Burning Images: A History of Effigy Protests

Hanging and burning effigies, scarecrow-like puppets representing politicians, is a specific theatrical form of political protest that has become increasingly visible in news media, particularly in protests against United States military operations in Afghanistan and Iraq, in us domestic politics, and in the Arab Spring. Taking these events as points of departure, Göttke investigates the conditions of this visual genre of protest, its roots and genealogies in a number of countries, its aesthetics and politics. Hanging and burning effigies communicates communal outrage over experienced injustice. Although it is an archaic and ritualistic form of protest, it is effectively communicated by global news media and social media. The book contains two interacting narratives: text (seven chapters) and a parallel montage of images. It delves deeply into practices, iconologies, rituals, protest and media strategies, and concludes with a reflection on how effigy protests can be seen as a symptom of fundamental conflicts at the limits of contemporary liberal democracy.

1139490928
Burning Images: A History of Effigy Protests

Hanging and burning effigies, scarecrow-like puppets representing politicians, is a specific theatrical form of political protest that has become increasingly visible in news media, particularly in protests against United States military operations in Afghanistan and Iraq, in us domestic politics, and in the Arab Spring. Taking these events as points of departure, Göttke investigates the conditions of this visual genre of protest, its roots and genealogies in a number of countries, its aesthetics and politics. Hanging and burning effigies communicates communal outrage over experienced injustice. Although it is an archaic and ritualistic form of protest, it is effectively communicated by global news media and social media. The book contains two interacting narratives: text (seven chapters) and a parallel montage of images. It delves deeply into practices, iconologies, rituals, protest and media strategies, and concludes with a reflection on how effigy protests can be seen as a symptom of fundamental conflicts at the limits of contemporary liberal democracy.

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Burning Images: A History of Effigy Protests

Burning Images: A History of Effigy Protests

Burning Images: A History of Effigy Protests

Burning Images: A History of Effigy Protests

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Overview

Hanging and burning effigies, scarecrow-like puppets representing politicians, is a specific theatrical form of political protest that has become increasingly visible in news media, particularly in protests against United States military operations in Afghanistan and Iraq, in us domestic politics, and in the Arab Spring. Taking these events as points of departure, Göttke investigates the conditions of this visual genre of protest, its roots and genealogies in a number of countries, its aesthetics and politics. Hanging and burning effigies communicates communal outrage over experienced injustice. Although it is an archaic and ritualistic form of protest, it is effectively communicated by global news media and social media. The book contains two interacting narratives: text (seven chapters) and a parallel montage of images. It delves deeply into practices, iconologies, rituals, protest and media strategies, and concludes with a reflection on how effigy protests can be seen as a symptom of fundamental conflicts at the limits of contemporary liberal democracy.


Product Details

ISBN-13: 9789492095961
Publisher: Valiz
Publication date: 11/23/2021
Pages: 384
Product dimensions: 6.25(w) x 9.00(h) x 1.10(d)

About the Author

Florian Göttke is a visual artist, researcher, and writer based in Amsterdam. He combines visual and academic research to investigate the functioning of public images and their relationship to social memory and politics. Göttke has exhibited internationally and has written articles for both academic journals and art publications.

Table of Contents

Introduction 9

Burning Questions

Collecting Images

Reading Images

Writing with Images

Structure of the Book

Chapter 1 Double Bodies 32

Double Bodies

Social and Political Effigy Traditions in Europe

Carnival Effigies

Chapter 2 Performing Protest 48

Performance

Scenario

Making

Dedication

Presentation

Animation

Debasement

Execution

The Stage

Memory

Chapter 3 Effigy Protests in the History of the United States 88

Revolutionary Rough Music

Pope Day Appropriation

Between Affirmation and Contestation

Effigy Protests and the Imagination of Justice

Un-Civil Rights Effigies

Civil Rights Effigies

Hanging and Burning Presidents

Effigy Protests and the Democratic Paradox

Effigy Protests and the Imagination of Democracy

Chapter 4 Effigy Protests in Egypt, Iran, Afghanistan, and Across the Middle East 134

Exercising Protest

Spring Festival in Egypt

From Egypt to Palestine

Hostage Crisis in Tehran

The Rushdie Affair

Occupations of Afghanistan

Insults to Islam

Arab Uprisings

Protests at the Limits of Western Democracy

Chapter 5 Dialogic Communication: Effigy Protests in Iraq 190

The Plinth

Mediated Presence

Dialogic Communication

Chapter 6 Resemblance and the Grotesque 206

Resemblance

Animation

The Grotesque

Dissemblance

Chapter 7 Violence and Laughter 236

Violence and Laughter

Oppressive Laughter

Liberating Laughter

Conclusion 260

Mobile Protest Practice

The Performance of Resistance

The Aesthetics of Resistance

Summary 269

Bibliography 275

Image References 283

Index of Names 307

Index of Geographical Locations 311

About the Author 315

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