Britain and the American South: From Colonialism to Rock and Roll
Britain and the American South: From Colonialism to Rock and Roll edited by Joseph P. Ward, with essays by R. J. M. Blackett, Kathryn E. Holland Braund, Holly Brewer, S. Max Edelson, Franklin T. Lambert, Michael O'Brien, Brian Ward, Hugh Wilford, and Marcus Wood. In this volume of collected essays, historians analyze central aspects of the cultural exchanges between Britain and the American South. Along with the Spanish and the French, the British were among the first Europeans to have contact with the native peoples in what would come to be known as the American South. During the seventeenth and eighteenth centuries, the British were intensively engaged in colonizing much of the region and developing its economy. The American Revolution severed the governmental links between Britain and its Southern colonies, but economic, social, religious, and cultural ties persevered during the nineteenth and twentieth centuries. The volume illuminates Britain's evolving relationship with the South over a period of four centuries, an era that witnessed Britain's rise to imperial dominance and then the gradual erosion of its influence on the wider world. It considers the British influence upon, and often critical responses to, Southern institutions and cultural formations such as religion, gentility, slavery, and music. Two essays focus on Britain's response to the Confederacy, while others look even further into the past, concentrating on the English legacy in colonial times, its influence on Southern religion, and Britain's relationship with the Creek Indians. Moving into the twentieth century, the book features analysis of the South's relationship to the British Left from 1930 to 1960, and an investigation of the South's role in 1950s British popular music. With an engaging afterword that explores the difficulties in comprehending both Britain and the American South in the present day as well as in the past, this book shows that the relationship between the two has always been and continues to be complex, subtle, and meaningful. Joseph P. Ward is chair of the history department at the University of Mississippi.
1116706573
Britain and the American South: From Colonialism to Rock and Roll
Britain and the American South: From Colonialism to Rock and Roll edited by Joseph P. Ward, with essays by R. J. M. Blackett, Kathryn E. Holland Braund, Holly Brewer, S. Max Edelson, Franklin T. Lambert, Michael O'Brien, Brian Ward, Hugh Wilford, and Marcus Wood. In this volume of collected essays, historians analyze central aspects of the cultural exchanges between Britain and the American South. Along with the Spanish and the French, the British were among the first Europeans to have contact with the native peoples in what would come to be known as the American South. During the seventeenth and eighteenth centuries, the British were intensively engaged in colonizing much of the region and developing its economy. The American Revolution severed the governmental links between Britain and its Southern colonies, but economic, social, religious, and cultural ties persevered during the nineteenth and twentieth centuries. The volume illuminates Britain's evolving relationship with the South over a period of four centuries, an era that witnessed Britain's rise to imperial dominance and then the gradual erosion of its influence on the wider world. It considers the British influence upon, and often critical responses to, Southern institutions and cultural formations such as religion, gentility, slavery, and music. Two essays focus on Britain's response to the Confederacy, while others look even further into the past, concentrating on the English legacy in colonial times, its influence on Southern religion, and Britain's relationship with the Creek Indians. Moving into the twentieth century, the book features analysis of the South's relationship to the British Left from 1930 to 1960, and an investigation of the South's role in 1950s British popular music. With an engaging afterword that explores the difficulties in comprehending both Britain and the American South in the present day as well as in the past, this book shows that the relationship between the two has always been and continues to be complex, subtle, and meaningful. Joseph P. Ward is chair of the history department at the University of Mississippi.
35.0 In Stock
Britain and the American South: From Colonialism to Rock and Roll

Britain and the American South: From Colonialism to Rock and Roll

Britain and the American South: From Colonialism to Rock and Roll

Britain and the American South: From Colonialism to Rock and Roll

Paperback

$35.00 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

Britain and the American South: From Colonialism to Rock and Roll edited by Joseph P. Ward, with essays by R. J. M. Blackett, Kathryn E. Holland Braund, Holly Brewer, S. Max Edelson, Franklin T. Lambert, Michael O'Brien, Brian Ward, Hugh Wilford, and Marcus Wood. In this volume of collected essays, historians analyze central aspects of the cultural exchanges between Britain and the American South. Along with the Spanish and the French, the British were among the first Europeans to have contact with the native peoples in what would come to be known as the American South. During the seventeenth and eighteenth centuries, the British were intensively engaged in colonizing much of the region and developing its economy. The American Revolution severed the governmental links between Britain and its Southern colonies, but economic, social, religious, and cultural ties persevered during the nineteenth and twentieth centuries. The volume illuminates Britain's evolving relationship with the South over a period of four centuries, an era that witnessed Britain's rise to imperial dominance and then the gradual erosion of its influence on the wider world. It considers the British influence upon, and often critical responses to, Southern institutions and cultural formations such as religion, gentility, slavery, and music. Two essays focus on Britain's response to the Confederacy, while others look even further into the past, concentrating on the English legacy in colonial times, its influence on Southern religion, and Britain's relationship with the Creek Indians. Moving into the twentieth century, the book features analysis of the South's relationship to the British Left from 1930 to 1960, and an investigation of the South's role in 1950s British popular music. With an engaging afterword that explores the difficulties in comprehending both Britain and the American South in the present day as well as in the past, this book shows that the relationship between the two has always been and continues to be complex, subtle, and meaningful. Joseph P. Ward is chair of the history department at the University of Mississippi.

Product Details

ISBN-13: 9781604732498
Publisher: University Press of Mississippi
Publication date: 02/27/2009
Series: Chancellor Porter L. Fortune Symposium in Southern History Series
Pages: 281
Product dimensions: 6.00(w) x 9.00(h) x (d)

About the Author

Joseph P. Ward is dean of the College of Humanities and Social Sciences at Utah State University. He is author of Metropolitan Communities: Trade Guilds, Identity, and Change in Early Modern London and coeditor of Protestant Identities: Religion, Society, and Self-Fashioning in Post-Reformation England and The Country and the City Revisited: England and the Politics of Culture, 1550-1850.

Table of Contents

Acknowledgmentsix
Foreword: Empire Building and Empire Wreckingxi
Virginia's Religious Revolution: From Established Monopoly to Free Marketplace3
Power and Authority in the Colonial South: The English Legacy and Its Contradictions27
"Like a Stone Wall Never to Be Broke": The British-Indian Boundary Line with the Creek Indians, 1763-177353
Carolinians Abroad: Cultivating English Identities from the Colonial Lower South81
The American South and English Print Satire, 1760-1865107
British Views of the Confederacy141
The South and the British Left, 1930-1960163
"By Elvis and All the Saints": Images of the American South in the World of 1950s British Popular Music187
Afterword: On the Irrelevance of Knights215
Notes229
Contributors269
Index271
From the B&N Reads Blog

Customer Reviews