Black Card: A Novel

by Chris L. Terry

Overview

In this NPR Best Book of the Year, a mixed–race punk rock musician must face the real dangers of being Black in America in this “wise meditation on race, authenticity, and belonging” (Nylon).

Chris L. Terry’s Black Card is an uncompromising examination of American identity. In an effort to be “Black enough,” a mixed–race punk rock musician indulges his own stereotypical views of African American life by doing what his white bandmates call “Black stuff.” After remaining silent during a racist incident, the unnamed narrator has his Black Card revoked by Lucius, his guide through Richmond, Virginia, where Confederate flags and memorials are a part of everyday life.

Determined to win back his Black Card, the narrator sings rap songs at an all–white country music karaoke night, absorbs black pop culture, and attempts to date his Black coworker Mona, who is attacked one night. The narrator becomes the prime suspect, earning the attention of John Donahue, a local police officer with a grudge dating back to high school. Forced to face his past, his relationships with his black father and white mother, and the real consequences and dangers of being Black in America, the narrator must choose who he is before the world decides for him.

Product Details

ISBN-13:	9781948226264
Publisher:	Catapult
Publication date:	08/13/2019
Pages:	272
Product dimensions:	5.90(w) x 8.40(h) x 1.00(d)
Lexile:	890L (what's this?)

About the Author

CHRIS L. TERRY was born in 1979 to an African American father and an Irish American mother. He has an MA in English from Virginia Commonwealth University and a creative writing MFA from Columbia College Chicago. Terry’s debut novel, Zero Fade, was named a Best Book of the Year by Slate and Kirkus Reviews. Terry lives in Los Angeles with his family.

Editorial Reviews

06/10/2019

Terry’s darkly humorous coming-of-age novel (after Zero Fade) explores the nuances and challenges of being a young black man in America. A punk rock bassist with a white mother and black father living in Richmond, Va., the unnamed narrator struggles with feeling “black enough.” “Being mistaken for white erases half of me,” he muses, “and happens so often that I think I’ve failed at blackness.” In a desperate attempt to finally earn his Black Card—an actual card—he indulges in misconceived stereotypes of blackness. He tries to “speak more black” and changes up his style of dress. He earns his card but has it revoked by his guide/mentor Lucius when he fails to speak up during a racist incident. Determined to earn back his card, he performs rap songs at a white karaoke bar and musters up the courage to ask out his black coworker, Mona. When Mona is assaulted in her apartment, he becomes a suspect and is finally forced to face his racial identity. “The minute Mona told the cops about me, she’d given me something. She’d made it so I’d never, ever doubt that I was black.” This memorable, deeply insightful work has echoes of Ralph Ellison’s Invisible Man. Terry’s provocative and timely novel challenges readers to confront the racial stereotypes and injustices in America. (Aug.)

Publishers Weekly

Praise for Black Card

One of NPR's Best Books of the Year

Los Angeles Times, 1 of 7 Highly Anticipated Books to Get You Through the Dog Days of August

"Black Card holds many modes and many moods in its packed and tactile narrative. Chris L. Terry has managed to capture, all at once, the complications of being black, being young, and being in love. This is a detailed ride about finding one's way to the inside, and finding that the inside isn't all you thought it would be. This book is a mirror, inside of which I saw so many selves." —Hanif Abdurraqib, author of They Can't Kill Us Until They Kill Us and Go Ahead in the Rain

"Hilariously searing . . . As Terry so cleverly and poignantly points out, the narrator's split personality embodies the soul of America itself. And with deadpan comic timing, sensitive insight, and taut, terse prose, Terry plunges the reader into his turmoil. Like nature, racial identity in America abhors a vacuum. If you don't fill in your own identity, as Black Card illustrates, someone else will. Striking a superb balance between levity and heaviness, Terry crafts an enormously fun read about a decidedly less than fun topic." —Jason Heller, NPR

"Black Card is a bold and affecting novel—funny, infuriating and at times profound. Terry is a new talent who's managed to examine race in America like few writers before him. This fresh and innovative novel explores both whiteness and blackness in contemporary America." —Scott Neuffer, Shelf Awareness (starred review)

"[A] darkly humorous coming-of-age novel . . . This memorable, deeply insightful work has echoes of Ralph Ellison’s Invisible Man. Terry’s provocative and timely novel challenges readers to confront the racial stereotypes and injustices in America." —Publishers Weekly

"This is a funny novel with sharp insights [into the constructed nature of racial identity]." —Kirkus Reviews

"Terry’s wry sense of humor and caustic wit is reminiscent of Joe Meno’s Hairstyles of the Damned and Todd Taylor’s Shirley Wins. Black Card is a powerful reflection on race and identity that packs a punk rock punch." —Jim Ruland, San Diego CityBeat

