"In his radical reduction of language and dramatic action, [Jon Fosse] expresses the most powerful human emotions of anxiety and powerlessness in the simplest everyday terms." —Anders Olsson, chairman of the Nobel Committee at the Swedish Academy
"Fosse is our age's great writer of light and darkness." —Randy Boyagoda, New York Times
"To read Fosse's plays and novels is to enter into communion with a writer whose presence one feels all the more intensely owing to his air of reserve, his withdrawal." —Merve Emre, The New Yorker
“[A] perfect example of the ‘write, don’t think’ maxim as Fosse instructed his students in the late 80s in Bergen, when this book was in the making.” —Catherine Taylor, The Guardian
“[Fosse] shows a playwright’s flare for the carefully-orchestrated dramatic; Boathouse may feel almost entirely understated, even in its shattering conclusion… but it haunts deeply and profoundly.” —M.A. Orthofer, The Complete Review
“Deeply psychological.” —Norman Erikson Pasaribu, Asymptote Journal
“Jon Fosse is a major European writer.” —Karl Ove Knausgaard
“Fosse . . . has been compared to Ibsen and to Beckett, and it is easy to see his work as Ibsen stripped down to its emotional essentials. But it is much more. For one thing, it has a fierce poetic simplicity.” —New York Times
“[T]he oddity of reading Fosse [is that] what threatens to be heavy proves lightsome. You put on your boots to wade through the mud and find yourself floating along.” —Blake Morrison, London Review of Books
“I think of the four elder statesmen of Norwegian letters as a bit like the Beatles . . . Fosse is George, the quiet one, mystical, spiritual, probably the best craftsman of them all.” —Damion Searls, The Paris Review
“Fosse’s pared down, circuitous, and rhythmic prose skillfully guides readers through past and present.” —Publishers Weekly
“He is undoubtedly one of the world’s most important and versatile literary voices.” —Irish Examiner
“The Beckett of the 21st Century.” —Le Monde
“There is something quietly dramatic about Fosse’s meandering and rhythmic prose . . . which has a strangely mesmerising effect.” —The Independent
