Broken Fields
Cash Blackbear, a young Ojibwe woman and occasional sleuth, is back on the case after a man is found dead
on a rural Minnesota farm in the next installment of the acclaimed Native crime series.
1970s: It's spring in the Red River Valley and Cash Blackbear is doing field work for a local farmer-until she
finds him dead on the kitchen floor of the property's rented farmhouse. The tenant, a Native field laborer, and
his wife are nowhere to be found, but Cash finds their young daughter, Shawnee, cowering under a bed. The
girl, a possible witness to the killing, is too terrified to speak.
In the wake of the murder, Cash can't deny her intuitive abilities: she is suspicious of the farmer's grieving widow,
who offers to take in Shawnee temporarily. While Cash is scouring White Earth Reservation for Shawnee's
missing mother-whom Cash wants to find before the girl is put in the foster system-another body turns up.
Concerned by the escalating threat, Cash races against the clock to figure out the truth of what happened in
the farmhouse.
Broken Fields is a compelling, atmospheric read woven with details of American Indian life in northern
Minnesota, abusive farm labor practices and women's liberation.
Story Locale:Minnesota, 1970s
Series Overview: Cash Blackbear is a young Ojibwe woman whose visions and grit help her solve brutal crimes
in the 1970s in the Red River Valley.
1145692258
Broken Fields
Cash Blackbear, a young Ojibwe woman and occasional sleuth, is back on the case after a man is found dead
on a rural Minnesota farm in the next installment of the acclaimed Native crime series.
1970s: It's spring in the Red River Valley and Cash Blackbear is doing field work for a local farmer-until she
finds him dead on the kitchen floor of the property's rented farmhouse. The tenant, a Native field laborer, and
his wife are nowhere to be found, but Cash finds their young daughter, Shawnee, cowering under a bed. The
girl, a possible witness to the killing, is too terrified to speak.
In the wake of the murder, Cash can't deny her intuitive abilities: she is suspicious of the farmer's grieving widow,
who offers to take in Shawnee temporarily. While Cash is scouring White Earth Reservation for Shawnee's
missing mother-whom Cash wants to find before the girl is put in the foster system-another body turns up.
Concerned by the escalating threat, Cash races against the clock to figure out the truth of what happened in
the farmhouse.
Broken Fields is a compelling, atmospheric read woven with details of American Indian life in northern
Minnesota, abusive farm labor practices and women's liberation.
Story Locale:Minnesota, 1970s
Series Overview: Cash Blackbear is a young Ojibwe woman whose visions and grit help her solve brutal crimes
in the 1970s in the Red River Valley.
19.99 In Stock
Broken Fields

Broken Fields

by Marcie R. Rendon

Narrated by Isabella Star LaBlanc

Unabridged — 7 hours, 39 minutes

Broken Fields

Broken Fields

by Marcie R. Rendon

Narrated by Isabella Star LaBlanc

Unabridged — 7 hours, 39 minutes

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Overview

Cash Blackbear, a young Ojibwe woman and occasional sleuth, is back on the case after a man is found dead
on a rural Minnesota farm in the next installment of the acclaimed Native crime series.
1970s: It's spring in the Red River Valley and Cash Blackbear is doing field work for a local farmer-until she
finds him dead on the kitchen floor of the property's rented farmhouse. The tenant, a Native field laborer, and
his wife are nowhere to be found, but Cash finds their young daughter, Shawnee, cowering under a bed. The
girl, a possible witness to the killing, is too terrified to speak.
In the wake of the murder, Cash can't deny her intuitive abilities: she is suspicious of the farmer's grieving widow,
who offers to take in Shawnee temporarily. While Cash is scouring White Earth Reservation for Shawnee's
missing mother-whom Cash wants to find before the girl is put in the foster system-another body turns up.
Concerned by the escalating threat, Cash races against the clock to figure out the truth of what happened in
the farmhouse.
Broken Fields is a compelling, atmospheric read woven with details of American Indian life in northern
Minnesota, abusive farm labor practices and women's liberation.
Story Locale:Minnesota, 1970s
Series Overview: Cash Blackbear is a young Ojibwe woman whose visions and grit help her solve brutal crimes
in the 1970s in the Red River Valley.