"The need to belong is a fundamental human motivation. We require meaningful social bonds—so much so that, according to one study, the threat of rejection can prompt reactions comparable to physical pain. So while intellectually, it’s easy to dismiss the narrator’s self-pity and desperation to embody stereotypical concepts of blackness, it’s impossible to ignore the real and deep place they come from. Black Card functions like a manifestation of this innately human drive to connect." —Rawiya Kameir, Pitchfork

"The novel is a funny, warm take on serious subjects, exploring race and identity in America with depth, nuance, and humor." —Rebecca Hussey, Book Riot

"Perhaps nothing can feel more elusive than determining your own identity, but Chris L. Terry does a magnificent job of dissecting all the ways in which identity both is and isn't a construct in his brilliant new book, Black Card . . . Terry employs a fierce humor throughout the narrative, but don't mistake wit for detachment—this book is deeply moving, a wise meditation on race, authenticity, and belonging." —Kristin Iversen, Nylon

"I love this book. Provocative, warm-hearted, and often hilarious, Black Card tells the story of a biracial punk rocker searching for his place in a largely white world. He’s come to feel that his sole black friend holds the key to his identity, and the pressure and expectations of this friendship come to a head in a community where racism takes countless subtle and overt forms. Terry is a remarkable writer, and Black Card oughta be on every summer reading list."—J. Ryan Stradal, The Rumpus

"I’m incredibly happy to see that this month brings with it a novel, Black Card, that deals with both punk rock and the complexities of race in America. This falls into the realm of books I’ve been thrilled about since they were first announced, and I’m glad to see it out in the world and sparking heated discussions and thoughtful consideration—just like the best punk rock." —Tobias Carroll, Literary Hub

"A fascinating meditation on race, with a head-nodding soundtrack that moves from funk LPs to punk CDs, Guns N’ Roses to Outkast . . . Terry’s novel explores what Blackness means to someone who feels both a part of and alienated from community, and in so doing it confronts whiteness as it attempts to erase or dictate Black identity." —Brian Gresko, Electric Literature

"What gives Terry a vantage point of interest is his ability to see an object from different sides of America’s ever-present invisible wall and use this perspective to show us just how fragile the concept of identity is while reminding us how very real its effects can be for our physical health, our mental health, and our very freedom. From getting too drunk before you play, to dealing with people’s preconceptions, the backdrops he creates feel familiar without being cliché, making for a novel based in the punk rock stratosphere without any cringe-worthy moments. I’m already excited to see what’s next. Definitely recommended." —Rene Navarro, Razorcake

"Chris L. Terry’s Black Card is a novel about race in America that’s serious and unflinching while remaining tender and funny. It’s a novel about compassion and anger, hip hop and punk, cops and young black men. At its core, Black Card is a book driven by the search for identity. Since this is Razorcake, we believe the world needs more top-quality fiction that doesn’t fetishize or force punk into too-neat nostalgic containers. It also needs stories that are told directly from working class punk perspectives, not from slumming squares. Chris L. Terry’s Black Card succeeds on so many levels. Not only is it a truthful novel with weight and humanity, it’s a compelling and fast read. I can’t recommend Black Card enough." —Todd Taylor, Razorcake

"While the subject matter is certainly a heavy one, Black Card is written with so much warmth and humor that by the end of it, what I sensed more than anything was the narrator's wanting to connect with other people, irregardless of what their race was." —Carlos Ramirez, No Echo

"Chris L. Terry’s new satirical and funny novel, Black Card (272 pages), challenges ideas about race and identity as it follows its unnamed mixed-race narrator as he navigates the complex world of the punk rock scene in the American South, trying to understand where and how he can fit in—or if he can ever fit in. Structured episodically, Terry’s novel manages to address specific and thematically relevant incidents of the narrator’s life minus an overwhelming page count . . . Black Card’s critical look at racial identity in America sees the cracks in everything and calls out everyone, the narrator included. It’s a brilliant comedy that speaks to what America is right now." —A. M. Larks, ZYZZYVA

"One might consider this an adult version of Angie Thomas' The Hate U Give (2017) and other Black coming-of-age stories . . . Overall, this is a welcome tale that undercuts stereotypical portrayals of Blackness. Terry's biracial punk musician's struggle with his Black identity and the novel's edgy humor will intrigue literary YAs." —Booklist

"[A] great new novel . . . Terry describes the appeal of rap's more violent, darker impulses in a beautiful, direct way." —Tom Breihan, Stereogum

"Black Card is an illuminating portrait of a young man who is confronted by a world that (quite erroneously) feels his blackness and his punkness should be conflicting interests . . . Black Card serves as a document proving [black punks are] not alone in their tastes, in their struggles to connect with others, in their beautiful identities." —Douglas Martin, Passion of the Weiss

"[A] hilariously unnerving novel . . . Black Card is probing, revelatory and deftly toes it’s way through the murky waters of the bi-racial experience. Chris L. Terry is infinitely wise and the heir apparent to the likes of Paul Beatty and Percival Everett. Read this book if you give a damn." —BookPeople blog

