Blue If Only I Could Tell You
Blue If Only I Could Tell You is the thirteenth collection of poetry by Richard Tillinghast. Long awaited, the book is his first since Wayfaring Stranger came out in 2012. Melodious, lyrical, these poems of place and displacement are deeply personal at times as they look back over a long and eventful life. Tillinghast also focuses on troubled and troubling aspects of the American story: the Indian Wars of the 19th century and the history of race relations in his native South, from slavery to the country’s current racial reckoning. It is rare to see a poet with such gifts for musicality, vivid imagery and finely honed diction address himself so pointedly to issues of social and political import.
1141100900
Blue If Only I Could Tell You
Blue If Only I Could Tell You is the thirteenth collection of poetry by Richard Tillinghast. Long awaited, the book is his first since Wayfaring Stranger came out in 2012. Melodious, lyrical, these poems of place and displacement are deeply personal at times as they look back over a long and eventful life. Tillinghast also focuses on troubled and troubling aspects of the American story: the Indian Wars of the 19th century and the history of race relations in his native South, from slavery to the country’s current racial reckoning. It is rare to see a poet with such gifts for musicality, vivid imagery and finely honed diction address himself so pointedly to issues of social and political import.
17.0 In Stock
Blue If Only I Could Tell You

Blue If Only I Could Tell You

by Richard Tillinghast
Blue If Only I Could Tell You

Blue If Only I Could Tell You

by Richard Tillinghast

Paperback

$17.00 
  • SHIP THIS ITEM
    In stock. Ships in 1-2 days.
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

Blue If Only I Could Tell You is the thirteenth collection of poetry by Richard Tillinghast. Long awaited, the book is his first since Wayfaring Stranger came out in 2012. Melodious, lyrical, these poems of place and displacement are deeply personal at times as they look back over a long and eventful life. Tillinghast also focuses on troubled and troubling aspects of the American story: the Indian Wars of the 19th century and the history of race relations in his native South, from slavery to the country’s current racial reckoning. It is rare to see a poet with such gifts for musicality, vivid imagery and finely honed diction address himself so pointedly to issues of social and political import.

Product Details

ISBN-13: 9781945680571
Publisher: White Pine Press
Publication date: 07/19/2022
Pages: 108
Product dimensions: 5.90(w) x 9.00(h) x 0.30(d)

About the Author

Richard Tillinghast was born and raised in Memphis. After college at Sewanee he did graduate work at Harvard, where he studied with Robert Lowell. The author of thirteen books of poetry and five of creative nonfiction. He has taught at Harvard, Berkeley, the College Program at San Quentin Prison, and the Universityof Michigan in the US as well as at Trinity College Dublin and the Poets’ House in Ireland. He has been awarded the James Dickey Prize for poetry from Five Points and the Cleanth Brooks Award for nonfiction from The Southern Review. Currently a member of the Core Faculty in the Converse College MFA program, he is Emeritus Professor of English at the Universityof Michigan and a founder and past Director of the Bear River Writers’ Conference in Northern Michigan.

