- All Aboard
- Observation Car
- Union Pacific Big Boy
- Smokestack Shuffle
- Northbound-Southbound
- Dining Car
- Night Train
- Engine
- Bullet Train
- Sleeper Car
- Station Call
- The Caboose
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0074646986028
Lincoln Center Jazz Orchestra Guest Artist,Orchestra
Wessell Anderson Clarinet,Sax (Alto),Sax (Soprano)
Herlin Riley Drums
Marcus Printup Trumpet
Doug Wamble Banjo,Guitar
Joe Temperley Sax (Bass),Sax (Soprano),Clarinet (Bass)
Ryan Kisor Trumpet
Wycliffe Gordon Tuba,Trombone
Riley Mullins Trumpet
Ted Nash Flute,Piccolo,Clarinet,Sax (Alto),Sax (Soprano),Clarinet (Bass)
Farid Barron Piano
Seneca Black Trumpet
Wayne Goodman Trombone
Victor Goines Clarinet,Sax (Alto),Sax (Tenor),Sax (Soprano),Clarinet (Bass)
Ron Westray Trombone
Rodney Whitaker Bass
Wynton Marsalis Composer
Arnold Turner Photography
Lee Crum Photography
Kiku Art Direction
Darby Assistant Engineer
Jalmus Editing
John Matousek Mastering
Stanley Crouch Liner Notes
Patrick Smith Engineer
Dennis Jeter Project Coordinator


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Overview
On 1999's Big Train, Marsalis tries on the mantle of Duke Ellington in the latter's centennial year and finds that it suits him. A 52-minute big band suite modeled after Ellington's long-form essays, it purports to evoke the moods, sounds and feelings of a cross-country train trip with selections named after a train's various cars. Like an Ellington suite, the sections run together; after the striking "All Aboard," you're in Ellington country, right down to the plunger mute wah-wah riffs. "Union Pacific" paraphrases "Rockin' in Rhythm"; the ballad "Sleeper Car" evokes Johnny Hodges and Tricky Sam Nanton quite explicitly. Inevitably, there's a track called "Night Train"; thankfully, its bossa nova flavor has nothing to do with Duke's piece. Marsalis has mastered the Ellington idiom, writing and organizing the piece skillfully and getting the Lincoln Center Jazz Orchestra to play with precision and emotion. Yet the one thing that Ellington (and Billy Strayhorn) could do and Marsalis has yet to demonstrate is the ability to come up with a big, memorable tune; there's craft, emotion, and swing, but little else to take home with you. If you didn't know that this work was about trains, you might not guess it; you can't really feel the rocking, chugging, streamlined motion of the rails in this work. There is fine soloing all around in the hard bop tradition from Wessell Anderson, Victor Goines, Wycliffe Gordon, Ted Nash and Walter Blanding, Jr., though the liner fails to note which of the multiple tenor, alto, trombone players are soloing on which tracks. But overall, this is one of Marsalis' better extended form essays. ~ Richard S. Ginell
Product Details
Release Date: | 07/13/1999 |
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Label: | Columbia |
UPC: | 0074646986028 |
Tracks
Album Credits
Performance Credits
Wynton Marsalis Primary Artist,TrumpetLincoln Center Jazz Orchestra Guest Artist,Orchestra
Wessell Anderson Clarinet,Sax (Alto),Sax (Soprano)
Herlin Riley Drums
Marcus Printup Trumpet
Doug Wamble Banjo,Guitar
Joe Temperley Sax (Bass),Sax (Soprano),Clarinet (Bass)
Ryan Kisor Trumpet
Wycliffe Gordon Tuba,Trombone
Riley Mullins Trumpet
Ted Nash Flute,Piccolo,Clarinet,Sax (Alto),Sax (Soprano),Clarinet (Bass)
Farid Barron Piano
Seneca Black Trumpet
Wayne Goodman Trombone
Victor Goines Clarinet,Sax (Alto),Sax (Tenor),Sax (Soprano),Clarinet (Bass)
Ron Westray Trombone
Rodney Whitaker Bass
Technical Credits
Delfeayo Marsalis ProducerWynton Marsalis Composer
Arnold Turner Photography
Lee Crum Photography
Kiku Art Direction
Darby Assistant Engineer
Jalmus Editing
John Matousek Mastering
Stanley Crouch Liner Notes
Patrick Smith Engineer
Dennis Jeter Project Coordinator
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