue reads like a weighty one. Everything has a double meaning. Each object, each piece of music, adds yet another layer.”

—Lara Pawson, Times Literary Supplement

“At this stage, we’re all in on anything new Deborah Levy writes. Her work encompasses surreal fiction, candid memoir, and formally inventive prose.”

—Vol. 1 Brooklyn

“[August Blue] is another slender, elegant, sparse novel that belies depths.”

—Christopher Borrelli, The Chicago Tribune

“[Levy] imparts her intimately realistic world with uncanny touches that never ring false . . . It’s a striking idea: that freedom is to be found not by pursuing the self but by shedding it. But isn’t that what we did as we shed the isolation of pandemic shutdowns and exchanged stillness for movement? There are many ways to tell that story, but Elsa’s journey is a nuanced and psychologically thrilling composition.

—Michele Filgate, Los Angeles Times

“Levy’s slender, enchanted novel August Blue has all the piercing detail and bewildering movement of a midafternoon dream . . . In addition to being a novelist, Levy is also a poet. Her storytelling moves to its own music. Her sentences are sharp, sensuous, crackling with ironic humor. Her paragraphs are compact, full of tension that pulls the reader forward. The novel offers the reader a dazzling gaze at the conundrums of existence.”

–Alden Mudge, BookPage (starred)

“A new book from Booker Prize finalist Deborah Levy is always a joy to see, and August Blue lives up to the hype . . . Part travel novel and part portrait of melancholy, Levy’s latest is a spectacular ride that is guaranteed to be the perfect accompaniment for your summer plans.”

—Michael Welch, Chicago Review of Books

“[August Blue] encompasses the cerebral and the sentimental, realism and surrealism, love and loss, the drive to create art—and the ambiguities of human relations . . . Her books—like love, and indeed, life—require, as a friend points out to Elsa in a wry aside about relationships, a willingness to tolerate a certain level of ‘confusion and uncertainty.’ They are totally worth it.”

—Heller McAlpin, The Wall Street Journal

“Levy makes a metaphor of twinhood and doppelgangers to illustrate our alternate lives, she recycles phrases throughout the book in a kind of prayer of repetition, and she leaves us with absences, and gifts, and mirrors. It’s a lovely and spare portrayal of coming to terms with the truth of our lives, our specific oneness.”

—Julia Hass, Literary Hub

“In Levy’s characteristically sharp, spare prose, the uncanny doubling of the women and their Continental journeys makes for a disorienting, propulsive read.”

—Jamie Hood, Vulture

“[Deborah Levy's] style is full of gaps and sharp edges, circling around questions of gender and power, inheritance, autonomy and lack . . . The narrative here has a fittingly musical quality, running forward in spurts, pausing, repeating key phrases . . . The wistful, fabular quality is appealing, as are those aphoristic statements Levy is so skilled at dispensing: sly comments on contemporary power dynamics likewise in the process of changing into new and as yet uncertain forms.”

—Olivia Laing, The Guardian

“[A] magnificent experiment in surrealism . . . This is a stunner.”

—Publisher’s Weekly (starred)

“An economical, elliptical, but always entertaining novel of transformation by a highly skilled enigmatist.”

—Kirkus Reviews

“Deborah Levy’s prose is as quick and bare as ever, her manner excitingly abrupt . . . Everything is a metaphor for something else, a clue to some other event, and that’s what makes this such a gleeful read. You know you’ve picked up only a fraction of what Levy has left for you to find; you know you’ll read August Blue again. At the same time, you’re forced to concede that once again she’s made you feel more, perhaps, than you wanted.”

—M. John Harrison, The Guardian (UK)

“Levy’s lyrical, pitch-perfect prose, where every word is weighted with significance, is an exploration of our reasons for living, the forces that drive us and the inner music that controls the rhythms of our dance through life and love.”

—Hannah Colby, The Independent (UK)

“A refreshingly original take on what we’ve come to expect from the ‘pandemic novel’ . . . Mesmerizing . . . [August Blue] is full of patterns, motifs, and double-acts: interfering parents and prodigal children; experimental artists; colourful liquors.”

—Amber Medland, The Telegraph (UK)

“Reading August Blue feels like playing a game. Nothing finds its way into a Deborah Levy novel without a reason, but those reasons are rarely obvious. Can you trace the clues she leaves, like breadcrumbs through the woods? . . . Levy builds her worlds as though concocting a dream sequence—and the effect is exhilarating . . . August Blue holds the remarkable balancing act that is key to Levy’s writing: perfect precision at the sentence level combined with a dedication to exploring the slipperiness of reality.”

