Choreographing Identities: Folk Dance, Ethnicity and Festival in the United States and Canada

Throughout its history, the United States has become a new home for thousands of immigrants, all of whom have brought their own traditions and expressions of ethnicity. Not least among these customs are folk dances, which over time have become visual representations of cultural identity. Naturally, however, these dances have not existed in a vacuum. They have changed--in part as a response to ever-changing social identities, and in part as a reaction to deliberate manipulations by those within as well as outside of a particular culture.

Compiled in great part from the author's own personal dance experience, this volume looks at how various cultures use dance as a visual representation of their identity, and how "traditional" dances change over time. It discusses several "parallel layers" of dance: dances performed at intra-cultural social occasions, dances used for representation or presentation, and folk dance performances. Individual chapters center on various immigrant cultures. Chiefly the work focuses on cultural representation and how it is sometimes manipulated. Key folk dance festivals in the United States and Canada are reviewed. Interviews with dancers, teachers, and others offer a first-hand perspective. An extensive bibliography encompasses concert programs and reviews as well as broader scholarly sources.

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Choreographing Identities: Folk Dance, Ethnicity and Festival in the United States and Canada

Throughout its history, the United States has become a new home for thousands of immigrants, all of whom have brought their own traditions and expressions of ethnicity. Not least among these customs are folk dances, which over time have become visual representations of cultural identity. Naturally, however, these dances have not existed in a vacuum. They have changed--in part as a response to ever-changing social identities, and in part as a reaction to deliberate manipulations by those within as well as outside of a particular culture.

Compiled in great part from the author's own personal dance experience, this volume looks at how various cultures use dance as a visual representation of their identity, and how "traditional" dances change over time. It discusses several "parallel layers" of dance: dances performed at intra-cultural social occasions, dances used for representation or presentation, and folk dance performances. Individual chapters center on various immigrant cultures. Chiefly the work focuses on cultural representation and how it is sometimes manipulated. Key folk dance festivals in the United States and Canada are reviewed. Interviews with dancers, teachers, and others offer a first-hand perspective. An extensive bibliography encompasses concert programs and reviews as well as broader scholarly sources.

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Choreographing Identities: Folk Dance, Ethnicity and Festival in the United States and Canada

Choreographing Identities: Folk Dance, Ethnicity and Festival in the United States and Canada

by Anthony Shay
Choreographing Identities: Folk Dance, Ethnicity and Festival in the United States and Canada

Choreographing Identities: Folk Dance, Ethnicity and Festival in the United States and Canada

by Anthony Shay

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Overview

Throughout its history, the United States has become a new home for thousands of immigrants, all of whom have brought their own traditions and expressions of ethnicity. Not least among these customs are folk dances, which over time have become visual representations of cultural identity. Naturally, however, these dances have not existed in a vacuum. They have changed--in part as a response to ever-changing social identities, and in part as a reaction to deliberate manipulations by those within as well as outside of a particular culture.

Compiled in great part from the author's own personal dance experience, this volume looks at how various cultures use dance as a visual representation of their identity, and how "traditional" dances change over time. It discusses several "parallel layers" of dance: dances performed at intra-cultural social occasions, dances used for representation or presentation, and folk dance performances. Individual chapters center on various immigrant cultures. Chiefly the work focuses on cultural representation and how it is sometimes manipulated. Key folk dance festivals in the United States and Canada are reviewed. Interviews with dancers, teachers, and others offer a first-hand perspective. An extensive bibliography encompasses concert programs and reviews as well as broader scholarly sources.


Product Details

ISBN-13: 9780786426003
Publisher: McFarland & Company, Incorporated Publishers
Publication date: 09/25/2006
Edition description: New Edition
Pages: 260
Product dimensions: 6.00(w) x 9.00(h) x 0.52(d)
Age Range: 18 Years

About the Author

Award winning choreographer Anthony Shay is an associate professor in the Department of Theatre and Dance at Pomona College, Claremont, California. His articles have appeared in Dance Research Journal, Iranian Studies Journal, International Encyclopedia of Dance, and other publications.

Table of Contents

Table of Contents

Acknowledgments     
Introduction     

Part I: Folk Dance
1. Immigrant Dance     
2. Choreographic Strategies of Representation     

Part II: Ethnicity
3. Ethnicity, Heritage, and Tradition     
4. Immigrant and Ethnic Communities     
5. Mexican Americans     
6. Greek Americans     
7. Filipino Americans     
8. Croatian Americans     
9. Arab Americans     
10. Iranian Americans     

Part III: Festival
11. The International Folk Dance Festival     
12. The St. Paul Festival of Nations     
13. The International Folk Dance Festival of Los Angeles     
14. The San Francisco Ethnic Dance Festival     
15. Nations of San Diego International Dance Festival     
16. The Smithsonian Institution’s Folklife Festival     

Conclusion—The Politics of Representation     
Notes     
Bibliography     
Index     
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