It's a typical cold November night and Detective Sergeant Dennis Milne, a very atypical policeman, waits in the Traveller's Rest Hotel parking lot for the arrival of three men. Cynical and jaded, Milne earns money on the side by doing what he does best: punishing the bad guys. But this time he's been duped. Instead of blowing away drug dealers, he kills three innocent people, their deaths starting an investigation that sees him and his conscience heading for trouble.
Less than twelve hours later, Milne is out on the streets again. Eighteen-year-old Miriam Fox has been found dead by Regent's Canal-her throat slashed. Desperate to find Miriam's killer, Milne uncovers a web of depravity far more shocking than he could ever have imagined. Can he evade arrest for his own crimes and solve a case so sickening that it may provide the key to his personal redemption?
The clock is ticking and everyone's watching their backs as a war of morality is fought in the mind of one renegade policeman in this gripping first novel by a talented young crime writer.
About the Author
Simon Kernick lives near London with his wife and young daughter. The Business of Dying is his first novel.
Read an Excerpt
The Business of Dying
By SIMON KERNICK
St. Martin's MinotaurCopyright © 2002 Simon Kernick
All right reserved.
Chapter OneThere's a true story that goes like this. A few years back a thirty-two-year-old man abducts a ten-year-old girl from the street near her house. He takes her back to his dingy bedsit, ties her to a bed, and subjects her to a brutal hour-long sex ordeal. It might have been a lot worse had the walls not been paper thin. One of the neighbours hears the screams, phones the police, and they come and knock the door down. The girl is rescued, although apparently she still bears the scars, and the perpetrator is arrested. Seven months later he goes on trial and his lawyer gets him off on a technicality. Apparently she takes the legal view that it's better that ten guilty men go free than one innocent one's imprisoned. He returns to the area where he committed the crime and lives the life of a free man. The lawyer gets her money, courtesy of the taxpayer, as well as the congratulations of her partners on a worthy performance. They probably even take her out for a celebration drink. Meanwhile, every parent in a two-mile radius of this guy is living in fear. The police try to defuse the situation by saying they'll keep a good watch on him, but admit there's nothing else they can do. As always, they appeal for calm.
Three months later, the girl's dad gets caught pouring petrol through the guy's letterbox. The police, for once, have been true to their word and are actually watching the place. He's arrested, charged with arson and attempted murder, and remanded in custody. The local newspaper sets up a campaign to free him and starts a petition that gets something like twenty thousand signatures. Predictably the powers-that-be ignore it, interest fades, and then, before his case comes to trial, the dad hangs himself in his cell. Is this the tale of a progressive, forward-looking society, or one that's about to go down the pan? You tell me.
But the moral of the story, that's easier. If you're going to kill someone, plan it.
9.01 p.m. We were sitting in the rear car park of the Traveller's Rest Hotel. It was a typical English November night: dark, cold and wet. Not the best time to be out working, but who can choose their hours these days? The Traveller's Rest didn't look very restful at all. It was one of those modern redbrick structures with loud lighting, revolving doors, and that curse of modern times, a weekly karaoke night. The one thing going for it was the fact that the front car park had been shut for resurfacing. This meant our quarry would have to come round the back, away from the main entrance, and hopefully away from any stray civilians. Would they smell a rat? I doubted it. Not until it was too late anyway.
I hate the waiting. It's the worst part. It gives you too much time to think. So I lit a cigarette and took a long but guilty drag. Danny wrinkled his nose but he didn't say anything. He doesn't like smoking but he's not the kind to make a big deal about it. He's a tolerant sort. We'd been talking earlier about this case of the 'alleged' paedophile and Danny had been the one supporting the lawyer's ten guilty-men argument, which was typical of him. And bullshit too. Why the suffering of many is seen as being preferable to the suffering of one is beyond me. It's like running a TV station where twenty million viewers want to see gameshows and two million want to see operas, and only showing operas. If the people who believed it ever ran a business, it'd go bust in a day.
But I like Danny. And I trust him. We've worked together a long time and we know each other's capabilities. And that, in our line of business, is the key.
He opened the driver's side window to let some air in and I shivered against the cold. It really was a shitty night.
'Personally, I'd have gone after the lawyer,' I said.
'If I was that girl's dad, I would have gone for the lawyer rather than the rapist.'
'Why? What good would that have done?'
'Because there's an argument that the rapist couldn't help what he did, that his urges were just too much to handle. I'd still cut his balls off, but that's not the point. The point is, the lawyer had the choice not to defend him. She was an intelligent, rational woman. She knew what he'd done and still she did all in her power to put him back on the streets. Hers was therefore the greatest crime.'
'I don't understand that argument at all.'
'The greatest evil in the world comes not from those who perpetrate it, but from those who excuse it.'
Danny shook his head like he couldn't believe what he was hearing. 'Jesus, Dennis, you're beginning to sound like some sort of Angel of Death. You want to calm down a little. It's not as if you're whiter than white yourself.'
