Bob Dylan: Behind the Shades Revisited

Bob Dylan: Behind the Shades Revisited

by Clinton Heylin


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Written by Bob Dylan's most prolific chronicler, this magisterial biography illuminates what drives, inspires, influences, and shapes the man behind the music.

Beginning with Dylan's fiercely individualistic childhood in Minnesota, Clinton Heylin explores Dylan's arrival in New York in 1960, his subsequent rise as heir-apparent to Woody Guthrie, his emergence as the unwitting leader of the highly political fold revival of early '60's Greenwich Village, and his sudden and shocking metamorphosis into rock's poetic guiding force.

Heylin also details the rest of this influential artist's mercurial career, including the lost years of the '80s, Dylan's struggles with addiction, and his re-emergence as a triumphant and revered '90s troubadour—winner of three 1997 Grammys, including Album of the Year—who spends most of his life on the road.Bob Dylan is an endlessly fascinating yet obsessively private person; this is the first time his fans will truly get to know the man behind the shades.

Product Details

ISBN-13: 9780060525699
Publisher: HarperCollins Publishers
Publication date: 04/29/2003
Edition description: Reprint
Pages: 800
Sales rank: 603,038
Product dimensions: 6.00(w) x 9.12(h) x 1.49(d)

About the Author

Clinton Heylin is recognized as the world's leading Bob Dylan scholar, as well as an authority on folk music and popular music in general. He is also known for his acclaimed studies of American punk (From the Velvets to the Voidoids); rock bootlegging (Bootleg!)—Record Collector's book of the year in 1994; and Dylan's studio recordings (Dylan: The Recording Sessions), nominated for the Ralph J. Gleason Award in 1996. He edited The Penguin Book of Rock and Roll Writing and is the general editor of Schirmer's Classic Rock Albums series. A native of Manchester, he now makes his home in Somerset, England.

Read an Excerpt

Chapter One

1941-55: In My Younger Days

My country is the Minnesota-North Dakota territory / that's where I was born an learned how t walk an / it's where I was raised an went to / youth was spent wildly among the snowy hills an / sky blue lakes, willow fields an abandoned open / pit mines. contrary t rumors, I am very proud of / where I'm from an also of the many blood streams that / run in my roots.

-- Bob Dylan, 1963

You can change your name / but you can't run away from yourself

-- Bob Dylan, 1967

At a 1986 press conference a middle-aged, slightly wizened rock'n'roller insisted, 'I'm only Bob Dylan when I have to be.' Asked who he was the rest of the time, he replied, 'Myself.' His creator, forty-five-year-old Robert Allen Zimmerman, had been a mere nineteen when he had reinvented himself as Bob Dylan: just three years older than the Arthur Rimbaud who wrote to his old teacher, Georges Izambard, in May 1871 and proclaimed, 'Je suis un autre'; barely three years younger than his maternal grandfather, Benjamin David Solemovitz, when, in 1906, he took off from Connor's Point, Wisconsin, to rematerialize three years later working as a clerk for a fellow Jew, Abraham Friedman, in Hibbing, Minnesota, henceforth to be known simply as Ben Stone.

Back in Connor's Point, Stone had had a sister named Ida, a year younger, by all accounts a pretty little thing. That is, until September 24, 1906, when a young Scotsman named John Young shot poor little Ida down, before blowing his own brains out with a .32 revolver. Young had been living in rooms adjoiningthe Solemovitzes' for three years and had become more than friendly with Ida. But Young had refused to recognize the ostracism that would have resulted had Ida chosen to marry outside her faith. According to the Superior Telegram, 'Young was madly infatuated with the girl...a difference of opinion is apparent as to whether the girl reciprocated his love.' Her father, Sam, refused to countenance the possibility that his baby girl might have died for love. Ben, who was close to his sister and devastated by her death, undoubtedly knew better.

Leaving the family behind in Wisconsin, Solemovitz chose to reinvent himself seventy-five miles north, in Hibbing, at the heart of Minnesota's Iron Range, a scabrous landscape shaped by intensive strip-mining that created both the largest man-made pit and the largest slag heap in the world. Founded by the adventurer Frank Hibbing in 1892, after he had cleared a road west from Mountain Iron, Hibbing was erected near to the spot where he had apparently awoken one crisp winter morn and uttered the immortal phrase, 'I believe there is iron under me -- my bones feel rusty.'