Editorial Reviews

Publishers Weekly

01/06/2025

Rendon’s fourth outing for Ojibwe sleuth Cash Blackbear (after Sinister Graves) combines a shocking whodunit with an insightful exploration of guilt. In the previous book, Cash killed a man in self-defense. At the outset of this one, she remains unsettled by the tragedy, viewing it as a referendum on the survival instincts she cultivated during her tumultuous childhood in foster care. In the months since the incident, Cash has been hired by Minnesota farmer Bud Borgerud to help tend his land. One afternoon, she finds Borgerud dead on the farmhouse floor, his body riddled with gunshot wounds. The rest of the property is empty, save for Shawnee, the daughter of Nils and Arlis Petterson, who were renting the farmhouse from Boregerud. Shawnee is shaken and unable—or unwilling—to say what she knows about Borgerud’s death, so Cash sets out to solve the murder and locate the young girl’s parents before she’s sent into foster care. The investigation points Cash toward Borgerud’s wife, though she lacks solid proof—and then more bodies start piling up. Rendon excels at balancing plot and character, taking time to probe Cash’s psychology while orchestrating a deliciously complicated mystery for her to solve. Readers will be rapt. Agent: Jacqui Lipton, Tobias Literary. (Mar.)

From the Publisher

Praise for Broken Fields

Ms. Magazine’s Most Anticipated Feminist Books of 2025


“[An] exceptional story . . . [Rendon] weav[es] truth into fiction so by book’s end, the reader is left with a satisfying conclusion and with wisdom, this time about a broken public service system that exploits and harms children.”
―The Circle: Native American News and Arts

“Rendon has the talent to stay out of her writing and let the story tell itself through the leathery life of Cash Blackbear. She’s a character you will never forget.”
The Durango Telegraph

“Not usually one for mysteries, I am a sucker for Cash Blackbear, the reluctant Ojibwe intuitive whose interminable grit and no-nonsense know-how make her a force to be reckoned with.”
—Karla J. Strand, Ms. Magazine

Broken Fields has everything readers have loved in Rendon’s Cash Blackbear series since the first, Murder on the Red River, was published in 2021. There’s a taut plot, plenty of fast-paced excitement, a touch of the supernatural, and poetic writing about the prairie and its animal inhabitants.”
Pioneer Press

“Cash, haunted by a powerful perception that guides her to see what other people miss, is a vividly tragic and unforgettable character.”
Ellery Queen Mystery Magazine

Broken Fields may keep you up late, compulsively reading to the final page.”


—BookTrib



Broken Fields will draw you in and by the time you finish the book you may also have a greater understanding of the challenges faced by indigenous children in the foster care system of the day . . . There is much to admire in Cash . . . An intriguing murder mystery.”
—Crime Fiction Lover

“If you like good mysteries with a strong main character, a superb sense of place, and a writing style that draws you right into the heart of each book, you have to make the acquaintance of Cash Blackbear.”
—Kittling: Books

“A tragic, unforgiving crime novel that emphasizes the perils of the foster care system for Indigenous children.”
Library Journal, Starred Review

Peyton Place meets Fargo in this clipped tale of misdoings in the Red River Valley . . . Rendon explor[es] the ways the deck is stacked against Cash because she’s a woman, an Ojibwe, and a maverick with limited respect for white men’s rules.”
Kirkus Reviews

“Rendon excels at balancing plot and character, taking time to probe Cash’s psychology while orchestrating a deliciously complicated mystery for her to solve. Readers will be rapt.”
Publishers Weekly

“Outstanding . . . Rendon delivers lots of suspense; a resourceful, rural community-smart heroine in Cash; and wrenching insights into the overt and covert racism endured by Indigenous people.”
Booklist