Which was true. I wasn't. But I consider myself to have principles-codes of conduct to which I strictly adhere-and that, I felt, gave me the justification to say my piece.
I was about to tell Danny this when the radio crackled into life.
'All right, they're here,' hissed the disembodied voice. 'Black Cherokee, three occupants. It's them.'
Danny started the engine while I slid silently out of the car, flicked the cigarette away, and walked towards the spot where the Cherokee would appear, knowing that this was going to be the one and only chance I was going to get.
There was a clank as it hit the speed ramp, then it came round the side of the main building and drove slowly into the car park, looking for a place to stop. I broke into a jog, waving my hands to get the driver's attention. In my Barbour jacket and shirt and tie, I looked every inch the harassed businessman.
The Cherokee continued moving but came to a halt as I reached the driver's side window and banged on it. 'Excuse me, excuse me.' My voice was different now. Higher pitched, less confident.
The window came down and a hard-looking sod with a square jaw that looked like it was made of cast iron glared out at me. I put him at about thirty-five. My face dissolved into nerves. Both the driver and his front- seat passenger, a smaller, older guy with Brylcreemed hair and a greasy face, were already relaxing. They saw me as no threat. Just a man who pays his taxes and does what he's told for a living. I heard the one in the back mumble something but I didn't even look at him.
'What do you want?' demanded the driver impatiently.
'Er, I was wondering ...'
I brought the gun up from my pocket, had this momentary paranoia that I might not have released the safety, and shot him twice in the right eye. He made no sound, simply fell back into his seat, head tilted to one side, and shivered out the final ounces of his life.
The front passenger swore loudly and immediately flung up his arms in a futile effort to protect himself. I leaned down slightly to get a better view of him and pumped out a further two rounds. One hit him in the elbow, the other in the jaw. I heard it crack. He shrieked in pain and then coughed violently as his mouth filled with blood. He tried to retreat in his seat, scrabbling about like a madman, unable to accept the fact that it was all over. I steadied myself and fired again, hitting him square in the forehead. The window behind him bloomed with red and his greasy features immediately relaxed. So far the whole thing had taken about three seconds.
But the one in the back was quick. He was already swinging open the door and coming out with what looked like a gun in his hand. I didn't have time to take a closer look. Instead I retreated three steps and squeezed the trigger as he came into view. I got him somewhere in the upper body but still he kept coming, and fast. I continued firing, holding the gun two-handed, teeth clenched against the noise that was exploding in my ears. The momentum of the bullets forced him backwards, driving him into the door. He did a manic, confused dance to the tune of the gunfire, his arms and legs flailing, and angry red spots appeared like pox on his crisp, white shirt.
And then the magazine was empty and everything stopped as suddenly and dramatically as it had begun.
For a second he remained upright, holding onto the door for support, the energy almost visibly leaking out of him. Then he sort of half fell, half sat down, losing his grip on it in the process. He looked down at the blood on his shirt, and then at me, and I got a good look at his face, which I didn't want at all, because it was young, maybe late twenties, and his expression was all wrong. What I mean is, it wasn't the expression of a sinner. There was no defiance there, no rage. Just shock. Shock that his life was being stolen from him. He looked like a man who didn't think he deserved it, and that was the moment when I should have known I'd made a terrible mistake.
Instead, I turned away from his stare and reloaded. Then I stepped forward and shot him three times in the top of the head. The mobile phone he was carrying clattered noisily to the ground.
I dropped the gun into my jacket pocket and turned towards Danny, who was now bringing the car round.
Which was when I saw her, maybe fifteen yards away, standing in the light of the rear firedoor, a bag of rubbish in each hand. No more than eighteen and looking right at me, still too shocked to realize that what she was witnessing was real. What do you do? A movie pro would have taken her out with a single shot to the head, although there was no guarantee I'd even have hit her from where I was standing. And anyway, I'm not interested in hurting civilians.
Her hand went to her mouth as she saw I'd seen her, and I knew that any moment she was going to let out a scream that would probably wake the dead, which, with the dead only just being dead, I didn't want at all. So I lowered my gaze and hurried round to the passenger door, hoping that the gloom and wet had obscured my features enough to make any description she gave worthless.
I jumped in and kept my head down. Danny didn't say a word. He just hit the pedal and we were out of there.
It was 9.04.
The journey to our first change of transport took exactly four minutes and covered a distance of approximately two and a half miles. We'd parked a Mondeo in a quiet piece of Forestry Commission land earlier that day. Danny now pulled up behind it, cut the engine, and got out. I leaned under the passenger seat and removed a full five-litre can of petrol which I liberally sprinkled over the car's interior. When it was empty, I got out, lit a book of matches, stepped back so I was well out of the way, and flung them in, followed by the murder weapon and the two-way radio I'd been using. There was a satisfying whoosh as the petrol ignited, followed by a wave of heat.
