California Continuum, Volume 1: Migrations and Amalgamations

California Continuum, Volume 1: Migrations and Amalgamations is a nonlinear look at little discussed aspects of the history of California. Hier and Brantingham look as far back as California's geologic past, fast forwarding to the age of the mastodons, then to the time when only Native Americans inhabited this land and finally to the present age.
Rather than following a direct narrative, they explore themes that have run through California. One theme is the violence that is endemic to the state. For example, they write about various workers who helped to construct the brick that struck Reginald Denny. In another, they dramatize the California Water War that William Mulholland helped to ignite. They write about a number of the riots and civil uprisings in the state's history including the Zoot Suit Riots and the Rodney King Uprising.
Another theme is migration. California is a multicultural state whose history has been shaped by people following sometimes unrealistic dreams. They write about people who want to break into the movies, people fleeing war and terror, people looking for economic security, and people who are looking for freedom from racism.
In still another theme, they look at the way that the natural world has affected the people who have lived in the state. California's deserts, waterways, and forests have shaped and in many ways predetermined the way that the people of this area live, but that's not the whole story. There have been at least two competing edenic visions of California. The first is characterized by John Muir who saw the state as being perfect when it is untouched. He believed it was a kind of natural paradise and so do many of the characters of this collection. Another vision can be characterized by the way William Mulholland saw the state. He saw it as a paradise to be created where the potential for agriculture was unlimited, and that agriculture could create wealth and beauty. Other characters live inside this dream of the state.
Grant Hier and John Brantingham come to no hard conclusions about the history of California. They believe that conclusions negate the complexity of the state and exclude some of the more important aspects of any culture or period of time. When someone defines history, important details and people are inevitably left out. Of course, they are not able to capture all of the history of the state either; no one will ever be able to do so, which is why this is the first volume in what they hope will be a long series of books with many writers that extends beyond them. There is no way to completely capture California, but they hope a diversity of voices will be able to give a richer sense of the place.

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California Continuum, Volume 1: Migrations and Amalgamations

California Continuum, Volume 1: Migrations and Amalgamations is a nonlinear look at little discussed aspects of the history of California. Hier and Brantingham look as far back as California's geologic past, fast forwarding to the age of the mastodons, then to the time when only Native Americans inhabited this land and finally to the present age.
Rather than following a direct narrative, they explore themes that have run through California. One theme is the violence that is endemic to the state. For example, they write about various workers who helped to construct the brick that struck Reginald Denny. In another, they dramatize the California Water War that William Mulholland helped to ignite. They write about a number of the riots and civil uprisings in the state's history including the Zoot Suit Riots and the Rodney King Uprising.
Another theme is migration. California is a multicultural state whose history has been shaped by people following sometimes unrealistic dreams. They write about people who want to break into the movies, people fleeing war and terror, people looking for economic security, and people who are looking for freedom from racism.
In still another theme, they look at the way that the natural world has affected the people who have lived in the state. California's deserts, waterways, and forests have shaped and in many ways predetermined the way that the people of this area live, but that's not the whole story. There have been at least two competing edenic visions of California. The first is characterized by John Muir who saw the state as being perfect when it is untouched. He believed it was a kind of natural paradise and so do many of the characters of this collection. Another vision can be characterized by the way William Mulholland saw the state. He saw it as a paradise to be created where the potential for agriculture was unlimited, and that agriculture could create wealth and beauty. Other characters live inside this dream of the state.
Grant Hier and John Brantingham come to no hard conclusions about the history of California. They believe that conclusions negate the complexity of the state and exclude some of the more important aspects of any culture or period of time. When someone defines history, important details and people are inevitably left out. Of course, they are not able to capture all of the history of the state either; no one will ever be able to do so, which is why this is the first volume in what they hope will be a long series of books with many writers that extends beyond them. There is no way to completely capture California, but they hope a diversity of voices will be able to give a richer sense of the place.

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California Continuum, Volume 1: Migrations and Amalgamations

California Continuum, Volume 1: Migrations and Amalgamations

California Continuum, Volume 1: Migrations and Amalgamations

California Continuum, Volume 1: Migrations and Amalgamations

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Overview

California Continuum, Volume 1: Migrations and Amalgamations is a nonlinear look at little discussed aspects of the history of California. Hier and Brantingham look as far back as California's geologic past, fast forwarding to the age of the mastodons, then to the time when only Native Americans inhabited this land and finally to the present age.
Rather than following a direct narrative, they explore themes that have run through California. One theme is the violence that is endemic to the state. For example, they write about various workers who helped to construct the brick that struck Reginald Denny. In another, they dramatize the California Water War that William Mulholland helped to ignite. They write about a number of the riots and civil uprisings in the state's history including the Zoot Suit Riots and the Rodney King Uprising.
Another theme is migration. California is a multicultural state whose history has been shaped by people following sometimes unrealistic dreams. They write about people who want to break into the movies, people fleeing war and terror, people looking for economic security, and people who are looking for freedom from racism.
In still another theme, they look at the way that the natural world has affected the people who have lived in the state. California's deserts, waterways, and forests have shaped and in many ways predetermined the way that the people of this area live, but that's not the whole story. There have been at least two competing edenic visions of California. The first is characterized by John Muir who saw the state as being perfect when it is untouched. He believed it was a kind of natural paradise and so do many of the characters of this collection. Another vision can be characterized by the way William Mulholland saw the state. He saw it as a paradise to be created where the potential for agriculture was unlimited, and that agriculture could create wealth and beauty. Other characters live inside this dream of the state.
Grant Hier and John Brantingham come to no hard conclusions about the history of California. They believe that conclusions negate the complexity of the state and exclude some of the more important aspects of any culture or period of time. When someone defines history, important details and people are inevitably left out. Of course, they are not able to capture all of the history of the state either; no one will ever be able to do so, which is why this is the first volume in what they hope will be a long series of books with many writers that extends beyond them. There is no way to completely capture California, but they hope a diversity of voices will be able to give a richer sense of the place.