Praise for the Cash Blackbear Mysteries


“Marcie Rendon is writing an addictive and authentically Native crime series propelled by the irresistible Cash Blackbear—a warm, sad, sharp, funny and intuitive young Ojibwe woman. I want a shelf of Cash Blackbear novels! To my delight I have a feeling that Rendon is only getting started.”
—Louise Erdrich, author of the Pulitzer Prize-winning novel The Night Watchman

“[A] winning 1970s-set series.”
—Sarah Weinman, The New York Times Book Review

“Like Cash's life, there's a rawness and a poetic leanness to Rendon's prose. The plot is quick with no excess, building to a confrontation that's inevitable and electrifying. Rendon's writing is quick and sharp and unflinching in its honesty . . . Haunting and truly gripping.”
—Carole E. Barrowman, Star Tribune

“Marcie writes the way Anishinaabe people view the world—full of rich descriptions and layered storytelling. While confronting difficult truths about religion and the value of Indigenous lives, Marcie shares revelatory moments of Cash awakening to her own worth.”
—Angeline Boulley, New York Times bestselling author of Firekeeper’s Daughter

“Rendon is a natural storyteller and a consummate writer . . . There isn’t a protagonist in recent fiction with the bearing of Rendon’s creation, and we’re the better for knowing her.”
Grand Rapids Herald-Review

“The vivid writing and keen eye keep the pages turning and readers hoping for another book in this series.”
―Buzzfeed

“[Rendon] is one heck of a mystery novelist. Rendon’s Cash Blackbear books are gripping vehicles that tell broader stories about the historical persecution of American Indians.”
—Oprah Daily

Library Journal

★ 01/01/2025

It's spring in Minnesota's Red River Valley, and Cash Blackbear is making extra money plowing fields. When she notices a car running all day in front of a farmhouse, something feels off, so she enters the home, where she finds its owner, Bud Borgerud, shot to death in the kitchen. Bud's tenants, an Indigenous field worker and his wife, aren't there, but Cash finds their daughter Shawnee hiding under a bed and informs Wheaton, the county sheriff. Her primary concern is for Shawnee, who seems to be in shock and isn't speaking; the child may have witnessed the shooting. Borgerud's widow asks to take in Shawnee, but Cash's psychic gift tells her to be suspicious of the woman. Instead, she hopes to find Shawnee's mother before the child is moved to the foster system that Cash barely survived. When another body turns up, Cash gets involved in the murder investigation while searching the White Earth Reservation for the missing mother and trying to keep secrets from Sheriff Wheaton. VERDICT The author of Where They Last Saw Her brings back Cash Blackbear (who last appeared in 2022's Sinister Graves) in a tragic, unforgiving crime novel that emphasizes the perils of the foster care system for Indigenous children.—Lesa Holstine

Kirkus Reviews

2024-12-12
Peyton Place meetsFargo in this clipped tale of misdoings in the Red River Valley.

As she’s plowing a field on Bud Borgerud’s farm one morning, Cash Blackbear spots a car parked with its engine running outside a house Borgerud’s renting to Nils and Arlis Petterson. The car is still there and still running the next time Cash passes, and the time after that. So Cash, an Ojibwe woman with a troubled past and a sixth sense that tells her things other people miss, pulls over and checks out the car, which is empty, and the house, which is occupied by a little girl and a dead body. The terrified girl speaks only enough to identify herself as Shawnee, but Cash recognizes the corpse as that of Bud Borgerud. Although Norman County Sheriff David Wheaton, the mentor who’s already gotten Cash out of more than one dangerous situation, assumes that Arlis Petterson shot her landlord and ran off with her husband, Cash can’t imagine why Arlis would abandon a child Cash believes is her daughter, a child who’s now unhappily shifted first to a county social worker’s custody, then to newly widowed Jean Borgerud’s. And the balance of authority shifts from Wheaton to Cash when she rescues him from the trunk of his car, where he’s been locked by a trio of bank robbers who got the drop on him. Rendon is less interested in spinning out further complications—most readers will spot Borgerud’s killer early on—than in exploring the ways the deck is stacked against Cash because she’s a woman, an Ojibwe, and a maverick with limited respect for white men’s rules.

A telling epitaph for the dreams of a heroine who had “dared to hope for something else this time.

