OCTOBER 2014 - AudioFile
Grant Cartwright powerfully narrates Tsiolkas’s homoerotic coming-of-age story about an Australian competitive swimmer at an exclusive private school. It’s both an examination of the illusions of youth and a spirited indictment of Australia’s class system. Cartwright conveys the teenaged self-involvement of the characters, their emerging sexual identities, and the structure of the Australian class system. His delivery of Aussie slang is natural and effective, and his reading of the narrative is always clear and well paced. While not for everyone, this explosive audiobook speaks to its intended audience. F.C. © AudioFile 2014, Portland, Maine
Publishers Weekly
07/14/2014
Tsiolkas (The Slap) tells the story of the pressures of trying to live up to high expectations. Relentlessly bullied at the elite Australian private high school he attends on scholarship, working-class Dan Kelly shows early promise as a swimmer. With the hopes of his parents, coach, and suddenly envious classmates riding on him, Dan becomes fixated on winning at all costs. But when he places fifth at his first international championship race, he breaks down, lashing out violently at his former friends and turns to alcohol for consolation. When a masochistic affair with the wealthy Martin Taylor brings Dan’s sexual identity to the fore, he finds himself at the breaking point and comes close to committing murder. He spends some time in prison, and, after his release, he travels to his family’s homeland in Glasgow, where he falls in love with the angelic Clyde. But before he can get too involved, he must return to Australia, face his mistakes, and try to reconcile with his struggling family. The novel has all the early signs of a classic failure narrative along the lines of Exley’s A Fan’s Notes, but it loses direction in its second half. Additionally, the alternating chapters—in which the contemporary Dan speaks in the first-person—are actually more distant than the more affecting third-person parts. This story never quite realizes its full potential but Tsiolkas’s sincerity qualifies it as solidly middleweight. (Sept.)
From the Publisher
A Kirkus Best Fiction Books of 2014 Selection
“A truly fine novel... A great page-turner …Barracuda combines sharp social portraiture with that rare ingredient, a story that speaks to the human condition…So gripping …This is not only Tsiolkas’s best novel so far, it is the work of a writer at the top of his game.” —The Millions
“Tsiolkas perfectly captures the arrogance and agonies of youth… [Barracuda] burns with razor-raw insight…Engrossing.”—Booklist
“This disturbing yet satisfying story by Commonwealth Prize winner Tsiolkas (The Slap) examines themes of class consciousness, family conflict, loyalty, and friendship. The often harsh, sometimes brutal novel about the fine line between love and hate, pain and pleasure, is infused with language so beautiful that it takes one’s breath away.”—Library Journal
"[Barracuda] has all the early signs of a classic failure narrative along the lines of Exley’s A Fan’s Notes…Affecting."—Publishers Weekly
“A bracing poolside critique of Antipodean mores…A tough, unsparing, closely observed and decidedly R-rated look at the many challenges and disappointments that life brings, told against settings that American readers will find at once familiar and exotic.”—Kirkus (starred review)
International Praise for Barracuda
“Immensely moving…Tsiolkas writes with compelling clarity about the primal stuff that drives us all: the love and hate and fear of failure. He is also brilliant on the nuances of relationships….At times, the prose is near to poetry…There are shades of Faulkner in this brilliant, beautiful book. If it doesn’t make you cry, you can’t be fully alive.”—The Sunday Times
“Intense…strikingly physical…an almost mystical experience…Tsiolkas again shows a particular ability to create spiky psychological snapshots.”—Financial Times
“[Tsiolkas is] a master chronicler of the zeitgeist... There is no understatement; no silences nor lilting musicality. The words hurtle out as he depicts characters trapped between irreconcilable worlds – middle class and working class, Anglo and Greek, gay and straight, physical and intellectual. Individuals who are intense, complex and flawed but must ultimately cleave towards tenderness and discover generosity. If The Slap was excellent material for a TV series, then Barracuda’s more substantial plot has all the hallmarks of a feature film.”—The Guardian
