Christopher Nolan: Filmmaker and Philosopher

by Robbie B. H. Goh, Costica Bradatan (Editor)

Overview

Christopher Nolan is the writer and director of Hollywood blockbusters like The Dark Knight and The Dark Knight Rises, and also of arthouse films like Memento and Inception. Underlying his staggering commercial success however, is a darker sensibility that questions the veracity of human knowledge, the allure of appearance over reality and the latent disorder in contemporary society.

This appreciation of the sinister owes a huge debt to philosophy and especially modern thinkers like Friedrich Nietzsche, Sigmund Freud and Jacques Derrida. Taking a thematic approach to Nolan's oeuvre, Robbie Goh examines how the director's postmodern inclinations manifest themselves in non-linearity, causal agnosticism, the threat of social anarchy and the frequent use of the mise en abyme, while running counter to these are narratives of heroism, moral responsibility and the dignity of human choice. For Goh, Nolan is a 'reluctant postmodernist'. His films reflect the cynicism of the modern world, but with their representation of heroic moral triumphs, they also resist it.

Product Details

ISBN-13:	9781350139978
Publisher:	Bloomsbury Academic
Publication date:	12/02/2021
Series:	Philosophical Filmmakers
Pages:	200
Product dimensions:	5.95(w) x 8.42(h) x 0.57(d)

About the Author

Robbie Goh is Professor of Literature in the department of English Language and Literature at the National University of Singapore, Singapore. His research interests are Diaspora Studies, Indian Anglophone Literature, Christianity in Asia, the Bible and Literature/Popular Culture, Late Nineteenth Century English Literature, and Speculative Fiction.

Costica Bradatan is a Professor of Humanities in the Honors College at Texas Tech University, USA, and an Honorary Research Professor of Philosophy at University of Queensland, Australia. He is the author or editor of several books, and his work has been translated into many languages, including Dutch, German, Italian, Chinese, Vietnamese, and Farsi. Bradatan writes regularly for such publications as the New York Times, Times Literary Supplement, Aeon, Dissent, and The New Statesman, and serves as the Religion/Comparative Studies Editor for the Los Angeles Review of Books.

Table of Contents

1. Christopher Nolan as Philosophical Filmmaker: Themes and Influences
2. Postmodernism and Cynicism
3. The Moral Turn: Against Postmodernism
4. Nolan's Heroes as Philosophers
5. Film Narrative and/as Philosophy

Editorial Reviews

A magisterial sweep over a multifold canvas. At once auteur, social critic, genie, and moralist, Goh's Nolan is a layered and evolving medium for our times. From the restless noir of the earliest works, to the historical gravitas of the most recent, Goh's survey penetrates intricacies and opens new perceptions. A must-read study on a crucial oeuvre for critics, students, filmmakers and fans alike.” —Lauren M.E. Goodlad, Professor of English, Rutgers, The State University of New Jersey, USA

“With deft handling of Christopher Nolan's diverse oeuvre, Robbie Goh puts forward a strong argument for the philosophical depths of films such as Inception, Dunkirk, and The Dark Knight. Taking readers through Nolan's audio-visual medium, Goh interrogates the place of the individual in a decaying social structure, questions the production of truth, and finds reasons for hope.” —S. Brent Plate, author of "Religion and Film: Cinema and the Re-Creation of the World"

From the Publisher