Product Details

BN ID: 2940193710615
Publisher: Recorded Books, LLC
Publication date: 03/04/2025
Series: Cash Blackbear Mystery , #4
Edition description: Unabridged

Read an Excerpt

Cash stepped out of the cab of her Ranchero onto the soft, black dirt of the field she was to plow under. The sun had barely risen, casting a gentle yellow haze over the Red River Valley. It was going to be a scorcher. The early morning heat and humidity made her thin cotton T-shirt cling to her back. This close to the river, the air was always heavy and moisture-thick. At least the mosquitos weren’t out yet. To the west, cottonwoods, elm and oak created a green snake along the banks. A red hawk flew along the tree line.
     Looking into the sun, her hand shading her eyes, Cash could barely see the slight rise of the ancient meandering shoreline of what used to be Lake Agassiz thirty-five to forty-five miles away on the prairie. The flat land of the Red River Valley with its deep rich soil was created by glaciers moving north thirty thousand years before Cash’s time. As the glaciers melted, they formed a giant lake, larger than all the Great Lakes combined. When the Hudson Bay glacier melted, the waters of Lake Agassiz flowed into that bay, leaving behind the rich farmland.
     Cash scanned the wheat and sugar beet fields spread out for miles along the horizon in both directions. When she looked to the east, her eyes stopped at a small farmstead way at the other end of the section of field she was to plow. The small, white frame house, which even from this distance looked well worn, was owned by Bud Borgerud but was usually rented out to one of his field hands’ family. This morning, it had a newer car sitting in the driveway. Cash saw a faint trail of exhaust from the rear of the car.
     Cash lit a cigarette and blew the smoke softly into the air. She took a swig of coffee from her thermos. Another puff of smoke. Another drink of coffee. I better get to work, she thought. She tightened the cap back on the thermos, reached through the open window of her Ranchero and set it on the seat before walking over to the giant hunk of metal that was a Massey Ferguson tractor.
     Bud Borgerud, or one of his other field workers, had left the tractor parked at the end of the field, the key in the ignition. Cash pulled her slight five-foot-two frame up onto the tractor. Even before she sat down, she realized she had forgotten the cushion she usually used to make the daylong ride a little easier on her behind. She climbed back down, retrieved it from the Ranchero cab and threw it onto the tractor before crawling up after it.
     Once settled on the seat, she turned the key in the ignition, reached back for the lever to drop the plow into the ground and began plowing. As the tractor jounced down the field, Cash was grateful for the padded pillow cushion between her butt and the metal seat. As she neared the opposite end of the field, she noticed the parked car still running outside the white frame house. Someone is wasting gas. She turned the tractor and plow around in a wide, lazy circle and headed back the other way.
     Back and forth, all morning. As the sun rose, Cash baked in its heat. She tied her dark-brown, waist-length braid into a knot at the nape of her neck. As she rode, her body jostled by the tractor traversing hard ground, she thought back on what occurred at the end of the past winter. When the flood waters arrived, there was the crazy woman and her pastor  husband who kidnapped Native babies. Cash shuddered. The husband was dead. Cash, in sheer panic, had thrown a sharp paring knife straight into his neck. It had killed him. Cash’s mind flashed on the knife thrower who performed every year at the county fair. That person had real skill. Her own throw was pure luck. The pastor was dead and she hoped his wife was still locked up in the asylum down in Fergus Falls. As far as Cash knew, the infants were back with relatives on the reservation.
     Wheaton, the county sheriff, was always getting her into one mess or another. He had rescued her as a kid from an overturned car in a big ditch not too far from the field she was plowing for Borgerud. If she looked to the south, she could see the straight line of the gravel road where her mother had been drinking and driving and rolled the car. Cash had ended up in a series of foster homes, one nightmare family after the other until, in her late teens, Wheaton rescued her again and got her an apartment in Fargo, where she still lived.