When they came across the mangled wreckage it wouldn't tell them anything. We hadn't left any fingerprints and the car itself would be almost impossible to trace. It had been stolen in Birmingham six months ago, given new plates and a respray, and stored in a lock-up in Cardiff ever since. In this line of business, you can never be too careful. Contrary to popular belief, most detectives couldn't detect a heartbeat on a speed addict, but you never know when you might be up against the next Ellery Queen.
We now followed a pre-arranged route for four miles through a mixture of B and single-track roads and it was 9.16 when we pulled into the car park of Ye Olde Bell, a busy country pub on the edge of an affluent looking commuter village. Danny drove up to the far end and stopped behind a burgundy Rover 600.
This was where we parted.
'Did that girl get a good look at you?' he asked as I opened the door. They were the first words he'd spoken since the shootings.
'No, we'll be all right. It was too dark.'
He sighed. 'I don't like it, you know. Three murders, and now we've got a witness.'
Admittedly it didn't sound too good when he put it like that, but at the time there was no reason to think that we weren't in the clear.
'Don't worry. We've covered our tracks well enough.'
'There's going to be a lot of heat over this one, Dennis.'
'We both knew that when we took the job. As long as we keep calm, and keep our mouths shut, we won't feel any of it.'
I gave him a friendly pat on the shoulder, and told him I'd call him the next day.
The Rover's keys were behind the front driver's side wheel. I got in, started the engine and followed Danny out of the car park. He turned south and I turned north.
And that should have been that, but tonight was not my lucky night. I'd barely gone three miles and was just short of the turning that would take me back to London when I hit an improvised roadblock. There were two Pandas with flashing lights at the side of the road: officers in fluorescent safety jackets were milling about a BMW they'd already stopped. My heart gave an initial jump but I quickly recovered myself. No reason to worry. I was a man on my own, unarmed, driving a car that had never been within five miles of the Traveller's Rest, and they wouldn't even have the vaguest description of me yet. The clock on the dashboard said 9.22.
One of them saw my approach and stepped out into the road, flashing his torch and motioning for me to pull up behind the other car. I did as I was told and wound down the window as he approached the driver's side. He was young, no more than twenty-three, and very fresh-faced. They say you can tell you're getting old when the coppers look young. I could just about have been this kid's dad. He looked really enthusiastic as well. That wouldn't last. A second officer stood a few feet behind him, watching, but the other two were preoccupied with the driver of the other car. None of them appeared to be armed, which I thought was a bit foolish under the circumstances. I could have run this roadblock and they wouldn't have had a chance.
'Good evening, sir.' He leaned down into the window and gave me and the car a gentle once-over.
It always pays to be polite. 'Evening, officer. How can I help?'
'There's been an incident at a hotel called the Traveller's Rest on the A10. About fifteen minutes ago. You haven't come that way, have you?'
'No, I haven't,' I told him. 'I've come from Clavering. I'm on my way to London.'
He nodded understandingly, and then looked at me again. You could tell that for some reason he wasn't entirely convinced, although I don't know why. I'm not the type who arouses suspicions. I genuinely look like a nice guy. There shouldn't have been any alarm bells.
But there were. Maybe I'd just met the new Ellery Queen.
'Have you got any identification, sir? Just for the record.'
I sighed. I didn't want to have to do this because it could well cause me a lot of long-term problems, but I didn't see that I had much choice.
For a split second I baulked.
Then I reached into my pocket and removed the warrant card.
Excerpted from The Business of Dying by SIMON KERNICK Copyright © 2002 by Simon Kernick
Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Most Helpful Customer Reviews
Fast paced, could not stop reading this!
In England Detective Sergeant Dennis Milne is a tough, dedicated yet sordid and depraved cop who moonlights as a hit man. He takes out the dregs of society for a fee paid by other scum. On his latest non-police assignment, he and his partner kill three nasties and easily escape the scene. The brass assigns Milne to investigate the triple homicide in which he was the trigger. To his shock he quickly learns that two of the victims were customs employees and the third deceased was an accountant. Realizing he killed the good guys, an angry Milne decides he needs real answers from his clients who apparently double-crossed him. He also is involved in inquiries into the vile murder of a teenage girl. As his criminal employers demand he cool it, his law enforcement associates begin to investigate Milne. He, on the other hand, simply thirsts for revenge against those who set him up, but to cleanse his soul he must find who viciously committed the teen atrocity. Milne is a complex protagonist who learns that a conscience is a pain in the butt, as he does not mind killing society¿s lowest residue, but not those he considers decent. The last hit bothers him badly and though he cannot clean the slate he can try to eliminate those who caused this atrocity. THE BUSINESS OF DYING pairs a prime hard boiled detective theme parallel with a police procedure subplot that when they connect the antihero star is caught in the crosshairs. Harriet Klausner