Bernstein and Robbins: The Early Ballets
The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time.

2022 CHOICE Outstanding Academic Title Winner.

Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years.

Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.
1137585840
Bernstein and Robbins: The Early Ballets
The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time.

2022 CHOICE Outstanding Academic Title Winner.

Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years.

Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.
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Bernstein and Robbins: The Early Ballets

Bernstein and Robbins: The Early Ballets

by Sophie Redfern
Bernstein and Robbins: The Early Ballets

Bernstein and Robbins: The Early Ballets

by Sophie Redfern

Hardcover

$125.00 
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Overview

The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time.

2022 CHOICE Outstanding Academic Title Winner.

Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years.

Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.

Product Details

ISBN-13: 9781648250057
Publisher: BOYDELL & BREWER INC
Publication date: 01/21/2021
Series: ISSN , #173
Pages: 324
Product dimensions: 6.00(w) x 9.00(h) x (d)

About the Author

SOPHIE REDFERN is a music historian and lecturer at the University of Sheffield and holds a post supporting research activity at the Royal Birmingham Conservatoire, having previously taught at Liverpool Hope University. In January 2019, she was appointed Curator at the European Opera Centre.

Table of Contents

Introduction
Setting the Scene: American Ballet and Jerome Robbins
Towards a First Ballet: Fancy Free Takes Shape
Creating Fancy Free: A Long-Distance Collaboration
The Music of Fancy Free: The Sketches and Score Explored
The Fancy Free Premiere and a Move to Broadway
Towards a Second Ballet: Bye Bye Jackie and the Creation of Facsimile
The Music of Facsimile: The Sketches and Score Explored
The Facsimile Premiere and Legacy of the Ballets
Epilogue: Bernstein and Dance
Bibliography
Index
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