     Cash didn’t know how or why, but she had developed sensibilities other folks didn’t seem to have. A new friend, Jonesy, who lived in the tamarack over on the White Earth reservation, called them gifts. Cash wasn’t sure about that. They seemed to come with the price of knowing too much about some other people’s trouble and hurts. She could sense things other people couldn’t. She out-of-body traveled in a near dream state at times, gathering information about crimes that weren’t evident to others. Sometimes, she dreamt things that gave her true information; like when she dreamt the address to the house where some men were holding young women hostage in Saint Paul. That had been her first trip to the Twin Cities and she had no desire to return. She liked working the fields, not being a cop, but she felt she owed Wheaton and so when he asked for help, she helped.
     He also wanted her to go to college. But it was summer and she had opted not to go to summer school. Killing a man, even a horrible man like the pastor, had messed with her concentration. Her grades remained good even though she skipped out on a lot of classes. She barely finished the spring semester. Given everything that had happened, she couldn’t sit in a classroom without feeling claustrophobic.
     Out here on the prairie there was room to breathe. And being able to see for miles in either direction created a sense of safety and security Cash had come to count on. She found some peace in the Red River Valley fields. When settlers had arrived in the Red River Valley in 1869, they received an allotment of a hundred and sixty acres of the most nutrient-rich soil in the world for an eighteen-dollar filing fee. Paupers from Scandinavian countries and Western Europe hit black gold. They grew children like corn. Some mothers gave birth to potential farmhands at the rate of one per eighteen months. Families would show up to church with eight to ten children, stepladdered from the tallest to the one on the hip.
     It was their descendants Cash worked for. Her own folks, the Ojibwe, had been in this part of the world since the seventeenth century. Prior to the settlers’ arrival, her people traded up and down the Red River with the Cree in Canada and the Dakota to the south. But they preferred to live in the forests by the lakes to the east, where deer and fish were plentiful. Cash, however, due to family circumstances and bad social policies, had grown up in the Valley. She had grown to love farm labor. She loved the quiet stillness of working the fields, driving the big machinery and trucks. There was the occasional broken machine or days of rain when one couldn’t get into the fields. But as a farm laborer none of that was really her problem. The big farmers like Borgerud handled the problems. All she had to do was drive the tractor and get paid.
     When the sun was directly overhead, Cash stopped the tractor by her Ranchero. She ate her tuna sandwich sitting in the shade offered by the big rear wheel of the tractor. There was a white wisp of a cloud in the sky, barely a wisp. She could hear birds talking to each other in the trees down by the river even though the river was a mile away. Looking to the east, beyond the little house with the car still running in the driveway, Cash could see cars driving down the highway two miles over, heading toward town for lunch at the drive-in or maybe to pick up machinery parts somewhere in Ada or Fargo. There were no cars driving the gravel roads out here where Cash was working. A few sections of land over, field dust was rising from another farmer plowing, but that was all that seemed to be moving in the Valley. Cash relished the peace. Sandwich. Coffee and cigarette. She was ready to get back to work.
     Climbing back up on the tractor seat, she looked down the field again at the car in the yard. Several hours and it hadn’t moved. She hadn’t seen anyone come in or go out of the house. Cash felt a familiar tingle at the back of her head, just behind her left ear. No. Just go to work, she told herself. She turned on the tractor and started plowing. The closer she got to the house, the greater the tingling sensation at the back of her head got. At that end of the field, she shut off the tractor. She could hear the soft hum of the car engine running. Not your issue, Cash. Get to work. She started the tractor again and headed back to the other end of the field.
     Cash made about four more rounds before she knew she’d have to check it out. Someone might leave a car running to go inside for a quick errand but no one left a car running all day. And that tingle told her something was off. When she got back to that end of the field, she shut the tractor off and hopped down. She brushed the field dust off her jeans and shirt as best she could. Slicked back the loose strands of hair that had escaped in the summer heat. As she walked up to the house, she ran different scenarios through her mind before settling on just asking for some water. She could always say the heat had gotten to her.
     Cash came into the yard from the field side so she walked right up to the car in order to turn toward the house. She glanced at the house windows. Sheer white curtains were open and no one was peering out. No farm dog announced her presence. Cash took a quick look into the front seat of the car. It was a soft, bluish-gray Chrysler model. The key was in the ignition. The leather seats were clean. No papers strewn about. A neat and tidy car. Tire tracks indicated at least one other car had recently been in the driveway.