"Race is false. Race is real. Chris L. Terry allows these two conflicting truths to dance and spar on the pages of his wickedly funny and daringly smart new novel. Black Card is a wonderful and welcome addition to the growing canon of mixed-race literature." —Danzy Senna, author of Caucasia and New People

"Chris L. Terry is so damn good at peeling back all the tricky layers of race and identity and belonging, and grappling with all the icky stuff of being young and trying to figure out how to be. I'm a '90s kid who spent my afternoons earnestly taping obscure rock songs off college radio in suburban Chicagoland, so Black Card feels like it was written explicitly for me. It's a hilarious and honest examination of race and punk authenticity that's probably gonna feel like it was written for you, too." —Samantha Irby, author of We Are Never Meeting in Real Life

"Black Card takes the search for the self through a sharp and surreal map of punk-southern-rap-rock Virginia, drawn and crossed in racial lines and guided by the heart and wit of Chris L.Terry’s indelible characters. A kickflip classic." —Amelia Gray, author of Isadora: A Novel and Gutshot: Stories

"With Black Card, Chris L. Terry has written a sly, funny, melancholy take on race and performing identity in America. A love letter to the DIY scene of the 1990s as well as a portrait of an artist as a young, confused man, this novel is a truly unique exploration of what it takes to build a sense of self in a world dictated by the unbending rules of race and capitalism." —Kaitlyn Greenidge, author of We Love You, Charlie Freeman

"Terry crafts a novel we haven't quite seen before: the rare book about racial identity that eschews heaviness without ever feeling lightweight. Black Card is lively, nuanced, and always a step ahead of the reader. This is a must-read book about navigating life as a biracial person in a nation uncomfortable with any identity that is not white.” —Maurice Carlos Ruffin, author of We Cast a Shadow

From the Publisher

2019-06-17
A satire of American race relations and the performance of identity.

Terry (Zero Fade, 2013) tells the story of a nameless punk musician struggling with his own racial identity. After growing up in the mostly white suburbs of Washington, D.C., with his white mom and black father, the narrator moves with his family to a black community in Richmond, Virginia. The narrator's love of skateboarding, rock music, and his white mother make him feel like an outsider among black people. "I felt excluded from blackness," he recalls, "and like it was my fault that I couldn't fix it." His insecurities manifest in Lucius, a psychic projection of his self-consciousness that takes the form of a street-wise black man who takes it upon himself to teach our narrator how to be black. He gives the narrator his Black Card, which "entitles the brotha or sista who bears it to all black privileges, including but not limited to: Use of the n-word...and, most important, a healthy skepticism of white folks." It's proof that the narrator is really black—but it requires that the holder's authenticity be evaluated periodically. When a white friend's dad uses the n-word and the narrator says nothing in response, Lucius confiscates his Black Card for dereliction of duty. Our punk performs a series of stunts—like performing Run DMC to a roomful of white country music fans who are a bit too enthusiastic—to reclaim his blackness. Meanwhile, he develops a crush on his black co-worker Mona, with whom he can have less rigid conversations about blackness than those he has with Lucius. "There isn't one way to be black," she advises our narrator. But when he becomes implicated in a sexual assault, the narrator's freedom is threatened, and he confronts what it really means to be black in America. This is a funny novel with sharp insights into the constructed nature of racial identity. However, the plot is thin, the characters largely uninteresting, and the prose workmanlike. All that's left are the novel's ideas, which Terry repeats so often that they come to seem rather ham-fisted.

This is a funny novel whose insights are unfortunately too one-note to be illuminating.

Kirkus Reviews

Narrator Leon Nixon delivers author Terry’s style flawlessly. With his deep voice and, at times, laconic pace, Nixon narrates with a nuanced tone that draws listeners into the internal struggles of a mixed-race young man who grapples to find his place in the world. While routinely alienated by white people, he seems incapable of validating his blackness and finds himself directionless. These feelings lead him to alienate his punk band members, his colleagues where he slings coffee, and even the woman he is trying to court. Nixon’s narration smoothly blends different speaking styles along with the protagonist’s own inner monologues and shifting emotional states. L.E. © AudioFile 2019, Portland, Maine

NOVEMBER 2019 - AudioFile

Narrator Leon Nixon delivers author Terry’s style flawlessly. With his deep voice and, at times, laconic pace, Nixon narrates with a nuanced tone that draws listeners into the internal struggles of a mixed-race young man who grapples to find his place in the world. While routinely alienated by white people, he seems incapable of validating his blackness and finds himself directionless. These feelings lead him to alienate his punk band members, his colleagues where he slings coffee, and even the woman he is trying to court. Nixon’s narration smoothly blends different speaking styles along with the protagonist’s own inner monologues and shifting emotional states. L.E. © AudioFile 2019, Portland, Maine

NOVEMBER 2019 - AudioFile