By the time Ben Stone had found employment with Abraham Friedman, the boomtown had already acquired eighty-eight hundred citizens, sewers, a municipal lighting plant, a fire department, and the largest grade-school building north of the Twin Cities, Minneapolis and St. Paul. However, by 1921 the mining companies found that Frank Hibbing had not erected the town near to the best ore but directly on top of it, and the whole town, houses and all, had to be moved on rollers to the suburb of Alice, leaving street signs and tracks from the old Hibbing behind. Living on the edge of such a surreal wasteland was bound to affect anyone, particularly those for whom the Moving of Hibbing was merely local folklore.

Bob Dylan: I ran into a girl [one time]...She said I was a strange person and she told me why. She said, 'You were born in a certain area where the ground is metallic.' [1980]

Ben Stone had been just five in 1888, when his parents, Robert ('Sabse') and Bessie Solemovitz, abandoned the plains of Lithuania for the promise of Superior, Wisconsin. Though Stone left Superior behind in 1906, his heart and the heart of his family remained behind. When he died in May 1945 he chose to be buried in Superior, even though he and his wife, Florence -- who had also lived in Superior when she had first arrived in America from Lithuania -- had lived in Hibbing for nearly four decades. Their four children, and their grandchildren, all still lived in Hibbing save for their eldest daughter, Beatrice, who lived in Duluth with her husband Abraham Zimmerman and their four-year-old son, Robert. Whether 'Beatty' brought her son to the funeral of his maternal grandfather has not been recorded. Whatever the case, Florence Stone, née Edelstein, now found herself a widow at the age of fifty-three.

Florence Edelstein had been the eldest of ten children, the whole clan being presided over by Florence's imposing father, Benjamin Harold Edelstein, a salesman from Kovno who had arrived in Hibbing from Superior, aged thirty-six, with his wife, Lybba, and his then six children in 1906, shortly before young Ben Stone hit town. Once established in Hibbing, 'BH' abandoned selling furniture and stoves and entered the entertainment business, purchasing the first of four Edelstein theaters, the Victory. As vaudeville gave way to the dependable escapism flickering off the movie screen, Edelstein expanded his operations to include the Gopher on Howard, the State, also on Howard, and the Homer on Ist. That a town of just eighteen thousand could support four cinemas in the forties suggests just how central the images conveyed from Hollywood became to postwar middle America.

Beatrice R. Stone was the second of Ben and Florence's four children. Born three years after her brother Vernon, on June 16, 1915, she was a vivacious child and a devoted member of a large, and seemingly ever expanding, family unit. Though Hibbing would always be a curious place to grow up a Jew -- the town was largely given over to Slavic Catholics and Nordic Lutherans -- Beatty's large family cocooned her.

Bob Dylan: Behind the Shades Revisited. Copyright © by Clinton Heylin. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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Bob Dylan: Behind the Shades Revisited 4 out of 5 based on 0 ratings. 3 reviews.
rdurie on LibraryThing More than 1 year ago
A reasonably good read although it became a bit formulaic through NET days in the 80s and 90s. I learnt a lot about Dylan even his early years that I found interesting. Heylin sets the wrong note at the start with an introduction which for the most part consists of a sneering dismissal of all preceding bios of the Bobster. Best to leave that to others to judge, in my view.At several points he also left things dangling, eg at one point in 1968 he says Dylan had a third son but there is no record of such a son in the divorce prceedings nor is there any record of this son being bar mitzvahed. However, later on he refers to Dylan being photograghed at the son's bar mitzvah. Very sloppy stuff in some places.Nonetheless, I still felt Heylin conveyed a well-rounded impression of Dylan, as song-writer, performer and private person. Overall, could have been better but still a good read.
Anonymous More than 1 year ago
Guest More than 1 year ago
This is really awfully good. It contains lots of words - and I mean LOTS - and makes you want to grab Bob Dylan and pout at him in a very large matchbox.