     Cash looked again at the house. Still no movement in the windows. The back of her head started to vibrate as she walked closer to the two wooden steps that led to a screen door. Through the mesh of this outside door she could see inside the entryway, where another all-wood door was ajar. She knocked on the outside door. No answer. The door creaked on its spring hinge as she opened it. The thought ran through her mind that it was like the screen door at the Casbah bar. When she walked into the Casbah after a day in the fields the hinge would bring the door slamming shut right behind her, almost, but never quite, catching her long braid.
     Cash stepped up into the entryway. Denim work jackets hung on nails on the wall above a pair of worn field boots. “Hello?”
     No answer. The air where she stood was heavy.
     “Hello!” she called again before pushing the inside door open and stepping into the farm kitchen.
     There was a dead man lying in the middle of the kitchen. Blood congealed on his back and the floor around him. He faced away from Cash. Across the room, a .30-30 Winchester deer rifle looked as if it had been thrown and lay where it landed, against the base of the kitchen cupboards. Empty shells were scattered on the floor by the body.
     Cash took deep breaths to calm her body, which had started to tremble. She had not caused this carnage. This was not her fault. She looked at the man again. She noticed the linoleum underneath him and thought it must have been a Sears special because so many farm homes had the same flooring. If you looked closely, there were red and black dots that resembled Popeye’s girlfriend, Olive Oyl. Cash felt a giggle rise in her chest and stuffed it back down. She quickly scanned the room and leaned forward slightly to peer into the living room. From what she could see, the shooter was not in the kitchen or the living room.
     Cash didn’t see or hear another person. But she could sense she wasn’t alone. She called “Hello!” in what she hoped sounded like a normal, friendly tone. “Hello,” as she moved into the living room. No one. There were two doors in the room. She opened one door and revealed a closet that held a different season’s coats. A wooden shelf across the width of the closet held sewing supplies and kid board games, including a deck of cards and a cribbage board that sat on top of Candy Land. The second door she opened led upstairs.
     As she took one step up the stairs, Cash called out again, “Hello,” and started up. Some of the stairs creaked. If someone was up there, they would know how close she was getting. The top of the stairs was surrounded by a railing with balusters. With her head even with the upstairs floor, Cash looked straight ahead through the balusters into the bathroom. She could hear water dripping. No one was in there—unless they were lying flat, out of sight, in the claw-foot bathtub. Grabbing hold of the floorboards and pivoting around, Cash saw two bedrooms along a narrow hallway. In the first bedroom, all she could see was a window with its curtains pulled shut. In the other bedroom, the afternoon sun was shining through the window. She could see under an iron bed frame, its mattress sagging slightly on wire springs. Nothing under that bed but dust bunnies.
     Cash pivoted back around and continued walking up the stairs. “I was out plowing and got thirsty. Thought I’d stop in and see if I could get a drink of water. Looks like there’s been a pretty bad accident downstairs. I just want to make sure everyone is okay. You okay up here?”
     The hardwood floor creaked as she walked toward the first bedroom. Cautiously, she peered around the corner before entering. The tingling sensation at the back of her neck and head intensified to where it felt like fireflies were flitting around inside her skull. All her senses told her that someone, living, was in this room. She did not want to find another body.
    “Hello?” more softly this time. The bed was unmade. Sheets and blankets were thrown helter-skelter. A woman’s housedress lay on the floor along with a slip and bra. One oak dresser stood, several drawers pulled open, none of them fully shut. The room was quiet. Too quiet. Cash backed out of the room and did a quick survey of the other bedroom. Nothing was out of place. It was a child’s room. A girl’s room.
     Cash went back to the first bedroom and edged inside. She bent down onto her knees and looked under the bed. Back in the farthest corner, under the tall iron bed frame and wire bedsprings that held the mattress, a small body huddled. Big, brown, unblinking eyes looked out at Cash. Terrified, dull eyes.

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