Read an Excerpt

Getting Out The refugees were nervous, glancing back toward the hills, fearing the sniper with his telescopic sight and sinister nickname. What did these houseless ones care about the history of human displacement? They were changing money and trying to sell their watches. Trucks packed with soldiers— boys really—sped along the dock, firing their rifles into the air. I think the gypsies were the most afraid. Then a truck with a loudspeaker appeared, moving slow among incinerated cars on the boulevard named after the national hero, giving orders in three languages. How many souls, how many dreams of escape, how many nightmare nights could the little ship hold? They took on board as many as could pay. Small groups gathered on deck talking quietly. It was an end and a beginning. Someone had brought a bottle and they needed it.   At the Edge As he feeds his chickens, cooks rice, sweeps out his shack, he hears the droning of enemy planes. Dreaming of temples and waterfalls he wakes to the thwack-thwack-thwack of helicopter blades. Comes the thud of a mortar, the man fills a thermos, latches the door of his shack, and creeps up the slope in moon-dark, his dog sticking close. Up near the top of the ridge his dog makes a low sound in her throat, smelling before he does, diesel, the unwashed bodies of soldiers, the stink of hastily dug latrines. His dog sneezes, and he clamps his hand over her nose. I can evade them, he thinks. I can survive out here, I know how to hide. But what of the town-dwellers? What of the scholars, whose knowledge they want to erase, whose books they will burn? What of the women who live alone on farms? The clanking of tank treads, the rising dust of an army on the move. Dawn must be closer than he has allowed himself to understand.   Living Near Horses I would wake in the night hearing horses breathe in the field. I neither owned them nor rode them. One of the little herd would whinny in the small hours, and once like Lakota ponies two horses galloped, their hooves striking hard dirt in the moonlight. They knew we were here, we knew they were there. Mine was the paint. But one day she was taken from me, put in a trailer and driven away. She was not young. it was only when I was giving her an apple once, I noticed how chewed down her teeth were. She was my friend, at times I felt she was my darling. I was not a man who wanted to tame her, fasten tack on her and ride her. We met over the fence. I remember how at first she would look at me with flight and terror in those wide-apart eyes. I would stand at the fence, an apple in the pocket of my jacket, and talk to her. In time she would amble over, pausing to crop the coarse grass in her path. I liked how her jaw felt under my hand as she chewed and rubbed her nose against my chest, her jaw molded smooth like the jaw of some long-ago marble horse in a museum, brought into the traffic and alarms of the city from a parthenon on a hill. I liked walking back to my shack with the smell of horse on my shirt. Highway 61 Smoke, and a freight-train whistle blowing in from Arkansas. Night dropping over the big river as we ghost down South Third and off the exit ramp onto the two-lane ribboning south, our talk in the car hushed by the voices of insects, rows of cotton plants running to the horizon where the massacred wilderness stands— creeks filled with the memories of dead men, shagbark hickories, sweetgums, an oak tree with a rope swinging, and the ghosts of old mahoganies watching us. Jungling scuppernong vines hang in the branches up there with the witness of wild canaries. A dog barks as we unlock a gate, our headlights illuminating the glistening skins of magnolia leaves. A mastiff on a chain licks our hands in welcome at the door of the cypress-battened farmhouse, its acres moonlit around it. We’ll sleep here tonight. What dreams will arise to trouble our repose?   Persian Journey The country people could hardly fail to notice our caravan, the fineness of our mounts, the polish of our tack. And flying in advance of us our falcons, their eyes incandescent. When we drink with these rustics in their smoky tavernas I lie openly when they ask me why we are traveling. I talk about spices, incense, gold even. And I leave it at that. They comment on the exquisite stitching of our robes, our leopard with her jeweled collar. And seeing I am a man of learning, they ask me about the star. Is there any reason I should answer these questions? Is it always necessary for the eyes of men to penetrate the ways of the most high?

Table of Contents

Exodus 11

A Way Station in the Punjab 12

Refuge 13

1

The Boar 17

The Allies 19

Driving to Meet You 20

Boat 21

The White Egrets 22

At the Edge 23

Four Horsemen 25

One Raindrop 26

2

The Blind Singer of Swannanoa 31

At a Campsite Outside Ogallala, Nebraska 33

Living Near Horses 35

Mimbreño 37

Weave 39

Smoke 41

A Photograph from the Indian Wars 43

Contagion 44

3

Highway 61 47

Two Scenes from a War 49

A House in the Country 53

Two Graveyards 55

Law Enforcement 56

Cake 57

A Flutter of Fabric 59

Dispersal 60

Trotline 62

Tell Me a Story 64

Keeping Company 67

Ambrosia 69

To Find the Farm 71

Revival 72

4

I Tuned Up Sean's Guitar 77

My Eye Found It 79

Diamond 80

A Length of Ribbon 81

A Sighting in Tipperary 82

Took My Diamond to the Pawnshop 84

Mezzogiorno 85

Overnight 86

Persian Journey 87

5

Blackbird 91

Shade 92

Early Church 94

Leavetaking 95

What I Learned, and Who I Learned It From 96

Sendoff 98

How Old Was I? 99

Almost Home 101

Blue If Only I Could Tell You 102

The Author 105

Acknowledgments 107

From the B&N Reads Blog

Customer Reviews