There's a fun story behind this album, retold in detail in the liner notes. In 1972,
Michael Viner was an executive at
MGM Records. Asked to put together some music for the soundtrack of an upcoming B-movie horror film,
The Thing with Two Heads, he called on songwriter
Perry Botkin, Jr., and the two of them whipped up a pair of songs called
"Bongo Rock" and
"Bongolia." By the middle of 1973, the songs, attributed to
the Incredible Bongo Band, began to take off, both in Canada and on the U.S.
R&B and
pop charts, so
Viner and
Botkin took the concept to the next obvious level and cut an album, also titled
Bongo Rock. Successful enough to scrape into the bottom of the
Billboard album chart, the pair put together
The Return of the Incredible Bongo Band in 1974 before fizzling out. There are some other pertinent details worth knowing, for example, that
Jim Gordon, of
Derek & the Dominos fame, was one of the key drummers on the project, and that
Ringo Starr supposedly stopped in to bang out a few beats. But some of the best stuff happened long after the demise of the
IBB, when early
hip-hop DJs such as
Kool DJ Herc and
Grandmaster Flash, and then
the Sugarhill Gang,
Massive Attack and others, discovered the
Incredible Bongo Band's recordings and began using samples from them. What started as a tossed-off filler session for a crummy flick took on a life of its own. This CD reissue contains not all, but most of the tracks from the two original albums, plus two remixes,
"Apache (Grand Master Flash Remix)" and
"Last Bongo in Belgium (Breakers Mix)." Interesting as it is to hear how the bongo-centric beats were toyed with by the hip-hoppers, the original recordings stand up on their own as classically kitschy cheese-
rock. Bongos aren't the only sound heard, naturally, and fans of both
lounge-
rock and that crisp, reverby guitar sound prominent in old spy movies and
Ventures records will dig what the
IBB were all about. Their version of
"Apache," the classic '60s instrumental made famous by
the Shadows, is the equal of any other, and while that can't be said of their takes on
"Satisfaction," "Raunchy," "Wipeout" or even
"In-A-Gadda-Da-Vida," these studio musicians -- most of whom the creators of the
IBB don't recall but which may or may not have included some heavyweights -- sure had a good time stepping out on their nights off. ~ Jeff Tamarkin