Product Details

ISBN-13: 9781938349812
Publisher: Pelekinesis
Publication date: 03/30/2019
Pages: 258
Product dimensions: 5.50(w) x 8.50(h) x 0.58(d)

About the Author

Grant Hier is the Poet Laureate of Anaheim, California. He was the 2014 recipient of Prize Americana for his book Untended Garden, which was published by The Poetry Press in 2015, and nominated for both an American Book Award and the Kate Tufts Discovery Award. He was awarded the Nancy Dew Taylor Prize for Literary Excellence in Poetry in 2014 for his poem "The Difference Between Rattle and Settling," and the Kick Prize for poetry in 2013 for his poem, "Between Ellipses." Grant Hier earned his BA in English at California State University at Fullerton, and both an MA in Literature and MFA in Creative Writing Poetry at California State University at Long Beach. For more than a decade he served as Chair of Liberal Arts and Art History and Faculty Senate President at Laguna College of Art + Design where he remains as Full Professor, teaching courses in literature and creative writing.

John Brantingham is the first poet laureate of Sequoia and Kings Canyon National Park, the writer-in-residence at the dA Center for the Arts in Pomona, California, and a professor of English at Mt. San Antonio College. His work has appeared in hundreds of magazines including Writer's Almanac, The Journal, Tears in the Fence, and Confrontation. He has been nominated for ten Pushcart Prizes and won a spot in The Best Small Fictions 2016 and was a semifinalist in The Best Small Fictions 2018. He co-edited The L.A. Fiction Anthology (Red Hen Books). His poetry collections include East of Los Angeles (Anaphora Literary Press), The Green of Sunset (Moon Tide Press), and Dual Impressions: Poetic Conversations about Art (Silver Birch Press) with Jeffrey Graessley, and A Sublime and Tragic Dance (Cholla Needles Press) with Kendall Johnson. His collection of short fiction are Let Us All Pray Now to Our Own Strange Gods (World Parade Books). In the summers, he and his wife Annie teach free art and writing classes in Sequoia and Kings Canyon National Park. He is currently working on Kit Kid Dizzy: A Non-Linear Memoir of Magical Realist Mindfulness in the High Sierra that Is Often True and a series of poetry books about his time in the High Sierra.

Table of Contents

Preface Robert Petersen 13

Introduction D. J. Waldie 15

Foreword Grant Hier 21

Foreword John Brantingham 33

Part 1 Go to the West

For Those of You Who Don't Understand, That's What You Call Real Love 39

1850 44

Continental Drift 45

Nathaniel 46

The Bones 47

The Balance of the Table 48

South-Western Migration 49

Art in the West 50

Signal Hill 51

Layers 52

Lots 53

The Three Strikes Rule 56

The Savior 59

Part 2 Symbols of Human Failure

The Golden Gate Bridge 65

In the Tule Fog 66

All of Those Boys Are Dead Now 68

As the City Burns 77

Post-War 79

The Bombing of Goleta 80

Zoot Suit Riots 81

We'll Be Thinking of You 82

The View from Porcupine Hill 86

Ringtailed Dreams 89

The View from Signal Hill 90

Part 3 I Am Not Free

Sandra Who 97

The Sorrowful Music of Cows 98

The Fountainhead 101

Fight or Flight 102

Captured 104

Marty Was Here 106

The Last Day of March 110

A Kind of Social Justice 111

A Quick Moment of Tom 116

Square Nails 122

Allison 123

Martha Who 124

Part 4 A Thinking Animal

The Water Hunter 129

Acts of Self-Destruction 132

The Train Whistle 136

The World Gone to Flame 137

Buffalo Soldiers 141

The Killer of Men, The Killer of Trees 142

"Remember when we get there, honey…" 145

Ferdinand, Lincoln, McKinley 147

Lily Liver 149

Part 5 A Single Thing In Nature

No Socks 157

In the Land of Drought 176

Daughter of the Mammoth Hunter 179

In The Land Of Bears 180

The California Water War 191

Halcyon Solstice 193

Tannerite 194

Disheveled 196

Smelling March 201

The San Francisco Earthquake, 1906 202

Eureka 205

Internal Injuries 207

Praising Strange Gods 213

Part 6 Driving Wedges

Howard's Magic 217

The Beauty of a Bettie Page Haircut 221

The Snake 226

Marathon Man 228

The View from the Monkey Bars 230

Broken Bones 231

The Last Hope for Doris Day 232

When Rachel Sleeps 236

Children Let Your Voices Sing Higher Than the Explosions 237

E Pluribus Unum 241

Notes 247

Acknowledgments 249

About The Authors 252

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