—Ellen Peirson-Hagger, The I (UK)

“A work of scathing intelligence . . . Deborah Levy writes like a dream and I mean that quite literally. I know of few other authors who can capture an atmosphere of the eerie and the bizarre as well as she does. Her novels have a strange clarity and precision about being nebulous and shifting, and there are details, just as in a vivid dream—here, they would include sea urchins, tomatillos, buckles, Isadora Duncan and a golden cigarette lighter, but what they mean is elusive and evasive. That perhaps is key: as in dreams, meaning is always just out of reach. It makes Levy’s work far more true to reality that any kind of stodgy realism.”

—Stuart Kelly, The Scotsman

Library Journal

05/01/2023

Shortly before she flamed out in Vienna while performing Rachmaninoff, concert pianist Elsa M. Anderson dyed her hair a shocking blue. At the time of this fiasco, Elsa was an international star with countless recordings to her name. Now with her stalled career, her fading blue hair, and a mystery woman popping up in various places, she traipses around Europe, picking up occasional gigs teaching music to talented youngsters. A former child prodigy herself, Elsa was adopted at the age of six by Arthur Goldstein, a renowned maestro who recognized her talent and nurtured it by somewhat tyrannical methods. With the pandemic still hovering, she has resisted any attempt to visit him in Sardinia. A question of identity has haunted Elsa all her life, but it isn't until she learns Arthur may be dying that she flies off to see him and to finally confront her past. VERDICT Twice nominated for the Booker Prize and admired for her inventive fiction, Levy (Real Estate; The Man Who Saw Everything) typically writes challenging books that appeal to fans of the work of Rachel Cusk and Ali Smith. Her latest, a more conventional novel, is well told and affecting.—Barbara Love

July 2023 - AudioFile

Alix Dunmore's lilting voice and English accent capture the musicality of this audiobook. The cadence of her narration works well, and her tones mimic the interior conflicts of Elsa, a virtuoso pianist whose career is at a standstill. In response, she dyes her hair blue and sets about inventing a new persona. The pandemic is taking place as the plot moves from Greece to Paris, London, and Sardinia. Elsa's quest is aided by a doppelganger whom she first encounters in Greece and who then reappears--sometimes as a person, sometimes as a figment of Elsa's imagination. Recurring symbols--two mechanical toy horses--are introduced in the opening. Levy expertly creates scenes packed with meaning as Elsa comes to understand her provenance, passion, and place in the world. A.D.M. Winner of AudioFile Earphones Award © AudioFile 2023, Portland, Maine

Kirkus Reviews

2023-03-11
Does the onstage crisis afflicting a famous musician denote an end or a beginning?

Celebrated 34-year-old concert pianist Elsa M. Anderson has “a double following [her] around the world.” First glimpsed in Athens buying toy horses, then in London, then Paris, the nameless woman seems to be in dialogue with Elsa, inside her head. Elsa has also stolen the doppelgänger’s hat. This first enigmatic note is soon joined by others, echoing and overlapping through the new novel by esteemed British writer Levy, which has introduced Elsa at a point of professional upheaval. Midway through her most recent concert, playing Rachmaninov in Vienna, she messed up and walked off the stage. Now, choosing to give music lessons to teenagers, Elsa spends time on a Greek island, then in Paris, returns home to London, and eventually travels to Sardinia, to the home of her adopted father, Arthur Goldstein, who may be dying. Elsa, who feels herself to be porous, unraveling, has a complicated heritage. Referred to as Ann, she was the ward of foster parents till age 6, then was “gifted” to Goldstein, who took the infant prodigy into his care and tutelage and renamed her. Now an adult, but with “no lovers. No children,” she is preoccupied by thoughts of suicide and increasingly of her mother. Slowly, while invoking a welter of European cultural icons, Levy pulls tighter her characteristic threads of identity, perspective, and parenting, intensifying Elsa’s experiences with friends, music, and various abusive men while constantly questioning herself: “Maybe I am.” Who is she really, what is the significance of the toy horses and of her blue hair are among the many questions in this short, teasing novel, which enlarges the possibility of answers when Elsa and her double meet at last, back in Paris.

An economical, elliptical, but always entertaining novel of transformation by a highly skilled enigmatist.

Product Details

BN ID:	2940176980417
Publisher:	Macmillan Audio
Publication date:	06/06/2023
Edition description:	Unabridged
Sales rank:	1,147,266

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