“Resonant, epic and supremely accomplished…subtle, textured, profoundly human and riveting… Tsiolkas is consistently and ferociously engaged with the unique (and surely principal) concern of the novelist: the inner lives of the people about whom he has chosen to write…This is the work of a superb writer who has completely mastered his craft but lost nothing of his fiery spirit or instinct in so doing. Barracuda is a big achievement. Not least because, for all its power and glory, for all its sound and fury, it everywhere manifests ‘the ruthless calm of the truth’.”—The Observer
“Rhapsodic… Barracuda may tell an old, old story, but it has rarely been told in a better way.”—The Telegraph
“Brilliantly sharp...[Barracuda is] literature that engages with our world. It tries to figure out how society is put together and asks questions about how to live within it. In blunt, compelling prose reminiscent of early 20th-century American writers such as Theodore Dreiser and Upton Sinclair, Tsiolkas explores the extremism of our mainstream and brings us to an awareness of the animal urges that trouble our civilised hearts. As such it's vital.”—The Australian
“Tsiolkas is a masterly storyteller.”—Caroline Jowett, Daily Express
“Barracuda is classic Tsiolkas: impassioned, at times brutal... but always riveting.”—The Sunday Morning Herald
“[A] tough, insightful social critique.”—The Sydney Morning Herald, selected as a Best Summer Read
“Christos Tsiolkas’ Barracuda is a big, bold, riveting book, an absolute page-turner swollen with rage and shame but mesmerizing as it unfolds.”—Peter Craven, A Book of the Year Selection for The Australian
More Praise for Christos Tsiolkas
"Tsiolkas is a hard-edged, powerful writer...leaving us exhaused but gasping with admiration."—Washington Post
"Think Tom Wolfe meets Philip Roth."—Los Angeles Times
[Tsiolkas] will appeal to those who prefer their novels complex and multilayered...a singular reading experience."—Library Journal
OCTOBER 2014 - AudioFile
Grant Cartwright powerfully narrates Tsiolkas’s homoerotic coming-of-age story about an Australian competitive swimmer at an exclusive private school. It’s both an examination of the illusions of youth and a spirited indictment of Australia’s class system. Cartwright conveys the teenaged self-involvement of the characters, their emerging sexual identities, and the structure of the Australian class system. His delivery of Aussie slang is natural and effective, and his reading of the narrative is always clear and well paced. While not for everyone, this explosive audiobook speaks to its intended audience. F.C. © AudioFile 2014, Portland, Maine
Kirkus Reviews
★ 2014-07-09
Australian novelist Tsiolkas (The Slap, 2008, etc.) serves up a bracing poolside critique of Antipodean mores. The trope of athletic contest as coming-of-age backdrop is an old one, though more seen in film than literature since the days of The Loneliness of the Long-Distance Runner. Tsiolkas' latest takes an athletically gifted young man—Danny here, Dan there, Barracuda everywhere, thanks to his habit of churning up the water and devouring his opponents—across two decades. As we find him at first, Danny, a working-class scholarship student, is on the loutish side, swimming for a school that he calls "Cunts College," a place for the rich and privileged and not the likes of him. Only dimly self-aware, Danny flourishes under the tutelage of a Hungarian-born mentor who had coached the team "to first in every school sports meet of the last seven years." The fact of Coach Torma's foreignness is important, because everyone in Australia, it seems, is from someplace else, and immigration and exile underlie the Greek-descended author's story. In time, Danny, now a grown-up Dan, will be someplace else, too, for though he is Olympic material, he fails to live up to his promise for reasons that move the story along, taking him to far-off Glasgow and into the complexities of sexuality, so torn up about events that he can't bring himself to enter the water. Dan's struggle to resolve the too-abundant conflicts that beset him, including hinted-at legal trouble, makes us sorry to see the once-golden boy stumble and fall. Still, he finds redemption of a kind in his homeland, which remains welcoming even though Dan/Danny has only an untutored, reflexive appreciation for its moderate politics; at the end, as Tsiolkas has one accidentally wise character note, "[w]e're lucky here, Danny, this country just sails on, impervious to the shit that the rest of the world is drowning in. Jesus, no wonder any bastard who gets on a boat wants to come here." A tough, unsparing, closely observed and decidedly R-rated look at the many challenges and disappointments that life brings, told against settings that American readers will find at once familiar and exotic.
